Beck-to-School - San Jose Unified School District
Transcription
Beck-to-School - San Jose Unified School District
1..*. Beck-to-School Xight i+ ii' tt if 1t IJ '$ >t *f :. rl T fi $ ,I. T ,# ft. t $ ;:t'.'. " .:. i 'f*t r1 -* :x :'. :1. i: li i .t i 'i''i 1: 1\ ii!: :! :: : J{*-i ,a _r _P _k;: F' \". "i llrs. Dunlap +th Gradc r Room t+ Wlllams Elementary School BTSN_Agenda.pages ! Dunlap 2011-12 AGENDA: Back-to-School Night Classroom Environment ✦ Daily Schedule (handout) ✦ Williams’ 4th Grade Expectations and Keys to Success (handouts) ✦ Classroom Birthday Celebrations ✦ Community of Scholars (See classroom scholars displaying traits for four groups to which each scholar belongs.) ✦ ✦ ✦ ✦ Collaboration Cooperation Integrity Respect ✦ Differentiation (handouts: “Differentiation” and “Handle With Care”) ✦ 4th Grade Standards ✦ Content ✦ Process ✦ Product ✦ Freedom and Responsibility (= basic classroom rule) Content Areas / Universal Themes: Adaptation, Change, Convergence ✦ Language Arts: Reading, Writing, Spelling, Conventions ✦ Houghton Mifflin District Curriculum (http://www.eduplace.com/kids/hmr/) ✦ Core Literature: ๏ The Cricket in Times Square ๏ Island of the Blue Dolphin ๏ By the Great Horn Spoon! ๏ Patty Reed’s Doll ๏ Trumpet of the Swan ✦ Book Projects (handouts: “Book Report Genres” and “What a Character”) ✦ Junior Great Books - twice weekly with Mrs. Jacobsen BTSN_Agenda.pages ! Dunlap 2011-12 ✦ Scholar Notebook (response to literature homework) (handouts: GATE position paper; Dimensions of Depth and Complexity; Using Content Imperatives in Language Arts; Comprehension Skills) ✦ Tips to Help Students Write Better (handout: “Writing Handbook”) ✦ Parent Writing Workshop on September 13 - a must! (handout: - sign/return) ✦ Spelling with “Words Their Way” - developmental; differentiated; using scientific spelling (handout: “Alternate Spelling Activities”) ✦ Math: enVision Math (https://www.pearsonsuccessnet.com/snpapp/login/login.jsp) ✦ Science: California Science (https://www.pearsonsuccessnet.com/snpapp/login/ login.jsp) ๏ Physical Science: Electricity and Magnetism ๏ Life Science: Ecology, Ecosystems, and Biomes ๏ Earth Science: Geology, Rocks and Minerals, and Our Changing Earth ๏ Instruction and Labs (7) with Mrs. Lichtenstein in J1 ✦ Social Studies: California Vistas - Our Golden State (http://macmillanmh.com/ss/ca/eng/g4/grade4.html) ✦ Technology Integration (handout: “Technology Acceptable Use Policy” - sign and return) ๏ Laptop use during scheduled weekly Media Center (Library) time ๏ Weekly instruction using iPads ๏ Daily use of classroom computers, integrated in all content areas ๏ Digital photography ๏ Use of several applications (Pages, Keynote, iPhoto, iMovie, ComicLife, PhotoBooth, Kidspiration and Inspiration, etc.) ๏ Opportunities to participate in The Williams Tech Club Fourth Grade Enrichment Activities (handouts: activity list; Alviso training class) http://www.fws.gov/desfbay/pdf/Tidelines/tideline%20fall%2011%20clr.pdf Parent Volunteers - see paper sign-up sheets or go online at http://williamscommunity.i-volunteeronline.com/event_178_001 Daily Schedule! ! ! ! 8:55 - 9:05 Flag 9:05 - 9:10 Attendance; Lunch Count 9:10 - 9:55 Language Arts 9:55 - 10:38 Language Arts / Social Studies / Science / The Arts 10:38 - 10:58 P.E. (10 minutes); Recess 10:58 - 12:05 Language Arts / Social Studies / Science / The Arts 12:05 - 12:26 Silent Reading; Read-Aloud / Math 12:26 - 1:06 Lunch (includes recess) 1:06 - 2:26 Math / Social Studies / Science / The Arts / Technology 2:26 - 2:59 Day Planner (homework) / Class Meeting / Prepare for Dismissal 2:59 Dismissal ** Early Dismissal at 1:50 on Tuesdays ** Monday 11:36 - 12:26 Art - Leonard in J1 (every other week) Tuesday 11:30 - 12:15 Multi-Media / Library (book check-out/-in and laptops) Wednesday 10:00 - 10:48 Science Lab - Lichtenstein in J1 (Sept. 21, 28; Oct. 5, 12, 19, 26; Nov. 2) Thursday Friday 1:18 - 2:08 Junior Great Books (JGB) - Jacobsen in C1 3:10 - 4:15 Healthy Bytes Tech Club 9:48 - 10:48 P.E. (field / blacktop / classroom) 1:30 - 2:30 Science Rotations with Moore in J5 3:10 - 4:15 Healthy Bytes Tech Club 9:58 - 10:48 Junior Great Books (JGB) - Jacobsen in C1 2:09 - 2:59 Computer Lab Dunlap 2011-12 Williams’ 4th Grade Classroom Expectations ✴ ✴ ✴ ✴ ✴ ✴ Be on time. Be ready to listen and work upon entering the classroom. Bring all necessary books, folders, and homework to class every day. Let others work undisturbed. Show respectful behavior toward everyone in the class. Freedom and responsibility go hand-in-hand. Noise Level 0 A quiet time Be still. 1 Partner work Use quiet whispers. 2 Group work Use a soft telephone voice. 3 Presentation Speak loudly and clearly so that everyone can hear. Williams’ 4th Grade How to Be Successful in Your Class Work! Class work is usually a time for learning new material. We often work together, in partners, or small groups. However, some daily class assignments will be grades. Here are some suggestions for doing your best. ✓ Listen carefully to the lesson and the discussions. ✓ Participate by answering questions and volunteering. ✓ Ask questions if you are unsure or need to clarify. ✓ Focus on the directions. ✓ Make good use of your class work time. This is the best time to get extra help. ✓ Always be neat. ✓ Be actively involved in your learning. Concentrate on your immediate task. Talking with friends during work time can distract you and your classmates. Williams’ 4th Grade How to Be Successful on Homework! Homework may be assigned Monday through Friday, and will be due, unless otherwise stated, the next class time. Most homework is for review or practice of skills and/or concepts presented in class. Sometimes you will be required to finish assignments not completed during class time. You will also have long-term projects assigned. Here are some suggestions for doing your best. ‣ Listen carefully when homework is explained. ‣ Always write the assignment in your planner. ‣ Take home all materials you will need to complete the assignment. ‣ Have a designated quiet study area for you to do your work at home. ‣ Check with a study buddy if you are unsure of what to do. ‣ Put your completed homework and all materials from class into your backpack when you are finished. ‣ Complete your work neatly. ‣ Turn in your assignments on time. No treats, edible or non-edible. Invitations to a party must be given to the entire class, or they cannot be distributed at school. BIRTHDAY CELEBRATIONS AT SCHOOL The birthday boy/girl wears special Birthday Sunglasses and chooses how the class will sing “Happy Birthday” to him/her. This is often a silly, fun celebratory musical event. Birthday Homework Coupon This coupon entitles the birthday boy or girl to one free homework assignment. Get a parent signature and attach this coupon to the assignment for full credit. (Not for projects – one daily work assignment ONLY!) _______________________________ (parent signature) August 10th birthday, celebrated on August 11th CHILD’S NAME in Mrs. Dunlap’s Class has been awarded a “Special Treat” today in celebration of his/her birthday. Awarded by: Mrs. Dunlap DiffcrcnflatLon Qverview of Differentiation Diff erentioting for high ochievers con be defined as: "Vorying curriculurn ond instruction so thst students who hove olreody mostered the moteriol continueto progress and so that students who hove a porticulor oreo of interest con pursue it in greoter depth or in o personalized way." D{/'erentiotittg lhe Core Curriculum and In,stttrclion to Prot'ide 'Advemced Learni f .:"x';';t'{:['i'i.otion Whof Differentiofion is NOT isolation. What Differentiation I5 curriculum . . . . whot students will know (content), how students will think (criticol, creative, and problem-solving thinking skills), how students will sccess ond use resources (reseorch skills), how students will summarize and shff;:i:r|orning (products). ossumed to be self-tought by students. o reodiness for fhe experience. Differentiotion in a Nutshell Differentiotion of instruction for gifted students is ochieved through mony different teaching strategies and through the utilizqtion of : Attribufes of Universql Scholorliness Themes Scholarly Chonge DEPTH: Pursuits Conflict Explorotion F orce Longuoge of the Discipline Recognize Details tinre for studenl to conduct Note the Pofterns Stofe the Trends hicol Considerotions a self-selected study in on oreo of interest relevont to ihe the purpose of providing on Unonswered Questions core curricuium oppropriote level Depth and Complexity Novelty/ Acceleration Independent Studv Think Like o Disciplinorion Order Potterns f ntellec'tuol Power Troits Structune Systems Relolionships Identify the Ef ,glloco'lion Rules of Adjusting the poce of instruction to the student's copobility for of challenge. COMPLEXITY: Chonge Over Time Dif f erent Perspectives Poinis of View Across Disciplines CONTENT TMPER,ATTVES: Determine onigins Tdentify pcnodox Compor e porollel evenis Examine contributions Note converoenca Differentiotion of curriculum for gifted students is ochieved through the modificstion of : Process/ Thinking Content Resources/ Reseqrch Skills Products Deprh Mony ond voried Rigorous ond meoningf ul skills Bosic 5kills resourceS Criticol Thinking Skills Complexity Creative Thinking 5kilis Content fmperolives More odvonced fesources Bloom's Toxonomy pnoducts ihot verify students' understonding of their learning experience S-frotegies f or golheeing, or ganizing, ond neporiing information Sl,mbols for clirnensions of Depth. Complexity, and C'outent Irnperative.s were developed by sandla Kaplan underthe auspices of ot,Rl. Javirs cunicuh.rnr l?roject l.w.o.. 1996 Differentiqtion in a Nutshell (continued) Differentiotion of Instruction I J is a teocher's response t' to leorners needs + guided 6y generol principles of differentiation, respectful tasks such as ongoing ossessment ond odjustment flexible grouping Teochers con differentiate the I 0 0 mopud EoNrENn FRocEsq occording 0 FEAprNesq to students' I FNTEREsn through o ronge of instructionol ond monagement strotegies such as: Compocting Independent Study Interest Centers Interest 6roups Tiered Assignments Leorning Centees 6rophic Organizers Questioning Strotegies Flexible Orouping Learning Controcts Vanied level text/ Supplementol Mentorships Literoture Circles Tiered Lessons, Jigsaw Activities Multiple Intelligences AND MORE! Moterials Centers, Products, or Homework Journql Prompts Plonning * for Differentiated fnstruction Student Characteristics o o R.eodiness . The sfudent's current preparedness to work with a prescribed set of knowledge. understanding, ond skills fnterest ' . . o * A mojor motivoting foctor for leorning Allows for independent investigotions Helps students develop new interb,sts ond possions Learning Profile . The sfudent's pref erred mode of leorriing . Student's gender, culture, learning style, intelligence preference ' Develop learningprofile surveys for students Curricular Elements o o Content . Whot a siudent should come to know, understand, ond be able to do . Modify how students goin occess to the content ' Modify the pace qt which the content ts delivered . Modify the depth ond complexity of the study of the content Process ' Activities thof coll on students to moke sense of the content ' Emphosis on higher level thinking skills o Resources/P.esearch Skills , Select resources bosed on the reodiness and intarest level of the student Mony ond voried resources should be ovoiloble Helps students develop new interests and possions Products ' Provide evidence of whot o student has come to know, understond, ond be abile to do over an extended learning period . Guidestudents frombeing consumers of knowledgeto being producers of knowledge . Should be rigorous and meoningful . . o Planning .l for Differentiated Instruction (conrinued) Instructionol Strategies There ore many instructional slrategies thot will support diff eren'rioted instruction. Below ore some exomples of instructionol strotegies, listed occording to whether they require little or more preparotion on the port of the teacher. Higher Preparotion Low Preparotion t Choices of books Homework options Voried journol prompts Voried pocing with onchor options Student-t eacher goal sett i ng Flexible grouping bssed on objective Voried computer progroms Voried supplementol moteriols Varying scoffolding on the some organizer Open-ended octivities Jigsaw octivities Muttiple levels of questioning Explorotions by interest Tiered octivities ond labs Tiered products Tndependent studies A lternotive ossessments Multiple texts Learning controcts Curriculum compocting Spelling by reodiness Vorying organizers Tiered centers Literotune circles 5irnulotions Gradualed rubrics Frornes Extension Menus of these strotegies ond sample lessons have been included in the Instnuctionol Strategies ond Somple Lessons section of this Hqndbook Some Adapted from Diff'erentiation in Practice: A Resource Cir-ride for Differentiatinir Curriculunr Carol Ann Tonrlinson and Carolinc Cunninghant Eidson and Horv to Differentiate Instmction in Mixed-Abilirv Classroonrs (second edition) C'arol ,Ann Tontlinson The Hallmorks of o Differentiated Clossroorn . There is o stnong link between qssessrnent snd instruction c't Pre-ossessment is key o o o . Progress monitoring is on-going Learner interests ond profiles are used Multiple ossessments cre used The teocher is cleor about learning gools o The teocher specifies whst students should knJw, understond, and be a6leto do o . Teocher focuses on essentiol leorning gool with oll strtdents, but ot vorying degrees of complexity, with voried support systems, etc. The teacher groups students flexibly o o o Whole group/smoll group Homogeneous/Helerogeneous Similor inlerest groups/rondom groups . The teocher uses time, spoce, snd mqtericrls flexibly o Arronges the clqssroom ond clossroom fime in woys thot enoble the sfudents o o to work in o voriety of woys Motches mcteriols to sfudent readiness Meets with students in voried formots . The teacher involves her students in understond,,yhe noture of the clossroom ond in rnoking it work for everyone I o Shored responsibility betweenteacher ond students . The teqcher emphosizes individuol growth os central to the success of the ctossroom o Chorf personol growth in reiation lo designaled benchmorks . The teocher works to ensure that oll students hove "respectful" work ,r ,: o Each sludent ond skill thot Eoch student Eoch student . ' is osked to focus on lhe essentiol knowledge, understonding, is coee to eqch lesson ond unit is required to think ot o high level fo complele the work gets inviling work Not drill ond rotefor low studenfs Not "tongentiol" work for odvonced students The Hollmorks of o Differentioted Classroom . Teocher makes sure differentiation is o way up, not o woy out o . Eoch tssk should be Reflective obout her students ond her own proctice Accepts thot no teachar canbeperfect, but does nof occept thot she is "doing the best she o Is con" I os excited obout her own growfh as she is about growth in hen students. The teocher seeks specialists' octive portnership in her classroom o . diff icult but ottainoble The 'feacher sets her own sights high, just os she asks her students to set their sights high o o . (continued) Speciolists in second languoge, speciol educafion. giftedness, counseling, etc. The teocher's differentiotion is lorgely prooctive rother thon reoctive o The leacher sysfemoticolly plons for sfudent differences Frorn DitTerentiation in Practice: A Resource Guide fol Differentiating Curriculum Carol Ann Tonrlinson and Caroline Cunninghanr Eidson The Thirteen Principles of Differentiotion There are thirteen princioles of diff erentiotion thot 6ATE teachers should endeavor to include within a unit of study. These thirteen principles will not be found in a single lesson but severol should olwoys be found in every lesson, no motfer whot the content. Content Principles in depth. study. Process Principles Product /Project Principles ideas. them in originol woys ond forms. Scholarliness: The Scholorly Pursuits, Think Like a Disciplinoriqn, fntellectuol Trqits Purpose: One of the goals of education for ALL students is to encouroge students to becamelif e-long learners. One of the woys to occomplish this gool is to have students examine charocteristics of scholorliness through 1) the Scholorly Pursuits, 2) Think Like q Disciplinorion, snd 3) fntellectuol Traits. t The Scholorly Pursuits The Scholarly Pursuits listed below help students see themselves not just students, but os scholors. os Scholors Actively Ponticipote ond Are Reody to Leorn Scholars Take Time to Ponder Scholors Have Curiosity ani Ask Questions Scholors Conduct Reseorch ond Use Mony P.ef erences Scholors Sove fdeos by Orgonizing New Focts Scholars See Many Points of View Scholars Persevere ond Exercise Their fntellect Scholars Set Goals, both Short-Tenm ond Long-Term Scholors Tqke Pride in the Quality of Their Work a a a a a a Introduce Scholarly Pursuifsearly in the schoolyear. Toke the time to discuss with students whot each of these stotements meon. Use personol ond concrefe exomples of scholors. Hove the students brainstorm other guolities of scholors. Use the stofemenfs os the bosis for o guick-write or o journol topic. Teocher con hove students apply scholorly troits fo other people in biogrophies ond other literature. fntellectuol Traits Purpose: The fnfe//ecfua/ Traifs help students intern alize the responsibilities of being a scholar. They con help toke the discussion of scholorliness to o deeper level. P fntellectuol Leodership o Leod by being arole model for others t o Toke fhe inifiotive o Beprepared o Help others with learning } fntellectual Courage o o c o ) Take risks Respectfully challenge ofhers Actively porticipote Think "outside the box" fntellectuol Humility o o Y Proctice scholorly behavior without showing off Do not steol others'opportunities to learn or fhink Tnt ellectuol Aggressiveness o Use evidence to support your ideos o o Defend your thoughts Use multiple resources Clossroom Application : . The use of fnk//ecfual Traifs off ers teochers on additionol . . . way to reinf orcethe concept of scholorliness - ond addresses some of the social/emotional needs of gifled children. fntroduce the four concepts of fnfel/ecfua/ Traifswhenever appropriate. Hsve students discuss these qualities ond broinstorm odditioncl ideos. Find axomples of fhese troits in chsrocters encounlered in biogrophies or I iteroture Think Like A Disciplinorion Purpose: Think Like a Discip/inarian is an ospect of scholorliness that encounages studenis to explore the odvonced, sophisticoted, ond complex concepts in the vorious disciplines by assuming the role of the disciplinarions who wonk in those fields. a a Think Like a Drsciplinarian can used os oppropriote throughout the yeor. fntroduce the concepl early in the yeor with o group octivity o Select your topic ond link to curriculum ond stondords o Identify the discipline ond reloted disciplinorions (e.9., Eorth Science + geologisf, hydrologist,mefeorologist, orchaeologist, o onthropologist) Define fhe specific longuage,.tools, skills, and expertise How does it o o o o of the disciplinorian work? Students work in smoll groups. in pairs, or independently to focus on one discipl ineld isc ipl inorion Students invastigote ospects of their porticulor discipline/disciplinorion Students opprooch informotion ond tosks within the unit from the perspective of the disciplinarion Students relofe ond shore information with others os the disciplinorion Exonrpla o Unit of Study: Geology/P,ocks ond Minerols . Geologist: Looks ot origins, composition ond locotion, conducts chemicol tests . Archaeologist: Looks of how rocks were used os tools, conducts simulotions, tests theories ' Anthropologisf: Looks of how rocks were used as religious ornoments, compores with other evidence Later in the year, this strategy can be used with smoll groups or os o tool for independent study. Teachers might consider including this requirement os port of o formql research poper or project. Keys to Questioning These "Keys to Questioning" help students to DISCOVER, UNLOCK, UNCOVER, REVEAL, ond DISCLOSE ideos ond informotion. They moy be porticularly helpful to students in the area of classif icqtion onolysis. Significonce .l The guality of being importont Traits * Distinguishing fmportonce Volue .i Relotive worth. meril or importonce Characteristics .l chorocteristics or Distinguishing f eatures or guolities , + Volue in content or relotionship Kinds * The guolity of being Importont quolities Motivotion .l Influence .l 5omething thof prompts on oction to couse effecl , sway, The power an Conditions * R,elevont circumstonces persuode Possibilities Consequences + Effects, results, or Reoctions .l. outcomes Actions in response to something thot hoppens Groupsdistinguished by some porticulor chorocferistic Function + The oction for which o person or thing is speciolly used fitted or moy or An explonction of controlling principles Stotements offered os on explonotion Purpose * Evidence * thot Rotionqle Reosons .i. Things can be .l Types .! .i An outword sign or indicotion Objeclive to be ochieved Universal Themes ond Generalizations Purpose: Universol Themes ond Generolizotions help students see ond rnoke connections between, within, ond across disciplines...to moke meaning out of what might initiolly seem disconnected informotion. These arethe 'big ideas" thst connact ond moke sense of oll leorning. Universol Themes ore also used to increqse the complexiiy of content within on oreo of study. When used within c specific discipline, the use of o theme will ollow students to exomine the interrelotionships between ond omong focts, detoils, rules ond concepts. When used across disciplines, o theme will ollow students to study theinler-relotedness of oreos of study. The theme is not o curriculor topic but o universol ideo such os those listed below. (The Westwqrd Movement or Ancient Egypt ore NOT considered themes, but topics.) This themes opprooch reguiras students to define a set of generolizafions: stotements thot ore universolly true sbout the theme. Pafferns are found everywhere in natureis on exomple of o typicol generalization. These generalizations help increose the depth ond complexity of the clossroom instruction ond the work students do. All subjects conve?ge on the theme. Universol Themes: 1. 2. Chonge* Conflict* 3. Explorotion 4. Force or Influence* 5. Order* 6. Potterns* 7. Power 8. Structure 9. Systems* 10. Relotionships* Universal Themes and Generalizations are from S. Kaplan and J. Curry, 1985 Generalizotions : Classroom Application : For q theme to be eff ective, it is essentiol to for students to exqmine oeneralizations thot can be verified and/or disoutad in the course of studv. Whe.n the. theme is f irst introduced to students eorlv in the school vear. teochers should: . Discuss with students the clossroom theme for the yeor. . Provide exomples of generalizotions for the theme (see chort below). . . . Hove students broinstorm ofher generolizstions relafed to the theme Createo clossroom poster of teacher-pnovided ond clo4s-generqted generclizctions. Throughout the year, the leacher con refer to these - or use them os the bosis for lessons - os the students moke connections within ond between oreas of study. Universol Themes and Generalization 1. Change . . . . . I Generates oddiiionol chonge Can be either positive or negolive Is Is inevitqble growth necessary for Can be evolutionory or revolutionory 2- Conflict . Is composed of opposing forces . Moy be noturol or mon-mode . Moy be intentionol or unintentional Moy ollow for synthesis ond . change . Is progressive 3. Explorotion . Reguires recognizing purpose ond responding to it . Confronts the "unknown" . Moy result in new f indings or the conf irmotion 4. Force or . . . . of old f indings Influence . . . . . Moy be nolurol or constructed Moy ollow for May have repealed patterns Order and choos are reciprocalt Order leods to choos ond choos leods prediction order I I | I I I I I I | I Potterns . . . . 7. I | I I Attr"octs, holds, or repels Influences on chonges Force ond inertio are co-dependenr Moy be countered with eguol or greater force 5. Order 5. | I thof ore repealed Have on internol order Are enablers Power . . . . 8. Hove segments Allow f or predicf ion Is the obility to influence Moy be used or obused Is olwoys present in some form Moy fcke rnony forms Structure . . Hos ports thot interrelote Hos ports that support ond ore . supported Moy combine to form lorger structures Is no stronger thon its weokest component 9. Systems I Hove ports thot work together to I I complete o task I I I ltO. . . . Are composed of sub-sysfems Follow rulas Moy be influenced by other systems Interoct Relotionships . I . Everfthing is reloted in some woy Are powerful I I to I . . Change over | Are purposeful lime Follow rules Generalizations (continued) : On this poge ond the next ore some odditionol generalizations that were generaled by teachers working with the Universsl Themes. Teochars might wish to hove students generote their own generolizotions through clossroom broinstonming ond discussion bef ore introducing these odditionol ideos. Chonqe Change con hove o ripple effecl OF. Order Potterns Order orgonizes ideos or person-mode ond informotion Potterns hove segments thot ore Order serves o purpose chonqe leods to chqnqe Change con be helpful or hormful Systems Potterns con be noturol , or person-mode reoeated Potterns moy hove symmetry Chonge is inevitoble Potterns con predrct Orden ond choos ore systems Chonge is constructive ond destructive Potterns'one subject to Order con be fixed or f luid, stotic or Chonge con be Potterns con be cycles, progr*sive or correlotions, couse ond effect . or trends Change con be noturol chonge Order can be noturol on imposed (ortificiol) Systems ore procedures Systems hove order Systehs hove ports thot work together to oerform o function systems interocr There ore systems within systems chonqeoble There is order within order Systems follow rules friction The order of things provides informotion The stnucture of o system is dependent on Change con be planned Order comes out of Systems work in or spontoneous choos potterns rearessive Change couses its function Change con occun in cycles All change leods to some form of tnonsformotion but oll fronsformotions ore not oermonent Some chonge is o result of possive octions or interoctions Some systems are dominont ond others ore subordinote Systems ore interdependent A cycle is o system in which things hoppen within o given time oeriod Some chonge is systemotic Generalizotions (continued) : On this poge ond the previous are some additionol generalizations thqt were generated by teachers working with the Universol Themes. Teachers might wish to hove students generatetheir own generqlizotions through clossroom brainstorming and discussion bef ore introducing these odditionol ideqs. Structures Structures are mode of elements Power differenl types of influences Power exerts Relotionships Relotionships con be helpful or hormful I Structures serve ot perform o purpose The use of power con Structures follow function Power can be hornessed ond contoined or if con be nondom and chootic positive or negative The moteriols used fo Power necessitotes relinguishing or giving up something correlotions and/or creaFe o stnucture define Ihe structure hove positive ond/or neoa'f iv e cons zo uen ces Relotionships con be noiural on imposed Relofionships con be Relationships con be couse ond effect itself Structures reflect lhe times Power provides the opportunity for change Relotionships can couse interdependence of the stotus quo Siructures con be noturol or person-mode Power can be noturql or Relotionships con couse monufoctures the exchonge of ideos Structures hove ports ond volues Relotionships one thot interrelote purposeful Ports of stnuctures support ond one supported by other oorts A structune is no strongen thon its weokest component Ways of Differentioting for Gifted Students Acceleration * Students who demonstrote high levels of understonding or leorn o porticulor content more quickly might benefit most by proceeding ot afoster Pace thon the rest of the closs. If their obilities worront, the teocher may choose to ollow these students to porticipote in out-of-grade-level octivities, selecting ond using resources beyond thegradelevel. "Accelerotion is o strotegy thot odjusts the poce of insfruction to the gifted student's copobility for the PUrPose of providing on oppropriote level of chollenge. Accelerotion cqn toke mony forms, including: (1) eorly entronce to formol schooling, which con occur ot kindergorten, high school, or univarsi\ levzls: (2) movinj through age-graded clossas in less time by grode skipping, moving through cross-oge grouped or non-groded classes in two rather thon threeyears, or odvonced plocement; ond (3) moving through curriculum moteriols ond concepts ot on accelerated rate by curriculum compocfing, telescoping content. or receiving credit by exominotion. Students moy be accelerqted in one discipline or ocross disciplines. However occeleration is implemenfed, it should result in o match between appropriote leorning oppontunities ond student obilities. For students, occelerotion offers the opportunity to select on educationol progrom thot is chollenging and thot meets both their ocodemic ond emotional needs. For schools, occelerotion offers o woy to meet the needs of highly oble studenfs when other forms of differentiation of grode level do not provide enough challenge. Reseorch documents the ocademic benefits ond positive emotionol outcomes of accelerotion for gifted students when the needs of the student ore corefully matched with the form of acceleration used." From California Association for the Girted A Position Paper Clossroom Application : Accelero'rion can 6e imolemented in o vorietv of wovs. The most common will be: Advoncing o studenf who is exceptionolly copcble in oll oreos into fhe next grade. Arronging for a student who excels in o single ocademic area (e.9., moth) to ottend lessons for thot subject in o more odvonced closs or grade. Using pre-ossessment and flexi5le grouping to compoct the curriculum for students who have demonstroted mastery of concepts. . . . The first two options listed above should ba implemented with core ond with the consent of ihe. <rhonl and nare.n'f Consirle-ralions such as tronsoortotion to other schools must beran<irlc.rc.d n< <trrdp.nts mnke.the trnnsition from e-le.me.ntarv to middle school or from middle school to high school. Individuol tutoring moy be abetf er olternative for some students. The third option, Curniculum Compocting, is described in greater detoil in the Instructionol Strategies included in this Hondbook. * Depth - Complexity - Content Imperotives Depth, complexity, ond content imperotives were developed to enrich students' learning.The elements described below are skills ond strotegies used by good thinkers to observe ond orgonize or mqke sense of informotion. The use of deplh, complexity, ond content imperotives should be on integrol port of the cumiculum. They can be used with all students. The "icons" or symbols f or each concepf ore simply tools to help introduce ond reinforcethese concepts throughout the school yeor. Depth is the explorotion within o discipline. Differentiotion is ochieved by increasing the depth to which o student explores o curriculqr topic. Depth refers to opprooching or studying something from the concrefeto the abstroct, from tde fomilior to the unfomilior, and from the known to the unknown. Complexity is the understcnding within and ocross the discipiin", fn" teochermoy chonge the complexity of the subject motter by extending the content to the study of issues, problems, ond themes. Complexity involves moking relotionships between ond omong ideos, connecting other concepts, ond using on interdisciplinory opprooch to the content. Content Imperctives extend ond enrich leorning. They help to deepen student understonding through exqminotion of origins, porodoxes, porollels, contributions, ond convergences. Clossroom Application : the "icons" (symbols) f or depth, cornplexity, ond the content imperotives on the next lhree poges to introduce students to these concepts. Clossroom posters of the icons hqve been provided to eoch teacher. There ore mony ideos for introducing these concepts to students on the reverse side of the posters. Use the elements of depth, complexity, ond content imperotives to modify the presentotion of content, whenever oppropriote. Specific lesson ideos hove been included in the Instructionql Strotegies ond Somple Lessons section of this Hondbook. Use Symbols for dimensions of Depth, Complexiry, and Content Imperatives were developed by Sandra Kaplan under the auspices of OERI, Javits Curriculum Project T.W.O., 1996 Elements of Depth the Language of the Discipline D Students use the longuoge used by the experts in the discipline. Use € & Note Details (,U.) ; g Note Patterns Students identifv recurnino elements or reoeated focfors. %t .Sfr ;il Stote Trends rdenfs de.te.rmine. the. orde.r of e,ve-nts Students predict whot comes next in a pottern. geographic, or other ?p) .aa tf, t - thot couse events to occur. Def ine Unonswered Questions Identify fnternol Rules Ci**E-"b f,rlgsEtl nI6 informotion or body of knowledge - structure, hierorchy, order. foctors of f ecting the informotion. + Note Ethical Considerotions ilF!il Stote the "Bi9 Tdeas": generalizations, principles, theories discriminotion. focts or ideos. Elements of Complexity 'tt fcFfsroa'* Elrte ovr Define Change over Time ihnc Recognize Multiple Points t_ rK, k7 Edt pk laEpestiw. of View or thing. ideo, thing, or informotion. disciplinorions in different fields. obscure or clorify perceptions ond use of the thing. Gulll ?if ffi43cipg6 Moke Connections Across Disciolines vtew of dif f erent ocodemic discipl ines. Content Imperatives Determine Origins n Nofe Porodoxes other. -l P.ecagnize Parollels Recogniz e Contributions Note Convergence I Novelty /Tndependent Study Unlike acceleration, depth, and complexity, novelty is primorily studentinitioted. Novelty meons thot the feacher can stimulote students in the following wdys: encouroging them to seek originol interpretotions, reinf erpretotions, or restoternents of existing informqtio n: suggesting fhot they look f or new implicotions omong ond within disciplines; ond helping students opprooch oreos of study in personolized, individuolistic, and nontroditionol woys. Clossroom Application: Novelty moy be achieved in o variety of ways. . Teachers moy work with sfudents to develop independent leorning controcts. . Teachers moy present students with a voriety of rigorous, meoningf ul products ond ollow students to choose the monner in which they will demonstrote lheir underston ding of content. . Teachers moy creale independent leorning centers. . Somples of independent studies ore included in the fnstructionol Strategies ond Somple Lessons section of this Hondbook. Nq Dear Parent(s), Your child'S success is of the utmost importance to me as we begin the new schoolyear. Please lend me a hand by taking a fevi minutes to jot down some thoughts about the following items as they relate to Your child: Handte ith Gare . fearsiinsecurities /frt '. academic strengths/ OTtr. Llu!$lon c.nt r, tto" . txt ta{r1,8 OF ' tnttmulltt ' tuf,/€.pt lttl ' l&l by o. O'Donnrll--Or, C, llloknod( ELtrr.nuryt llowm'n'YllL' pA Book Report Genres Realistic Fiction Realistic Fiction consists of stories that take place in modern times. The characters are involved in events that can happen. Historical Fiction Historical Fiction is made up of stories that take place in a particular time or period in the past. At least one historical event took place at that time. Fantasy Fantasy is fiction that contains elements that are not realistic, such as talking animals and magical powers. Mystery Mystery is generally fiction that creates question and intrigue, such as police detectives and suspense. Poetry Poetry is verse written to evoke thought and feeling from the reader. It often uses rhythm and rhyme to convey its message. Biography A biography is a detailed description or account of someone’s life. It should be more than a list of basic facts. WhatACharacter.pages Dunlap Name ________________________ #______ Date _____________ What a Character Book Response Project Your first book response project will be a realistic fiction book of your choice. It must have a strong human main character. You may choose a book from home, the public library, our school library, or the classroom library. Your teacher must approve the book before it can be used for this project. Your response product is due on or before ________________________ . As you read your book, you will want to discover what kind of person the main character is. Remember, we draw conclusions about people based upon what those people say, think, or do. Your conclusions need to be based on facts and/or evidence from the story. The facts/evidence help us gain a deeper insight into the character because we not only grasp what the author says, but also what is implied or inferred about the character. As you read, fill in the attached chart. Be sure to include details for each heading: Characteristics, Facts/Evidence, and Explanations/Inferences. The standard product is a large frame on white paper provided by your teacher. The frame will be a double frame. Carefully follow the rubric that is attached to meet the criteria. All work needs to be in color, either with color pencils, crayons, or markers. Write neatly in pencil before carefully tracing in color. Typed sections may be glued to the paper. If you elect to create a slightly different product, please discuss with your teacher first. Directions for the Double Frame Product Inner Frame * In the center of the frame, draw a realistic drawing of the main character. * Each of the four sections of the inner frame will have these: 1) Personality traits you have inferred from facts/evidence in the text. 2) Goals or visions of the character. 3) Relationships the character shares with other characters in the book. 4) Description of the appearance, attitude, or thinking of the character. WhatACharacter.pages Dunlap Outer Frame * Each of the four sections of the outer frame will have these: 1) How the appearance, attitude, or thinking changed over time. 2) Traits that adapted/changed over the course of the story. 3) The big idea of the character. 4) Points of view of the various relationships with other characters. * Be sure to include the icons for each, as shown below. Change Over Time Big Idea Multiple Perspectives Be prepared to share your finished product with the class. Enjoy reading, learning about, and thinking about your character! WhatACharacter.pages Dunlap Name ___________________________ #____ Name of Main Character: _______________________________________ List these characteristics for the main character: * Personality Traits * Goals/Visions * Relationships * Descriptions of Appearance, Attitude, or Thinking For each characteristic, list supporting facts/evidence in the story, including page number(s). Give a detailed explanation for your inferences relating to each characteristic. WhatACharacter.pages Dunlap Name_______________________________ #______ Rubric: What a Character Book Response Project Marks for Grade Level Standards + at grade level approaching grade level __ below grade level Inner Frame: * Drawing of character * Personality traits * Goals/Visions * Relationships * Descriptions of Appearance, Attitude, or Thinking * Supporting Facts/Evidence ____ ____ ____ ____ ____ ____ Outer Frame: * How appearance, attitude, or thinking changed over time * Description of how traits adapted/changed over time * Big idea of character * Points of view of relationships ____ ____ ____ ____ ==================================================== Overall Project Score: ____ 4 = extraordinary work and detail; exceeds grade level standards 3 = at grade level standards 2 = approaching grade level standards 1 = below grade level standards California Association for the Gifted A Position Paper The Caiifomia Association for the Gifted (CAG) periodically publishes position papers that deal with issues, policies, and practices that have an impact on the education of gifted and talented students. All position papers approved by the CAG Board of Directors are consistent with the organization's philosophy and mission, and the current research in the field. The position papers support the organization's belief in the value and uniqueness of all individuals, its respect for diversity present in our sociefy, and its commifment to honoring the similarities and differences among all students. CAG encourages the provision of educational opportunities that are appropriate to challenge and nurture the growth of each child's potential. The organization is especially mindful of the need for advocacy for individuals who have developed or show the promise of developing intellectual abilities and talents at high levels. Teacher Qualifications To provide an appropriate education for gifted children and youth, it is most important that their teachers have a thorough knowledge and understanding of gifted students and the field of gifted education. They should also have an in-depth knowledge of their individual curricula. The most effective teachers of gifted learners have other distinctive characteristi cs including: . passion for learning that is consistently modeled in the classroom . genuine concern for and enjoyment in teaching gifted learners . respect for individual differences and tolerance of divergent behavior . willingness to be a risk taker . . . ' flexibility and openness a sense of humor a secure sense of self willingness to place the child's needs above bureaucratic demands Not surprisingly, the teacher characteristics listed above parallel those found in the research as most preferred by students. They want a teacher who: '. cares about them and undershnds them has a good sense of humor . is intelligent . can make learning meaningful and challenging is patient and firm .' is cheerful ' is flexible To add to the personal characteristics, important knowledge and understanding must be attained through ongoing professional development. Comprehensive and well-planned course work in gifted education is an important part of any professional development program as it provides an in-depth understanding of and experience with the issues that are important in the education of gifted learners. Teachers must gain through their professional d evelopment: the knowledge and understanding of: the nature and nurture of high levels of intelligence in allof its aspects creativity and its nurture cognitive, social, and emotional characteristics, needs, and problems found with gifted students as a result of their afypical development cultural differences and the responsiveness necessary to meet the needs of students from diverse backgrounds assessment and evaluation strategies that support high level learning, provide choice and alternative evidence for showing mastery, and include the learner as evaluator the ability to create and implement a learning environment in which gifted . o o o o o . leamers: o feel safe to use their strengths, explore their personal and interpersonal development, and risk new areas of thought and action o are encouraged to think critically about questions they find interesting and provocative o can try, fail, receive feedback, and try again without always facing formal evaluation . the ability to provide flexible, individualized, differentiated curricula that are appropriate to meeting the unique needs of gifted learners and that: o challenge their high levels of cognitive development and creativity o cross disciplines and teaches students how to think as disciplinarians o show thorough understanding of the concepts of depth, complexity, acceleration, and novelty, and the role these factors play in differentiating curricula and the classroom environment o teach intellectual rigor and leadership o use higher-order questions and open ended assignments o nurture social responsibility as well as moral and ethical awareness These characteristics ofeffective teachers ofgifted children, both those that are individual and those that are essential to be leamed" are consistently found in the research, surveys, and authoritative texts in the field. The California Association for the Gifted believes that these characteristics and qualifications are essential for any teacher who is given the responsibility for meeting the needs and nurturing the potential of gifted students. When such qualifications are not already developed it is incumbent upon the district to provide teachers with ongoing professional development opportunities for the attainment of such qualifications to ensure the success of the gifted prograrn. References: Clark, B. (2002). Growing up gifted (6th ed.). Coiumbus, OH: MerrilUPrentice-Hall. Davis, G.A., & Rimm, S. B. (2004). Education of the gified and talented (5th ed.). New York:Pearson. Gallagher, J. J., & Gallagher, S. A. (1994). Teaching rhe gifted child (4th ed.). Boston: Allyn & Bacon. Approved 4-9-05 Calu'omsre AssoclarroN FoR TFrE Gn'rrp APmmouPappn The California Association for the Gifted (CAG) periodically publishes position papers that deal wirh issues, poiicies, and practices that have an impact on the education of gifted and talented students. All position papers approved by the CAG Board of Directors are consistent with the organization's philosophy and mission, and the current research in the field. The position papers support the orgariization's belief in the value and uniqueness of all-individuals, its respect for diversiry present in our society, and its commitrnent to honoring the sirnilarities and differences among all students. CAG encourages the provision of educational opporrunities that are appropriate to challenge and nurture the growth of each child's potential. The organization is especially rnindful of the need for advocacy for individuals who have developed or show the promise of developing intellectual abilities and talents at high levels. Inteltecfual Peer hrteraction Peer grouping is the practice of matching students by shared characteristics such as age, ability, need, and./or interest in order to make teaching and learning more effective. The majority of grouping practices in the educational system involves grouping by age in grade levels. When considering intellectual peers, ho'*,ever, age is not a criterion for grouping. To advance academically, students neecl to be challenged and stimulated to stretch their minds. To accomplish this, it is important for students to interact with others who engage them in a demanding, active learning process. Gifted students need such opportunities with students at their intellectual level so that they can advance academically at a rate and pace commensurate with their abilities. Too often gifted students are placed in independent study, without teacher guidance and support, or required to wait patiently for others to catch up to them. Interaction with their intellectual peers gives them the challenge and support they deserve. In addition, the social and emotional needs of gifted students demand that they interact with their intellectual peers. Because the thought processes of gifted students are significantly advanced, they often feel alienated and lonely at school. Their vocabulary, humor, issues, and concerns usually differ markedly from their age peers. This reinforces their feelings of being odd and different, which can lead them at an early age to doubt themselves, deny their talents, and even become depressed. The result rnay be underachievement, Ioss of potential, and an increase in conformist behavior, both socially and academically. Intellectual risk-taking, especially among gifted girls, dramatically declines during adolescence without the support of intellectual peers. For students who are highly or profoundly gifted, these effects are even more pronounced. Academically and emotionally, every child needs: validation - personal acknowledgment ' . affirmation - reinforcement from others affiliation - allying with others of similar interests, characteristics, and talents ' communion - commonality and exchange with an audience with whom they can communic ate at an ' equal level of complexity and subtle nuance. It is therefore the position of the California Association for the Giftecl that gifted students should be with their intellectual peers for significant parts of the school day to provide them opportunities to interact with others who have similar intellectual and emotional experiences and responses. CAG believes that such opportunities are needed to nurture them socially as well as ensure their highest academic and intellectual development. References: Clark, B. (2002). Growing up gifted (6th ed.). Columbus, OH: Merrill/Prentice Hali. Colangelo, N., & Davis, G. (1997). Handbook of gifted education (2nd ed.). Boston: Allyn & Bacon. Davis, G., & Rimm, S. (2004). Education of the gifted and talented (5th ed.). Boston: Allyn & Bacon. Gallagher, L J., & Gallagher, S. A. (1994). Teaching the gifted child (4rh ed.). Boston: Allyn & Bacon. Approved 5-25-03 Page 6 Caiifornia Association for the Gifted, Intercom. August, 2005 California Association for the Gifted A Position Paper The California Association for the Gifted (CAC) periodically publishes position papers that deal with issues, policies, and practices that have an impact on the education of gifted and talented students. All position papers approved by the CAG Board of Directors are consistent with the organization's philosophy and mission, and the current research in the field. The position papers support the organization's belief in the value and uniqueness of all individuals, its respect for diversity present in our society, and its commitment to honoring the similarities and differences among all students. CAG encourages the provision ofeducational opportunities that are appropriate to challenge and nurture the growth of each child's potential. The organization is especially mindful of the need for advocacy for individuals who have developed or show the promise of developing intellectual abilities and talents at high levels. Social and Emotional Needs of Gifted Children Gifted children generally go through the same developmental stages as other childrenalthough often much earlier. Because of their accelerated and more complex intellectual development, they may experience unique, often extreme, social and emotional needs. Tirese may include: . asynchrony-uneven development such as having their cognitive abilities surpass their motor or emotional development . perfectionism-sometimes taking the form of unrealistically high expectations of themselves, resulting in limited risk-taking for fear of failure, or feeling that their self-worth is dependent on their high, often unattainable achievement, and a tendency to be highly self critical . difficult peer relations-sometimes resulting in social isolation or being seen as odd or weird, "know-it-all" or bossy by their same-age classmates . unusual emotional and physical sensitivity--often accompanied by heightened empathy, deep concern for global issues, such as war and hunger, which may in turn lead to frustration and/or depression due to the students' perceived inabilify to effect change. . Imposter Syndrome-awareness of their differences and believing that, "l'm not as smart as everyone seems to think. If I'm not careful, people will find out that I'm not really gifted" . multi-potentiality-often gifted children have several advanced abilities and have difficulty deciding on which idea or ability they wish to pursue. They may immerse themselves in diverse activities to an almost frantic degree. This places stress not only on themselves but also on their families. . high frustration with unchallenging curriculum-preventing academic or intellectual growth and a loss of essential academic skills that will be needed later to succeed at advanced study. The first step in meeting the social-emotional needs of gifted children is building awareness and understanding of these needs, on the part of both the gifted students and those who guide them. The education of families and of teachers in the social and emotional needs of gifted learners is critical in helping these children understand themselves and cope with the emotional stress inherent in their lives. Parents and teachers need information on the characteristics and appropriate education of gifted learners. parents need the opportunity to share their concerns if they are to nurture successfully and be wise advocates for their children. Such information should also be available to those outside the family and school setting and include physicians, counselors, and daycare providers. To meet their social and emotional needs, the California Association for the Gifted believes it is essential that gifted children have: teachers and counselors who are knowledgeable about the emotional and social needs that can result from being gifted teachers who give students choice in the ways they can learn and in the products and the evaluation of learning when appropriate an educational setting that is flexible and focused on the process ofcreating and implementing challenging learning experiences a learning environment that provides intellectual peer interaction so that gifted students can relate to those of commensurate abilities and interest models of risk-taking in supportive environments at home and at school that provide ways for coping with failure and developing appropriate social skills iafe havens, both at home and at school, wlrere they are understood, and it is safe to discover and reveal who they really are Only as these needs are met will gifted learners be able to develop to the highest levels of their academic and intellectual potential' . . . . . . References: Adderholdt, M., & Goldberg, J. (1999). Perfectionism: What's bad about being too good. Minneapolis, MN: Free SPirit' Delisle, J., & Galbraith, J. Q002). When gifted kids don't have all the answers: How to meet their social and emotional needs. Minneapolis, MN: Free Spirit. Silverman, L. K. (1993). Counseling the gifted and talented. Denver, CO: Love. webb, J., Gore, J., & DeVries. (2006). Guiding the Gifted child, Revised and rJpdated. Scottsdale, AZ: Great Potential Press' Approved 4-9-05 THE DEMANDS OF GIFTEDNESS PREMISE: 1. HIGH LEVEL INTELLIGENCE MAKES CERT{N DEMANDS UPON THE GIF-TED LEARNER 2. BEIIAVIOR OF GIFTED LEARNERS RESULTS FROM THESE DEMANDS. 1. To crave knowledge; to satisfu the need to feel progress in what he or she is leaming. 2. To feel the need to focus on or devour a subject. 3. To make observations; to see relationships. 4. To place high standards on himself/herself. 5. To be creative or inventive; to seek an unusual or unique approach to an assignrnent. 6. To question generaiizations. 7. To be serious-minded; to be intolerant (usually) of foolishness or silliness. 8. To concentrate; to become totally absorbed in a task; to have a longer attention span, 9. To explore wide interests at a maturity beyond her chronological age. 10. To be sensitive to honor and tnrth. 1 1. To express ideas and reactions. (This is sometimes seen as argumentative.) 12, To resist routine, drill; to require unique ways of pursuing drill. 13. To work alone. 14. To be intolerant of stupidity. 15. To seek order, structure, and consistency. 16, To do critical. evaluative thinking. May lead to critical attitude toward self or others. 17. To be rarely satisfied with the simple or obvious. 18. To be impatient with sloppy or disorganized thinking. 19. To be sensitive and empathetic. 20. To have his,lher intelligence responded to. 2L. To see out hislher mental peers. 22. To be friendly and outgoing. 23. To use his/her power of abstraction; to see and point out cause and effect relationships. 24. To have time for thinking. 25. To be outstanding in several areas but average in some. Adapted by Jeanne Delp from Dr. May Seagoe's Characteristics of the G{ted Garden Grove USD CALIFORNIA GATE STANBARBS The differentiated curriculurn facilitates giftecl students in their ability to rneet and exceed state core curricu-lum and standards. GATE EC g.T The differentiated curriculum provides for the balancecl developrnent of critical, creative problem solving and research skills, advanced content, and authentic and appropriate Products' GATE EC Mg.ib The differentiated curriculum focuses primarily on depth and complexity of content, advanced or accelerated pacing ofcontent, and novelty (unique and original expressions of student understanding.) GATE EC Mg.rc The diffbrentiated curriculum facilitates development of ethical standards, positive selfconcepts, sensitivity and responsibility to others, and contributions to society. GATF, EC Mg.Td The core curriculum is compacted for gifted students so that learning experiences are developmentally appropriate (not redundant) to their needs, interests, and abilities. GATE EC Cs.ra There is alignment of the differentiated curriculum with instructional strategies that prornote inquiry, self,-directed learning, discussion, debate, metacognition, and other appropriate mode.s of learning. GATE EC CS.Tb The differentiated curriculum includes learning theories that reinforce the needs, interest and abilities of gifted students including abstract thinking and big ideas of the content area' GATE EC cg.rc The differentiated curriculum is supported by appropriate resources and technology. GATE ECMs.e,c The differentiated curriculurn allows for continuity and comprehensi'reness of learning experiences in units and courses of studyGATE EC CS,ga The differentiated curriculum utilizes a variety of teaching and learning patterns: including opportunities for independent study. GATE EC CS.g,b An extensive range of resources is available to augment differentiated curriculum and to supplement independent study opportunities for individuai students. GATE EC CS.zc Whot is the major conf lict in the story? Exploin why you f eel the cction or behqvior wos right or wrong. What is the theme concept (big idec)? E nr:r: n'tr b ErUEI gtrd Complexity Bookmark Whot pottern do you f ind ond is it importont to the story? Why or why not? fs there o number that you find os c pottern in the story? What is it ond how is it used? Whot rules are there in the selection or word work? Chart the rules. youfeel ore the most importanf aspects of the theme under the big ideo ond then suPPort how the stories f it the big ideo wifh evidence from the stories. Ploce whot arta'to^ .c rF f{r..rn't w ^\ Whot coused something to chonge in the story? How might this story take ploce if it wos to hoppen now, in the Post, or in the future? Whot are the couses and eff ects in the story? Are there orry foctors thot influence the trends in the story ond whot arethey? Pretend you dre o chorocter in the story. How might youfeel obout whot hoppened? Think like o disciplinorian from the list of occupations posted. How would your opinion of the story Whot part of the story is uncleor to youZ List ony vocobulory words that you need to investigote to understond. "?) oOo look? Gf, Develop guestions about the sfory. Discuss them with o portner. How does this story relate to Sociol Studies, Science, Art or Music? Complete on octivity off of the octivity list thot ties the story to Who? Where? onother discipline. whv? How? Biognophy Sort the vocabulory words in qt leost 3 diff erent woys lobeling fhe different wovs thev were sorted. What is the longuoge that was used in the theme? (Examples: Strotegies, skills, gen?e, story structure) Prepore something that con be used to teach onother student this Poper bog report languoge. Poem (Exomples: picture dictionory, Moke o model Create o groph model, chort, hond motions) Activities: ' picture dictionory . Gold Stor word cord . Content link from ontholory . . . ' . What? When? UNGUAGE OF TtsE DISCIPLINES Depth & ComPtexrty lcon Chart Depth * Erample tutlnttion Iffin Tools Jargon lconr vocrbultly trrrir are rpeciflc totro content or What Language of the Discipline Aoronymr Speclel phra*ee Tarmr Slang dirclFllne? What ara tha dffinlng ftilturrB or chaileteritfic'r? Flnd axamPbe end cvidenca to ruPPort oPlnlona end ldee*. Datails Wrrt etrmcntc reoccur? Wrat ia tte aequance or order of ewnB? Fectort Attrlbubr Villabbs IXciinoulrblns Tratts Pndlalabilny Rcpctltlon Make predlctlorYr besed on Part Patterns evantt. -ffi Unanswered Questions Abbnvieton* Partr "1?-? clllt *ltrfonnallon b unclaar, miaelng, or unavailsble? What evidcncc do You noed? What het not Yct betn Proven? --ilffiitEru*uru underlior thlr subJect? \filhat guldellne* or Rulee mgutatlone elbct lt? What trierarotry or oderlng prlnciple ls et work? --ffi6TGr@ Trends frolttlcal, Geognphlc) tfiat cause ovontr to ocour. ldaDHfY Petterne of chrnge onur Hme Ethics Wnat moral PrlnelPl.r rre involved ln tlrlc subjectil What contrdvcrrlsi extsf? liVhat argumenti could rmerge fiom a ttudY of thb toPic? lllcslng Fartr lncomplstr ldaar DitcruPrnck Unrqtolved irrure Ambloultv Stnrctrre Order Raagone Orgeniatlon Explanrtlon Cle*lfic*lon ttIbgautg...o lnfiuenca Forcec lXruc-tltrn Courti of Actlon Compam, Cor*rast and Foncart vglug* iloraF Pro rnd Gon Biar l!tocrlmlnaffon Frafudicc Judging Dlfirrlng Oplnionl Foir*of Vlew RlghtardWrong Wdom or gPncral rtstament aoollcr to theec ldaar? How do 'itrose idsas rEhts to broed ooncapilr luch as chenge' lmtafmory Big ldeas rystcml, chaor w' ordlr, cto? Whet i* tho main ldca? ffihr Across the Disciplines erua of etudytoother rubjccte wilhln, batween' and acrols dirciPline*, ffiers Changes ever Time Different Ferspectives Raqed urrnn the work of Sandra Ksnlan itemanl* relet d in torms ofthe pasfi, PreDar*, and futura? How and wtrY dc thlngr chenge? \rVhet docrn't change? rwwould of,hers *e t sltuatlon dlfrrontlY? Dnrw conclualonr lilcd on stddcnca Malnr ganenrlirstlon* Summtrlz€ Throry PrlnaiPle Main ldee Connact Arcocletc lntrgtatE Lind ldeag Cno$.Currlcuhr etudv Gonnecffng polnlr in tlrne Examlnlng e tlma P€rlod Gomparu and Contrrst ltilferefr roF& and knowle{gs Oppoting vlowpolntr Using Content Imperatives In Language Arts Convergence • • Paradox • • • What were the different outcomes for the characters in the story? What in the story was fact and what was opinion? Describe the conflicting views that led to the problem in the story. Origin • • Parallel • • • • What connection can you make with this story to another story you have read? What connection can you make with this story to something happening or that has happened in the world? What connection can you make with this story to your own life experiences? What similarities can you make between two of the characters in the story? What factors came together to lead to the solution of the problem? What conclusions can you come to about the main characters? How did their environment and experiences shape their actions? Support your beliefs with examples from the story. • How did the problem in the story get started? What caused it to happen? How did the solution in the story get started? What caused it to happen? If the story is a fairy tale, folk tale, tall tale, or myth, prove with evidence its origin or beginnings. Contribution • • • • • What were the significant effects of the problem? What were the significant effects of the solution? Judge the impact of the protagonist (hero) and antagonist (villain) on the story’s plot. What was the contribution that the setting played on the story? What contributions has the author or nonfiction subject made? Comprehension Skills Author’s View Point Categorize Classify Cause and Effect Compare Contrast Drawing Conclusions Fact and Opinion Following Directions Making Generalizations Making Inferences Making Judgments Noting Details Predicting Outcomes Problem Solving/Decision Making Propaganda Sequence of Events Story Structure Text Organization Topic, Main Idea, Details Writing Handbook ! Dunlap - Page 1 of 17 TIPS TO HELP STUDENTS WRITE BETTER Writing Handbook ! Dunlap - Page 2 of 17 SIMPLE WAYS PARENTS CAN HELP THEIR CHILD WITH WRITING: * Read with your child every day . . . read to them, read with them, listen to them read aloud, take turns reading together. * Talk with and listen to your child every day . . . ask them about their thoughts, ideas, interests. Share your thoughts, ideas, and interests with them. Share stories about your childhood. * Spend quality time with your child every day . . . even if itʼs in the car together . . . preparing dinner . . . doing household chores. The more time you spend with your child, the more ideas your child will have from which to choose when writing. * Have your child read aloud his/her writing to you. Actively listen, express interest, and become familiar with your childʼs writing “voice” and style. Be generous with praise; stingy with criticism. * Share your writing with your child . . . even if itʼs a grocery list or “to do” list. Write a story together . . . HOW TO HELP WITH WRITING ASSIGNMENTS AND PROJECTS: * Carefully read and discuss the directions with your child. * Be sure you and your child understand what is expected. * Be familiar with and use the resources provided by the teacher . . . web links, materials online, handouts, student samples, etc. * If you need clarification, please contact the teacher right away . . . donʼt wait until the day before the task/project is due. * Set up a schedule with your child so that long-term projects are done in bite-size, manageable steps. * Remind your child to work in pencil first and follow the steps for good writing (see following pages). Writing Handbook ! Dunlap - Page 3 of 17 6 + 1 Traits of Writing 1 IDEAS are what’s behind the meaning and development of writing. They make up the content of a piece. 2 ORGANIZATION is the inside arrangement of a piece of writing, the general idea of central meaning, the pattern of sense. 3 VOICE is the way the writer brings the topic to life. It’s the sense that a real person is speaking to you. 4 WORD CHOICE is the vocabulary the writer uses to communicate meaning. Words should be rich, colorful, vivid, and exact. 5 SENTENCE FLUENCY is the way words and phrases flow throughout the text; the alternation of short and long sentences. 6 CONVENTIONS are what mark the mechanical correctness of the piece. They include punctuation and grammar. 7 PRESENTATION is the overall appearance of the work. It is the final piece of the puzzle that brings together all of the elements and creates an interconnected whole. 6+1 Writing Traits.doc Writing Handbook ! Dunlap - Page 4 of 17 5 Steps to Writing! Dunlap 2011 1.! ! ! ! ! ! ! * Analyze the Prompt (TAK):! * Topic ! ! ! ! ! * Audience (if none given, itʼs the teacher) ! ! ! ! ! * Key Words * Stop and Think (30-90 seconds) * Brainstorm * Pick and Choose (highlight in yellow the correct number of your ideas to use) * Make a Plan (use a Thinking Map - T.M.) 2.! ! * 4 Topic Sentences (4 types) * Turn and Talk (when work done in class; not for tests) ! ! ! Simple Declarative Statement Question Number Statement TOPIC SituationStance (2-part) 3.! ! * Rough Draft / Sloppy Copy * Refer to Plan (Thinking Map - T.M.) 4.! ! ! * Revise and Edit (USP):! * Unusual Words ! ! ! ! * Specific Words ! ! ! ! * Picture-Painting Words ! * Choose a Different Topic Sentence for the Conclusion 5.! ! ! ! * Final Copy (CUPS):! ! ! ! ! ! ! ! ! ! ! ! ! * Capitalization * Usage (subject-verb agreement, etc.) * Punctuation * Spelling Writing Handbook ! Dunlap - Page 5 of 17 PARENT / PEER EDITING GUIDELINES Copyright 2004 - read-write-think May be reproduced for educational purposes. Writing Handbook ! Dunlap - Page 6 of 17 Writing Handbook ! Dunlap - Page 7 of 17 Writing Handbook ! Dunlap - Page 8 of 17 Writing Handbook ! Dunlap - Page 9 of 17 Writing Handbook ! Dunlap - Page 10 of 17 Writing Handbook ! Dunlap - Page 11 of 17 Writing Handbook ! Dunlap - Page 12 of 17 Writing Handbook ! Dunlap - Page 13 of 17 Writing Handbook ! Dunlap - Page 14 of 17 SAMPLE NARRATIVE WRITING PLANNER: B (beginning) - M (middle) - E (end) - Writing Handbook ! NARRATIVE WRITING Dunlap - Page 15 of 17 Writing Handbook ! NARRATIVE WRITING Dunlap - Page 16 of 17 Writing Handbook ! Dunlap - Page 17 of 17 How else can I help at home? - Provide your child with “experiences” from which to draw ideas to write: ★ read a variety of stories from different genres ★ watch age-appropriate TV shows, videos, or movies ★ choose educational shows that are appropriate ★ take weekend trips or family outings - Use 4th-grade academic terminology. - Practice activities orally to build confidence. - Read aloud to your child simple stories and have him/her retell the story orally, telling the beginning, middle, and end parts of the story. - Focus on the different ways stories begin and end. - Practice what is being done in class. - Encourage creative, original ideas. - Provide your child with colored highlighters, colorful thin markers, colored pens, etc. to reinforce color-coding and make writing more fun and enjoyable. - If your child has difficulty writing with a pencil, try pencil grips and maybe a white board with white-board markers for practice writing. - Allow your child to use a computer for some of the writing practice at home. - Be sure your child gets plenty of fresh air, exercise, nutritional food, and 8-10 hours of sleep so that he/she is better prepared to do well. HAVE FUN WITH YOUR CHILD! Writing Workshop for Parents of Fourth Graders The fourth grade teachers would like to invite all parents of fourth graders to a Writing Workshop to learn about the 4th-grade writing curriculum. The date will be Tuesday, September 13 at 6:30 pm. We will meet in the Williams’ cafeteria promptly at 6:30 pm. After a brief introduction by the fourth grade teachers, parents will attend four different group sessions for each of the four writing genres. The workshop will explain the writing program in detail. You will learn about the 6+1 Traits of Writing and four genres of writing: (1) Personal Narrative; (2) Fictional Narrative; (3) Summary; and (4) Response to Literature. We will explain thinking maps and graphic organizers that we use for different genres of writing. In addition, you will be introduced to the “writing vocabulary” we use in teaching fourth grade writing. We hope this experience will help parents of fourth graders assist their children at home with writing. It is important for the entire family to understand what is expected of all fourth graders as they prepare for the state writing assessment. Please complete the form below and return it to your teacher as soon as possible. Thank you! ------------------------------------------Student Name: __________________________ #____ ___ Yes, I/we plan to attend the Writing Workshop for Parents of Fourth Graders on Tuesday, September 13, 2011, at 6:30 pm. ___ No, I/we cannot attend. Alternate Spelling Activities Using Challenge Words 1. Use all of the words to create as few words as possible. 2. Create a crossword puzzle on graph paper. Include an answer key. 3. Create greeting card messages or rebus pictures. 4. Create riddles with the words as the answers. Product Choice Chart Crossword puzzle Fact file Family tree Glossary Riddle Poem Survey Advertisement 5. Sort the words into 3 categories. Label the categories. 6. Write an advertisement using as many of the words as you can. Make it for something from the story if possible. 7. Using a thesaurus, find synonyms and antonyms for the words. Chart your findings. 8. Create analogies using the words. (Example: heart is to body as motor is to lawn mower.) Coat of arms Collage Comic strip Graphic organizer Greeting card Power point Map Picture dictionary Scrapbook Collection 9. Using a dictionary, find the history of the word. List what language it originated from and any other interesting facts. Demonstration 10. Come up with your own activity. Discuss it with your teacher for approval before starting on it. Pop-up book Mobile Model *Adapted From: Teaching Gifted Kids in the Regular Classroom by Susan Winebrenner 2001 TECHNOLOGY ACCEPTABLE USE POLICY For Dunlap Detectives The Dunlap Detectives' information technology resources, including email, wikis, blogs, Google apps, etc., including Internet access, are provided for educational purposes. Adherence to the following policy is necessary for continued access to the school's technological resources: Students must 1. 2. 3. 4. Respect and protect the privacy of others. ! Use only assigned accounts. ! Not view, use, copy, or alter passwords. ! Not view, use or copy data or networks to which they are not authorized. ! Not distribute private information about others or themselves. Respect and protect the integrity, availability, and security of all electronic resources. ! Observe all network security practices, as posted. ! Report security risks or violations to a teacher or network administrator. ! Not destroy or damage data, networks, or other resources that do not belong to them, without clear permission of the owner. ! Conserve, protect, and share these resources with other students and Internet users. Respect and protect the intellectual property of others. ! Not infringe copyrights (no making illegal copies of music, games, or movies!). ! Not plagiarize. Respect and practice the principles of community. ! Communicate only in ways that are kind and respectful. ! Report threatening or discomforting materials to a teacher. ! Follow all usage guidelines posted on any internet resource. ! Not intentionally access, transmit, copy, or create material that violates the school's code of conduct. ! Not intentionally access, transmit, copy, or create material that is illegal. ! Not use the resources to further other acts that violate the school's code of conduct. ! Not send spam, chain letters, or other mass unsolicited mailings. ! Not buy, sell, advertise, or otherwise conduct business, unless approved as a school project. Students may, if in accord with the policy above 1. 2. 3. Design and post web pages and other material from school resources. Use communications tools such as blog comments with a teacher's permission. Use the resources for any educational purpose. Consequences for Violation. Violations of these rules may result in disciplinary action, including the loss of a student's privileges to use the school's information technology resources. Supervision and Monitoring. Teacher and network administrators and their authorized employees monitor the use of information technology resources to help ensure that uses are secure and in conformity with this policy. Administrators reserve the right to examine, use, and disclose any data found on the school's information networks in order to further the health, safety, discipline, or security of any student or other person, or to protect property. They may also use this information in disciplinary actions, and will furnish evidence of crime to law enforcement. I ACKNOWLEDGE AND UNDERSTAND MY OBLIGATIONS: _______________________________ Student __________________________ Date _______________________________ Parent/Guardian __________________________ Date PARENTS, PLEASE DISCUSS THESE RULES WITH YOUR STUDENT TO ENSURE HE/SHE UNDERSTANDS THEM. THESE RULES ALSO PROVIDE A GOOD FRAMEWORK FOR YOUR STUDENT'S USE OF COMPUTERS AT HOME, LIBRARIES, OR ANYWHERE. FOR MORE INFORMATION, SEE www.cybercrime.gov. 2011-12 Fourth Grade Enrichment Activities October Oakland Museum Field Trip (exact dates to be determined) November Alviso Wildlife Refuge Field Trip (exact dates to be determined) January San Juan Bautista Field Trip (exact dates to be determined) March Sacramento Field Trip (exact dates to be determined) ** CA History Days/Gold Rush Days Classroom Parent Coordinator(s) should be selected by now. ** April Parent Coordinators’ Meeting for CA History Days/Gold Rush Days (time/date to be determined) Fiesta Dance Performance April 27 - time to be determined May Music on the Blacktop (9:15-10:15 am) CA History Days/Gold Rush Days (10:15 am - 2:30 pm; rotation times to be determined) Environmental Education Center in Alviso Field Trip Training and Orientation Workshop Dates at the Environmental Education Center in Alviso Announcing our NEW Field Trip Training and Orientation Program! Please note the following changes. Thank you to all the teachers and parents who have provided us feedback so we could restructure our training program to better serve you! New Teacher Field Trip Training Teachers that have not yet attended a field trip orientation must attend one of the following New Teacher Field Trip Trainings listed below. Thursday, September 29 4:00 p.m. – 6:00 p.m. Sunday, November 6 10:00 a.m. – 12:00 p.m. Returning Teacher and Parent Workshop Returning Teachers and Parents will be offered a separate Returning Teacher and Parent Workshop. It is a requirement that returning teachers must attend one of these workshops once every three years. We highly recommend that Parent Activity Leaders attend one of the following workshops. In addition, we strongly encourage returning teachers to attend the workshop with their parent volunteers. Thursday, October 6 Sunday, November 6 Thursday, November 17 4:00 p.m. – 6:00 p.m. 1:30 p.m. – 3:30 p.m. 4:00 p.m. -6:00 p.m. For more information call the EE Staff at Alviso: Office: 408-262-5513 ext. 100 Email: genie_moore@fws.gov Parents, this is one of the most exciting hands-on field trips of the year! Please try to join us for this fun event. We need as many parents from each classroom as possible to attend the parent workshop on one of the three dates shown above -- at least three to make the field trip more successful. Thank you for your participation and support! The 4th Grade Teachers at Williams Dunlap 2011-12 Volunteer Sign-Up Needs ! http://williamscommunity.i-volunteeronline.com/event_178_001 1 of 4 ________________ _______________ __________________ __________________ __________________ __________________ ______________________ Dunlap 2011-12 Volunteer Sign-Up Needs ! http://williamscommunity.i-volunteeronline.com/event_178_001 2 of 4 Dunlap 2011-12 Volunteer Sign-Up Needs ! http://williamscommunity.i-volunteeronline.com/event_178_001 3 of 4 Dunlap 2011-12 Volunteer Sign-Up Needs ! http://williamscommunity.i-volunteeronline.com/event_178_001 4 of 4