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contents August 2010 • Vol. 34 • No.8 cover stories The Devil Wears Prada Hardcore music entering the mainstream? A short while ago that prospect would’ve seemed an impossibility. But this sextet is changing all the rules by drawing the kind of audience and accolades that higher profile acts enjoy. MC gets to the bottom of the band’s career moves in our exclusive interview with Prada kingpin, Mike Hranica. By MC Associate Editor, Andy Mesecher 36 Photos: Gordie Ball KILL OR BE KILLED! Bernard Baur In this age of declining CD sales, a band’s live show has become crucial. It is no longer okay to go onstage with an act that’s unprepared or undercooked; you’ve got to “bring it” every single time––no excuses. In this unique article, our experts provide tips that will help anyone pump up their performance chops. 40 By Bernard Baur 26th Annual Directory Of Rehearsal Studios You can always count on Music Connection for up-to-date information that can help your career. In this case, it’s our newly expanded, national list of rehearsal facilities that are ready and waiting for your use. Compiled By David Sachs and Julianna Young 54 8th Annual Directory Of Equipment Rental/Cartage & Tech Services Whether you’re a national act or a local band that’s trying to bring professionalism to your game—lighting FX perhaps?––this exclusive list of rental and cartage companies will prove indispensable. And if you have any gear glitches, check out the Tech Services section for qualified repair and maintenance experts. 64 Compiled By Julianna Young features 20. 22. 30. 44. 46. 78. Producer Crosstalk: SuperSpy.................................................................................................................By Rob Putnam Exec Profile: Jon Hichborn....................................................................................................................By Andy Kaufmann Songwriter Profile: Makeba Riddick...........................................................................................................By Dan Kimpel Artist Profile: Ride Your Bike.....................................................................................................................By Tom Laurie Expert Advice: The Piano = Excellent Songwriting Tool..............................................................................By Skye Delamey Tip Jar: Seven Ways to be More Effective on Facebook.............................................................................By Loren Weisman reviews departments 08. 09. 10. 14. 16. 18. CLOSE•UP ASSIGNMENTS NEW TOYS BOOKSTORE UP•CLOSE STUDIO MIX 23. 26. 28. 32. 34. A&R•LEGAL•MANAGEMENT SIGNING STORIES SONG BIZ FILM•TV•THEATER MIXED NOTES 47. CD REVIEWS 48. NEW MUSIC CRITIQUES 50. CLUB REVIEWS Always be vigilant of people attempting to make a “fast buck” off musicians. If you encounter difficulty with an individual listed in this magazine, or if you are confronted by a dishonest or “shady” operation, drop us a note to inform us of the details. No phone calls please. The opinions expressed in Music Connection, as well as all Directory listings and contact information, are provided by various sources in the music industry. Music Connection is not responsible for any business transactions or misadventures that may result from your use of this information. 4 Beautiful Mar Vista home with recording studio 3 bedroom, 2 bath master suite w/ walk in closet, kitchen has Sub Zero & 6 burner professional Viking double oven over 1700 sq ft, Mar Vista Hill Mar Vista Elementary $759,000 PUBLISHER E. Eric Bettelli GENERAL MANAGER/ ADVERTISING DIRECTOR E. Eric Bettelli ericb@musicconnection.com ASSOCIATE PUBLISHER / SENIOR EDITOR Mark Nardone markn@musicconnection.com OPERATIONS MANAGER Denise Coso denisec@musicconnection.com ART DIRECTOR Cesare Perrino artdirector@musicconnection.com MARKETING/ADVERTISING MANAGER Brian Stewart brians@musicconnection.com DIRECTOR OF ONLINE OPERATIONS Mukul Chauhan webmaster@musicconnection.com SENIOR ACCOUNT EXECUTIVE Hillorie McLarty hillorier@musicconnection.com ADVERTISING ART DIRECTOR Gary J. Stephens garys@musicconnection.com ARTIST & READER RELATIONS Julianna Young juliannay@musicconnection.com TECH EDITOR Barry Rudolph barry@barryrudolph.com ASSOCIATE EDITOR/VIDEOGRAPHER Andy Mesecher andym@musicconnection.com CONTRIBUTING EDITOR Bernard Baur bbatmc@aol.com SONG BIZ Dan Kimpel dan@dankimpel.com FILM, TV, THEATER Tom Kidd prespakpr@earthlink.net FEATURE WRITERS DIRECTORy EDITORS Andy Kaufmann Julianna Young & David Sachs andy.kaufmann@comcast.net mcdirectories@musicconnection.com Rob Putnam toe2toe6@hotmail.com EDITORIAL INTERN David Sachs FOUNDED By J. Michael Dolan CONTRIBUTING WRITERS Nicole Albertson, Bernard Baur, Brett Bush, Doug Diamond, Hans Fink, Gary Graff, Eric A. Harabadian, Joe James, Matt Jaworski, Oscar Jordan, Tom Jordan, Andy Kaufmann, David Kershenbaum, Tom Laurie, Kim Mack, Jose Martinez, Michael Mollura, Darryl Morden, Paula Muñoz, Anne O’Neary, Jess Pierce, Rob Putnam, Scott Perham, J. Rentilly, Lisa Elaine Scott, Daniel Siwek, Laurier Tiernan, Albert Vega, Catherine Veit, Sarah Whited, Jonathan Widran, Ellen Woloshin, Julianna Young. PHOTOGRAPHERS Bernard Baur, Scott Dudelson, Kevin Estrada, Jennifer R. Grad, Oscar Jordan, David Klein, Merry Kotte, Tom Laurie, Kim Mack, Cindy Miley, Michael Mollura, Paula Muñoz, Anne O’Neary, Rob Putnam, Lisa Elaine Scott, Daniel Siwek, Dave Stone, E. H. Tiernan, Albert Vega, Julianna Young. Member: Manufactured and printed in the United States of America, Music Connection (ISSN# 1091-9791) is published monthly by Music Connection, Inc., 14654 Victory Blvd., Van Nuys, CA 91411. Single copy price is $3.95, Canada $4.95. Subscription rates: $35/one year, $59/two years. Outside the U.S., add $25 (U.S. currency) per year. We are not responsible for unsolicited material, which must be accompanied by return postage. All rights reserved. Reproduction in whole or part without written permission of the publishers is prohibited. The opinions of contributing writers to this publication do not necessarily reflect the views of Music Connection, Inc. Copyright © 2010 by E. Eric Bettelli. All rights reserved. <^T9^^S\P] D7!?3JAF4 9aaV_S`\aW2Sa^ 5a_ %#"&"'$)"" *#*)("()"" LEGAL COUNSEL Christopher J. Olsen chris@chrisolsenlaw.com Corporate Headquarters 14654 Victory Blvd., Van Nuys, CA 91411 Office: 818-995-0101 FAX: 818-995-9235 E-Mail Address: ContactMC@musicconnection.com Website: http://www.musicconnection.com 3UBSCRIBETO-#./7MUSICCONNECTIONCOMSUBSCRIBE ".1/&5803,r8&&,-:#6--&5*/r%"*-:8*5&r%*(*5"-&%*5*0/r."(";*/&r"6(645 CLUB REVIEWS Contact: Joseph McCaffrey, joe@bevonshiremanagement .com; publicitygiantpanda dub.com; Booking: valwolfe@the agencygroup.com (West), anthonypaolercio@ theagencygroup.com (East) Web: giantpandadub.com, myspace.com/giantpandadub AMP Username: giantpandadub The Players: James Searl, bass; Chris O’Brian, drums; Dylan Savage, guitar; Aaron Lipp, keys. Material: If nothing else, Giant Panda Guerilla Dub Squad represent a deep, undying passion for sun-drenched dub. This groovedout, rock-oriented quartet lay down a sparkling brand of bass-heavy reggae that expands upon the work of their island forebears by layering in a generous dose of savory, Southern blues guitar. At moments, the former six-piece come across like a tropical P-funk, at others like an Allman Brothers gone Rastafarian. Musicianship: Giant Panda’s instruments entwine flawlessly, meshing magically into razor-sharp jams. James Searl’s ridiculously intense bass vibrations are so potent they could probably be felt in the island hot spots that inspired Neverwonder Unity Festival Long Beach, CA Contact: Doug Deutsch Publicity Services 213-924-4901 dougdeutschpr@gmail.com Web: neverwonder.com, myspace .com/neverwonder AMP User Name: neverwonder The Players: Megan Bobo, vocals; Vincent Ramos, bass; Andres Ramos, drums; Conrad Thompson, guitar. Material: Neverwonder take a strong, groove-oriented, funk backbone and flesh it out with hard rock guitars and soulful vocals. The overall package is delivered with a pop sensibility that makes the material easily accessible and enjoyable for mainstream audiences, while still delivering a level of energy and musicianship that appeals to the more discerning listener. Lyrically, the songs appear to be about the usual: love, life, relationships and of course, shaking the proverbial booty. Musicianship: The musicianship is solid all around; The Ramos brothers hold down a very commanding groove rooted in funk and rock & roll. Megan Bobo’s voice is epic, which is not surprising considering she was 52 Performance: From the first note to their last, Giant Panda were firing on all cylinders. Limiting betweensong downtime to an absolute minimum, the group came across as eminently serious, despite their whimsical name. Focusing on their music with laser-like intensity, the few times they acknowledged their fans were well-received. The only frivolous moment of the night was not of their doing, when someone inexplicably placed a pineapple on stage. The one disappointing spot of their set was a pretty, yet sappy love song that drained the fire out of an otherwise ecstatic crowd. Summary: Giant Panda prove that white guys can rock a deep-island riddim as well as that of Jamaica’s best. It’s hard to believe these dudes are soliciting donations to fix their van just so they can continue touring, when they so obviously deserve support. With their easily accessible sound, listeners who think they don’t like reggae should check this band out—they’ll likely become converts. ––����� �������� Andy Kaufmann Andy Kaufmann Paradise Boston, MA them. Chris O’Brian’s drumming ably keeps the beat, while the true icing on the cake is Aaron Lipp’s keyboard tickling paired with Dylan Savage’s searing guitar riffs. Vocals are handled collectively, making their lyrics secondary to the oneworld vibe they radiate so naturally. Giant Panda Guerilla Dub Squad: A deep, undying passion for sun-drenched dub. a finalist on American Idol in 2007. This collection of musicians play quite well together, and it’s evident that they greatly enjoy their sonic chemistry. Performance: Neverwonder know how to deliver the goods from start to finish. Conrad Thompson, filling in on guitars for Scott Ramsay, did an excellent job of complementing the other players in the band, considering he had less than a week to prepare for the gig. This particular performance also featured Renee Quail as a guest keyboardist, as well as a young MC Ken the Gentleman, who leant a flow or two toward the end of the set. Bobo is a tremendous singer; however, she seemed uncomfortable in her attempted crowd banter. Furthermore, the band seemed to have “tamed” their appearance for this particular show, since the Unity Festival is an event with strong Christian overtones. It would be interesting to see this band perform again in a more rockoriented venue. The performance concluded with a very rocking rendition of “Brick House.” Summary: It’s really hard to go wrong when you mix the best parts of funk with the best parts of rock. Neverwonder have a formula that, though not wholly original, is entirely effective and engaging. The instrumentation is groove oriented and very tastefully implemented. Add to that a vocally gifted frontwoman and you have a recipe for a band that could have serious mainstream appeal without being mainstream. However, rock and funk are very loud, colorful genres, and Neverwonder would do well to alter their onstage appearance slightly to reflect that. Additionally, it would be nice to see Bobo more in her comfort zone when talking to her audience between songs. All in all, a strong quartet who know how to deliver. ––����� Hans ���� Fink Hans Fink Giant Panda Guerilla Dub Squad Neverwonder: A four-piece that mixes the best parts of funk and rock. AMP NETWORK • WEEKLY BULLETIN • DAILY WEBSITE • DIGITAL EDITION • MAGAZINE •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àOE UIFNTFMWFT BU UIJT BHF 5IF JOTUSVNFOUBM TUBS JT /BSEJOJ UIF ZFBSPME IBOEMFT Jory Glick Weber’s Place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àOET PSJHJOBMJEFBTFWFOJOUIFDMVUUFSFE BSFOBPGSPNBOUJDSPDLTPOHXSJUJOH .VTJDJBOTIJQ 5IJT HSPVQT UISFF HVJUBS CBTT ESVN BOE TPNFUJNFT LFZCPBSEDPNCPJTOFWFSSFQFUJUJPVT 7FUFSBO MFBE HVJUBS QMBZFS .JLF 'MFFUXPPEQMBZTTFBTPOFEBOEXFMM TUSVDUVSFEBSSBOHFNFOUTXIJMF1FUFS #VSLFTESVNNJOHJTTPMJECFIJOEB GFFMTBVUIFOUJD8IJMFJOUSJHVJOHBOE JODSFEJCMZJOWPMWFEGPSBCBOEPGBOZ WJOUBHFUIF/VLFTTPOHTNJHIUCF B MJUUMF UPP RVJSLZ BOE IPPLMFTT GPS TPNFUBTUFT#VUUIFOUIBUTUIFJEFB BWPJE BHFBQQSPQSJBUF NVTJD BU BMM DPTUTXIJMFTUJMMPGGFSJOHTPNFUIJOH UIBUT FYDJUJOH BOE FOHBHJOH JO JUT JEJPTZODSBTZ 5IFSFT TUJMM QMFOUZ PG SPPN GPS SJQFOJOH IFSF CVU UIFTF LJET KVTU OFFE UP LFFQ EPJOH JU BOPUIFSZFBSPGDPOTUBOUQFSGPSNJOH UPHFUIFS BOE UIF /VLFT XJMM CF B TJHIUUPTFF mm%FBO.PPSF 1FSGPSNBODF 4UBHF QSFTFODF JT XIFSF 5BSBO FBSOT IFS OPNJOBUJPO BT UIF /VLFT .71 8IJMF OPU QBSUJDVMBSMZ MPRVBDJPVT XJUI UIF DSPXE IFS DPOTUBOU TNJMF BOE JOTUBOUMZ MJLBCMF TQVOLJOFTT FBTJMZ XPOUIFBVEJFODFPWFSBOEXIFO UIF NVTJD HPU PNJOPVT TIF BMTP QSPKFDUFE BO BQQSPQSJBUFMZ FEHZ JOUFOTJUZ8BMM8PPEBOE-BSSB[BCBM TFFNFE FOHBHFE UISPVHIPVU BM UIPVHI UIFZ DPVME IBWF TUPPE UP JOUFSBDUXJUIPOFBOPUIFSBCJUNPSF "OE XIJMF /BSEJOJ XBT BVUPNBUJD JO IJUUJOH IJT DIPSET DMFBOMZ UIF DPODFOUSBUFE FOFSHZ OFFEFE GPS TVDI B UBTL USBOTMBUFE JOUP B NF DIBOJDBM QFSGPSNBODFCVU IJT TUBHFQFSTPOBJTTVSFUPEFWFMPQJO UJNF 4VNNBSZ 5IF BVEJFODF BU UIF 5SPVCBEPVS TFFNFE IBQQZ UP IBWF CFFO PGGFSFE FBSQMVHT CZ UIF /VLFT NBOBHFS CFGPSF UIF TIPX UIJT CBOE PG KVOJPS IJHI BOE IJHI TDIPPMFSTBSFMPVEBOETVSQSJTJOHMZ HSJUUZGPSUIFJSBHFBOEUIFJOUFOTJUZ CBTJDQPQSIZUINTUSVDUVSFBOEIJT LFZCPBSEPOSFHHBFJOáVFODFEi*UT "MXBZT4PNFUIJOHuJTPSJHJOBM(MJDL JT FRVBMMZ UBMFOUFE PO HVJUBS BOE ESVNT BOE IJT WPDBMT BSF TXFFU BOEESJQXJUITJODFSJUZ Kaley nelson The Troubadour 8FTU)PMMZXPPE$" DPMPSGVM DIPSEJOHT XJUI FBTF 5IF SIZUINTFDUJPOJTTPMJEJGTUJMMTMJHIUMZ UFOUBUJWF BU UJNFT BOE 8BMMT LFZT BEFQUMZ BEE DIBSBDUFS UP UIF CBOETBMSFBEZNVMUJGBDFUFETPVOE 5IF POMZ BSFB UIBU DMFBSMZ OFFET JNQSPWFNFOU JT UIF WPDBM CMFOE CFUXFFO8BMMBOE5BSBOTJODFUIF IBSNPOJFTGBDUPSJOTPIFBWJMZUPUIF CBOET TPVOE CPUI TJOHFST OFFE UP NBLF TVSF UIFZ TPVOE TQPUPO UPHFUIFS The Nukes: Loud and gritty with an authentic feeling of intensity. NFBOJOHGVM*GUIFBVEJFODFSFBDUJPO UPUIJTQFSGPSNBODFJTBOZJOEJDBUJPO (MJDL XJMM NPSF UIBO MJLFMZ IBWF OP QSPCMFNHBJOJOHBOENBJOUBJOJOHB MBSHFBOEMPZBMGPMMPXJOH mm-JTB&MBJOF4DPUU 1FSGPSNBODF 6OMJLF TPNF PUIFS ZPVOH BSUJTUT (MJDL SFTJTUFE UIF UFNQUBUJPO UP CF QSFUFOUJPVT CF DBVTF IF EPFTOU OFFE UP CF 5IF RVBMJUZ PG UIF NVTJD BOE UIF IJHI DBMJCFS QFSGPSNBODF XFSF FOPVHI "TJEF GSPN BO PCWJPVTMZ XFMM SF IFBSTFEBOEUJHIUQFSGPSNBODFTFU BOPUIFS UIJOH UIBU TFFNFE UP ESJWF (MJDL XBT B EFTJSF UP DPOOFDU XJUI UIF BVEJFODF )F RVJDLMZ MFGU IJT DPNGPSU [POF BOE WFOUVSFE UP UIF GSPOU PG UIF TUBHF XIFSF IF NBEF B GBTU DPOOFDUJPO XJUI UIF DSPXE 8JUI BO FOEFBSJOH DPOàEFODF BOE BTBWWZTUBHFQSFTFODFUIBUCFMJFT IJTZFBSTUIFTJOHFSTPOHXSJUFSIBE OP QSPCMFN MFBEJOH UIF BVEJFODF JOUP UIF QBMN PG IJT IBOE (MJDL XIP BMTP IBT BDUJOH DSFEJUT XBT DMFBSMZBUIPNFPOTUBHFXIJDIXBT NPTU FWJEFOU EVSJOH IJT BDPVTUJD QFSGPSNBODF PG UIF TPOH i1VTIu 8IJMF UIF SFTU PG UIF CBOE TBU PVU UIFTPOH(MJDLXBTBCMFUPTLJMMGVMMZ IPMEIJTPXOBTBTPMPBSUJTU 4VNNBSZ+PSZ(MJDLJTBGSFTIUBMFOU XJUI IVHF QPUFOUJBM XIP JT DMFBSMZ SFBEZ GPS QSJNFUJNF 5IPVHIUGVM MZ SJDT FYDFQUJPOBM NVTJDJBOTIJQ BOE B UPO PG IFBSU NBLF UIJT QSPKFDU Bernard Baur The Nukes Jory Glick: Thoughtful lyrics, exceptional musicianship and a ton of heart. "6(645r."(";*/&r%*(*5"-&%*5*0/r%"*-:8*5&r8&&,-:#6--&5*/r".1/&5803,