Canada`s unexpected Afghan war
Transcription
Canada`s unexpected Afghan war
TIMES COLONIST REVIEW Global Television documentary examines the decisions behind the military mission MARIA KUBACKI Canwest News Service CANWEST NEWS SERVICE Global National news anchor Kevin Newman narrates Revealed: The Path to War, which airs on Tuesday at 10 p.m. looks at Canada’s involvement in Afghanistan from the inside. It’s a chronological account built around interviews with the politicians who made decisions on policy as the conflict developed — including former prime ministers Jean Chrétien and Paul Martin, as well as former defence ministers John McCallum and Bill Graham. The documentary also suggests that our military leaders — especially the current chief of the defence staff, General Rick Hillier — saw Afghanistan as an opportunity to show the world that Canadian forces were capable not only of peacekeeping but of a combat role on the world stage. B3 9/11 attacks set Canada on path to Kandahar Canada’s unexpected Afghan war Early in, early out — that was the plan back in February 2002 when Jean Chrétien’s Liberal government sent Canadian troops to Afghanistan as part of an international coalition mandated to drive out the Taliban in the wake of the Sept. 11 terrorist attacks. It was supposed to be a short-term mission, but six years later, Canada is still mired in a messy war that’s claimed the lives of 79 Canadian soldiers so far. A new Global Television documentary examines how Canada ended up digging itself in deeper and deeper in Afghanistan. Revealed: The Path to War airs March 11 in advance of a parliamentary vote on an extension of the mission that would see Canadian troops remain in the volatile province of Kandahar until 2011. “I’m fascinated by trying to uncover how the decision was made,” said Global National anchor Kevin Newman, who co-produced, co-wrote and narrated the film. “It’s not always about helping the people of Afghanistan.” Some of the choices made along the way have been more about pleasing the Americans, the documentary suggests. Having decided against participating in the war in Iraq, Canada felt pressured to continue making a major contribution in Afghanistan. “People ask why are we in Kandahar,” said Newman. “It has less, probably, to do with Afghanistan than it has to do with not going to Iraq.” Based on the Shaughnessy Cohen Prize-winning book The Unexpected War: Canada in Kandahar by political scientist Janice Gross Stein and former Defence Department insider Eugene Lang, the documentary SUNDAY, MARCH 9, 2008 ARTS Canada was compelled to participate in the initial Afghanistan mission once NATO invoked Article 5, which states that an attack on one member is an attack on all. Beyond our responsibilities as a NATO member, there was also the need to show our loyalty to the U.S. Still, Canada’s part in the war in Afghanistan was never meant to be an open-ended contribution, notes Stein in the film. The original plan was “Six months in, six months out, tidy, wrap a bow around the package.” It’s turned out to be anything but tidy as Canada’s role grew to include leading the Interna- tional Security Assistance Force in Kabul in 2003 and assuming responsibility for the provincial reconstruction team in Kandahar in 2005 — a combat zone where 2,500 Canadian troops are still deployed. “This is the story of Canada going to war by incremental steps, without ever fully realizing it,” says Stein in the documentary. “We make a small little toe in the water, and then we pull out,” said Newman. “Then we go back a little longer, and then we pull out. . . Now we’re about to go in the longest with the proviso that we’re pulling out in 2011, but as the documentary sort of suggests, sometimes things change in the fullness of time and the 2011 date, which seems permanent today, may not end up being that at the end.” Newman says the documentary was inspired in part by The Best and the Brightest, David Halberstam’s book about how a series of incremental decisions led to the protracted U.S. war in Vietnam. The current decision makers chose not to participate in the film, despite producers’ best efforts to persuade key Tories, including Prime Minister Stephen Harper, to agree to interviews. Gen. Hillier was also approached. “Nobody would agree to talk to us,” said Newman. The Liberals, on the other hand, were able to speak freely now that they’re no longer in power. Former defence minister John McCallum, in particular, is disarmingly frank, speaking openly about how Canada ended up being stuck with the unenviable job of trying to bring security to the increasingly dangerous province of Kandahar. “We dithered, and so all the safe places were taken and we were left with Kandahar.” What: Revealed: The Path to War When: Tuesday, 10 p.m. Channel: Global ALEX STRACHAN Canwest News Service The story of Canada’s war in Afghanistan has been told before, but only in part. Revealed: The Path to War, an ambitious, hour-long news program produced and narrated by Global National anchor Kevin Newman, lays out the entire narrative, as recounted by the political leaders and military officials who made the decisions — decisions that, in Newman’s words, “Canadians have died for.” The program begins with the now-familiar images of hijacked passenger jets crashing into the World Trade Center on Sept. 11, 2001, but it doesn’t dwell. Jean Chrétien, prime minister at the time, is shown delivering a post-9/11 eulogy to then-U.S. ambassador to Canada, Paul Cellucci — “In the end, it is not the words of your enemies that you remember; it is the silence of your friends . . . there will be no silence from Canada” — and former prime minister Paul Martin’s assertion, in a one-onone interview with Newman, that, “We share more than just a continent” with the U.S. The Path to War provides a straight chronology of steadily escalating events, from the initial agreement in 2002 to a short-term combat role in Kandahar — “early in and early out,” in the jargon of the time — to 2003’s peacekeeping role in Afghanistan’s capital, Kabul, to the 2005 decision to commit more than 2,000 troops to a full combat role in Kandahar. Path to War is more than a straight chronology, though. Newman sits down with a wide range of officials, including Chrétien, Martin, former defence minister Bill Graham, former veteran affairs minister John McCallum, Martin THE BEST OF JAZZ CDs aide Scott Reid and Cellucci himself. He gets them to confide what happened behind closed doors in the chambers of power. How the key decisions were made, when, and more importantly, why, prove harder to pin down. Path to War relied on veteran foreign affairs policy analyst Janice Gross Stein and former defence chief of staff Eugene Lang’s book The Unexpected War as a template. Stein and Lang provide frequent testimony throughout the program. That testimony is both illuminating and sobering. “The problem,” Stein cautions at the outset, “is it’s easy to get in, but not so easy to get out of a deployment.” That’s easy to say with the clarity of hindsight, but it’s an important reminder just the same. Canadian Forces have been posted to Bosnia for 15 years, Stein notes; no one anticipated at the time they would be there for so long. The implication of Bosnia is plain, as Parliament wrestles with the dilemma about what to do in Afghanistan. That is the real reason for Path to War. It’s more than a straight history lesson. It sets the groundwork for the national debate: are Canadians prepared to sacrifice for a noble cause, and how long should the country remain committed to the mission if other countries in NATO are unwilling to commit their own military forces to a faraway fight? Rapidly unfolding events in Afghanistan frequently make it onto the nightly news. Instant satellite communications, 24-hour news channels and a virtual army of experts and foreign policy analysts eager to jump in with their opinions have created the disorienting effect of a faraway combat mission unfolding in real time, before our eyes, in our living rooms. 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Lachance and Van der Schyff’s loping rhythmic propulsion is pushed along by Hubert’s thoughtful keyboard accents, while Turner burns an intense narrative through his tune’s playful changes. NORDIC CONNECT Flurry (ArtistShare) Nanaimo-bred sisters Ingrid and Christine Jensen team-up with Swedish pianist Maggi Olin, Swedish bassist Mattias Welin and Ingrid’s husband, Jon Wikan on drums to produce this beautiful collection of richly textured modern jazz. From the opening reading of Olin’s title track and throughout a repertoire of nine original compositions, the quintet plays intuitive, expressive jazz. Christine and Ingrid wrote most of the tunes and share tart, bittersweet dual lines in front of the rhythm section’s softly throbbing foundation, Ingrid doubling on trumpet and flugelhorn and Christine on alto and soprano sax. It’s a warm, understated, emotionally powerful offering. MILES DAVIS The Essential Miles Davis (Columbia Legacy) This two-CD set surveys Miles Davis’ many-faceted career from his teenage breakthrough with Charlie Parker in 1945 to his late-season collaboration with multi-instrumentalist Marcus Miller and Miles’ muted trumpet brilliance on 1986’s Portia. The 23 performances capture Davis’ mercurial changes with selections from Birth of the Cool, hard-bop jams on Prestige, collaborations with John Coltrane and the modal triumph of So What, the orchestral brilliance of his work with Gil Evans, and several examples of arguably his best band featuring Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams. Disc two shines a light on several of Davis’ overlooked electronic masterpieces including cuts from Bitches Brew, Live Evil, On the Corner, We Want Miles, You’re Under Arrest, and Tutu. The scope of the musician’s lifetime achievements is breathtaking. If you could only have one Miles Davis CD, this would be the one. 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The greatest jazz is based on VIOLENCE NOW PLAYING the blues and this kind of triumph over adversity. This is inspired and inspiring, great jazz. CYRUS CHESTNUT Cyrus Plays Elvis (Koch) Jazz pianist Cyrus Chestnut’s Elvis Presley tribute is a playful romp. Using his command of gospel and blues-informed jazz improvisation, Chestnut and his funky band reimagine Presley’s canon with highly stylized abandon, uncorking a second line-driven Hound Dog with echoes of Professor Longhair and other New Orleans keyboard giants. Don’t Be Cruel is given an elegant, urbane reading. Can’t Help Falling In Love features a surprisingly funky earthiness. Love Me Tender is rendered in waltz time, It’s Now Or Never with a Latin groove, while Chestnut’s version of Don’t sticks pretty close to Elvis’ cheesy, romantic reading. Suspicious Minds and In the Ghetto showcase the pianist’s mastery of the material, as does his most outlandish reading, a dazzling Heartbreak Hotel. Chestnut offers a swing original called Graceland and a tender reshaping of the old gospel tune, How Great Thou Art to wrap-up this surprisingly successful jazz tribute. Check Theatre Directory or SonyPicturesReleasing.ca for Locations & Showtimes