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OPENING YOUR CHAKRAS SINCE 1992 VOLUME 24 | ISSUE 4 | JANUARY 22-28, 2015 | FREE [2] JANUARY 22-28, 2015 WEEKLY ALIBI WEEKLY ALIBI JANUARY 22-28, 2015 [3] [4] JANUARY 22-28, 2015 WEEKLY ALIBI alibi VOLUME 24 | ISSUE 4 | JANUARY 22-28, 2015 EDITORIAL MANAGING EDITOR/MUSIC EDITOR: Samantha Anne Carrillo (ext. 243) samantha@alibi.com FILM EDITOR: Devin D. O’Leary (ext. 230) devin@alibi.com FOOD EDITOR/FEATURES EDITOR: Ty Bannerman (ext. 260) ty@alibi.com ARTS & LIT EDITOR/WEB EDITOR: Lisa Barrow (ext. 267) lisa@alibi.com CALENDARS EDITOR/COPY EDITOR: Mark Lopez (ext. 239) mark@alibi.com CONTRIBUTING WRITERS: Cecil Adams, Steven Robert Allen, Captain America, Gustavo Arellano, Rob Brezsny, Shawna Brown, Suzanne Buck, Eric Castillo, David Correia, Erik Gamlem, Gail Guengerich, Nora Hickey, Kristi D. Lawrence, Ari LeVaux, Mark Lopez, August March, Genevieve Mueller, Amelia Olson, Geoffrey Plant, Benjamin Radford, Jeremy Shattuck, Mike Smith, M. Brianna Stallings, M.J. Wilde, Holly von Winckel PRODUCTION ART DIRECTOR: Jesse Schulz (ext. 229) jesse@alibi.com PRODUCTION MANAGER: Archie Archuleta (ext. 240) archie@alibi.com GRAPHIC DESIGNERS: Tasha Lujan (ext. 254) tasha@alibi.com Robert Maestas (ext. 254) robert@alibi.com STAFF PHOTOGRAPHER: Eric Williams ewill23nm@gmail.com CONTRIBUTING ARTISTS: Ben Adams, Cutty Bage, ¡Brapola!, Michael Ellis, Stacy Hawkinson, KAZ, Robert Maestas, Julia Minamata, Tom Nayder, Ryan North, Jesse Phillips, Brian Steinhoff SALES SALES DIRECTOR: John Hankinson (ext. 265) john@alibi.com SENIOR DISPLAY ACCOUNT EXECUTIVE: Sarah Bonneau (ext. 235) sarah@alibi.com ACCOUNT EXECUTIVES: Valerie Hollingsworth (ext. 263) valerie@alibi.com Chelsea Kibbee (ext. 248) chelsea@alibi.com Laura Liccardi (ext. 264) laural@alibi.com Dawn Lytle (ext. 258) dawn@alibi.com Sasha Perrin (ext. 241) sasha@alibi.com ADMINISTRATION CONTROLLER: Molly Lindsay (ext. 257) molly@alibi.com ACCOUNTS RECEIVABLE : Courtney Foster (ext. 233) courtney@alibi.com FRONT DESK: Constance Moss (ext. 221) constance@alibi.com Renee Chavez (ext. 221) renee@alibi.com EDITOR AND PUBLISHER: Carl Petersen (ext. 228) carl@alibi.com SYSTEMS MANAGER: Kyle Silfer (ext. 242) kyle@alibi.com WEB MONKEY: John Millington (ext. 238) webmonkeys@alibi.com OWNERS, PUBLISHERS EMERITI: Christopher Johnson and Daniel Scott CIRCULATION CIRCULATION MANAGER: Geoffrey Plant (ext. 252) geoff@alibi.com INFORMATION PRINTER: The Santa Fe New Mexican IN LOVING MEMORY: Doug Albin, Martin Candelaria, Michael Henningsen, Eric Johnson, Greg Medara, Mina Yamashita INTERNET SERVICE PROVIDER: Southwest Cyberport (232-7992) info@swcp.com NATIONAL ADVERTISING: VMG Advertising (888) 278-9866 www.vmgadvertising.com NUCITY PUBLICATIONS, INC. 413 Central NW, Albuquerque, New Mexico 87102 BUSINESS HOURS: 10AM–5PM MON–FRI PHONE: (505) 346-0660 FAX: (505) 256-9651 Alibi (ISSN 1088-0496) is published weekly 52 times per year. 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Association of Alternative Newsmedia WEEKLY ALIBI JANUARY 22-28, 2015 [5] BY AUGUST MARCH Crib Notes: Jan. 22, 2015 1 This past Sunday night, there was a ______________ at the Walmart on Coors NW. a) Union organizing meeting b) Fatal shooting c) Big sale d) Protest 2 A diamond-shaped object seen floating in the sky above Albuquerque this past weekend was actually _________________. a) A spaceship full of Greys from Zeta Reticuli b) A TARDIS c) The Grateful Dead on tour d) A solar balloon launched by a hacker 3 The first man who was shot and killed by Albuquerque police in 2015 was wearing ________________ during a standoff with two officers last week. a) Body armor b) A spandex unitard c) Nothing at all d) A futuristic space suit 4 Last week two Albuquerque strippers traveled to Artesia, N.M., to __________________. a) Trade in their stash of two-dollar bills for a couple Franklins b) Kidnap another stripper c) Perform table dances for oil rig workers d) Shop at the local mall 5 Last Wednesday a shopper left behind _________________ at the Savers Thrift Store outlet near Carlisle and Menaul. a) A broken phonograph player b) 10 pairs of gently used shoes c) A bag containing hundreds of dollars d) A request that management stock larger sizes Answers: 1) B. When police responded to a call about a fight in progress, they discovered that a man had been shot inside the store. He later died, and the shooter absconded. 2) D. Gonner Menning of local hackerspace Quelab built several of the devices and launched the first one on Sunday, Jan. 18. 3) A. John Edward O’Keefe, who expired after a shootout with APD officers on Tuesday, Jan. 13, was wearing body armor that was allegedly stolen from a member of the County Sheriff’s Department. 4) B. A mother-daughter stripper team from Burque allegedly kidnapped a colleague in Artesia because of money that was owed to them. They also allegedly kidnapped the woman’s dog, but they were arrested shortly thereafter. [6] JANUARY 22-28, 2015 WEEKLY ALIBI 5) C. An unidentified customer left a bag containing hundreds of dollars on the floor of an Albuquerque thrift store. a ODDS ENDS AND CRIB NOTES WEIRD NEWS Dateline: Saudi Arabia A top Saudi cleric has sparked a controversy by banning snowmen in the Middle East. Asked on a religious website if it was permissible for fathers to build snowmen with their children after a recent snowstorm in the north of Saudi Arabia, Sheikh Mohammed Saleh al-Munajjid came down squarely in the negative. “It is not permitted to make a statue out of snow, even by way of play and fun,” he advised. Munajjid argued that the creation of a human snow creature was sinful under the kingdom’s strict interpretation of Sunni Islam. “God has given people space to make whatever they want which does not have a soul, including trees, ships, fruits, buildings and so on.” So snow fruits are fine, but snowmen are not. Dateline: China A woman in China’s Henan province is accused of chopping off her husband’s penis— twice in one day. The 30-year-old woman allegedly flew into a rage after discovering a flirty email exchange between her 32-year-old husband, Fan Lung, and his 21-year-old lover. Naturally, the wife snipped off her cheating husband’s wang with a pair of scissors while he slept in their home in Shangqiu. The husband—and father of five—was rushed to a hospital where his manhood was sewn back on by doctors. Unfortunately, the angry wife snuck into the hospital and removed the offending organ a second time. She then threw it out the hospital window. “The first time we were aware of what happened was when someone came into the reception area to say a naked man was beating up a woman outside the hospital,” a hospital spokesperson told reporters. “Staff rushed out to see what was happening and found the patient with blood streaming down his legs hitting the woman.” The wife was taken into the hospital for treatment, and Lung was rushed back into emergency surgery. Doctors and police officers combed the area outside the hospital but were unable to locate the man’s missing member. They believe it may have been stolen by a stray dog or cat. According to the hospital, Lung is in stable condition but “extremely emotionally distraught.” Dateline: Norway Norwegian police have fined a would-be hit man nearly $1,300 after he failed to carry out a contract on a 17-year-old boy. The strange case involves a 21-year-old man who was paid by another 21-year-old man who said he wanted the teenager dead for rejecting his romantic advances. Police busted the plot before any harm could come of it. Unfortunately, police were unable to prove that the amateur hit man actually intended to complete the job. So they charged him with fraud instead. The client claims to have paid nearly $8,000 for the job, but the failed hit man says he only received $5,300. The man who paid for the hit was sentenced to two years in prison, although most of the sentence was suspended after he confessed to the crime. Dateline: Alabama A school in rural Alabama is asking parents to donate canned food—so that students will have a way to defend themselves against classroom intruders. In a letter sent home earlier this month, Priscella Holley, principal at W.F. Burns Middle School in Chambers County, asked parents to have their kids each bring an 8-ounce can of food to school. “We realized at first this may seem odd; however, it is a practice that would catch an intruder off guard,” Holley said in the letter. “The canned food item could stun the intruder or even knock him out until the police arrive.” Holley went on to say that the canned food missiles would “give the students a sense of empowerment.” Students will not be allowed to carry their cans around campus, but would have them stored in classrooms. If the cans are not used for defense, Holley plans to donate them to a local food pantry at the end of the year. “We hope the canned food items will never be used or needed, but it is best to be prepared,” said the principal. Dateline: Florida Police in Volusia County are looking for a woman who allegedly stole $3,000 worth of cat grooming supplies from the Daytona Beach International Airport. The thief, a shorthaired woman between the ages of 45 and 55, swiped several items of luggage belonging to cat show participant Hope Gonano. Gonano was returning from winning a cat competition in Pennsylvania on Dec. 22 when her luggage went missing from the baggage carousel. The suspected thief was spotted loading two bags into a green Honda Element. “I’m thinking that it was premeditated, for sure. I mean, who does that?” Gonano told WKMG. “What are you going to do with my cat grooming stuff?” Anyone with information on the cat brush theft is advised to call Crime Stoppers of Northeast Florida. a Compiled by Devin D. O’Leary. Email your weird news to devin@alibi.com. WEEKLY ALIBI JANUARY 22-28, 2015 [7] OPINION | ¡ASK A MEXICAN! BY GUSTAVO ARELLANO ear Mexican: I have a hard time believing that the immigrants we see at Home Depot are the best Mexico has to offer. Why can’t we entice more of the cream of the crop of Mexicans to come up north? (Mexico has the richest man in the world, so someone has to be doing something right.) Are the laws just fucked up, or are these people better off staying? It couldn’t hurt the other immigrants if we had more well-educated immigrants messing up our stereotypes. D —We Can’t Do Better? Dear Gabacho: Keep laughing at those Home Depot wabs because they’re going to have the last risa. All immigrant groups do feature a couple of highly educated folks in their teeming masses, Mexicans included: Entire swaths of Texas are now the playgrounds for the middle and upper classes of northern Mexico, mostly because they’re fleeing the narco wars. And thousands of Mexicans get TN1 visas (the NAFTA version of the smarty art H-1B visa) every year. Besides, it’s the dirty immigrants that have always pushed this country forward, from the Pilgrims to the Irish to the Dreamers of today. If all we allowed into this country from the beginning of the Republic were well-educated immigrants, we’d be just like Japan—aging, crumbling and obsessed with tentacle porn. ear Mexican: As a kid, my grandmother always told me that Sonora was a beautiful place to live ... that was, until people from southern Mexico began moving to Sonora. The guachos, she called them; she considered anyone hailing from south of Obregón a guacho. She had a serious dislike for anybody not from Sonora or Chihuahua. D She said they had “piojos y lombrices” and spoke with funny accents (although I’ve realized people in Sonora are the ones who have accents). My grandfather considered Mexico like three different countries: North, Central and South. Can you please help me understand why the hate for guachos? I love the shit out of Jalisco, Puebla, Guerrero and even Chilangolandia. Also, why is it that in the rest of Mexico a guacho is a slam to a soldier, but in Sonora it’s anyone from the South? —Sonora y Sus Ojos Negros Dear Sonora and Her Black Eyes: Regional rivalries are as much a part of the human experience as breathing, so you shouldn’t be surprised at your abuelita’s hate for the rest of us. And so is thinking up new ways to insult your rivals: While Sonora is a beautiful state, too many of its residents have a Jalisco complex about them in that they think their ancestors never intermixed with Indians. As a result, guacho (a term originally from Quechua and meaning “bastard”—as in, someone with no mother—in almost all of South America, but also used to slur poor people in Cuba and soldiers in the rest of Mexico) turned into an epithet in Sonora referring to any other Mexican, the thinking being that all other Mexicans were mestizos while sonorenses were pure-blooded Spaniards. Come on, Sonora: If you think your grandparents weren’t getting it on with Yaquis, then you must also think flour tortillas are nothing more than water and paste (sorry, readers, but don’t know too many Sonoran jokes—they’re not easy to make fun of like, say, Jalisco). a Ask the Mexican at themexican@askamexican.net. Be his fan on Facebook. Follow him on Twitter @gustavoarellano or follow him on Instagram @gustavo_arellano! BY RYAN NORTH [8] JANUARY 22-28, 2015 WEEKLY ALIBI WEEKLY ALIBI JANUARY 22-28, 2015 [9] Feature | New Mexico Medical caNNabis Getting to Know Mary Jane A primer on New Mexico’s medical cannabis landscape BY AUGUST MARCH he path toward legal medicinal marijuana use in New Mexico began in 1999 under the aegis of Libertarian-leaning Republican Gov. Gary Johnson. Johnson advocated for the legalization process before the new millennium dawned, but it took more than seven years—and a Democratic administration—for the state to make substantive headway on the issue. After a resounding thumbs-up vote in the State Senate (32-3) and a close call in the House of Representatives (36-31), Gov. Bill Richardson signed the Lynn and Erin Compassionate Use Act into law on April 2, 2007. The Lynn and Erin Compassionate Use Act (N.M. Stat. Ann. § 30-31C-1) aimed to guarantee that doctors and medical cannabis patients could have access to the substance without running afoul of the law. But it also created a formidable and increasingly complex bureacracy. The intervening years have seen a national, cultural sea change on marijuana use for healthy and infirm citizens alike, even as the consequences and outcomes of legal medicinal cannabis use in the Land of Enchantment have sometimes been obscured by various political agendas. Misinformation generated by both advocates and contrarians has muddied public understanding of the issue, and politicians have attempted to make changes to the program at the executive and legislative levels of state government. Additionally, problems with producers and production have resulted in shortages, while enforcement conflicts have arisen from differences in state and federal law, and financial institutions such as banks and credit card companies have raised substantial concerns about the legality of dealing with cannabis-derived transactions. In June 2014 the New Mexico Department of Health proposed revisions to the operation of the program; their proposals were criticized as draconian and prohibitive by constituents. The state wanted to alter the spirit of the law’s titular “compassionate” nature, including enacting annual registration fee hikes for producers and mandatory criminal background checks for patients. Distressed by these drastic potential changes—and thus the looming possibility of all the stressful consequences such tough regulations would engender— patients, growers and health care professionals came together to make their grievances known to the state. Public comment was informed, passionate and copious. Interestingly, the state listened. Six months after a heated meeting in Santa Fe, state health department authorities compromised, eliminating the harshest provisions from proposed changes to the program. Recent news reports have quoted officials in state government acknowledging the importance of vocal, sustained community input as they work T [10] JANUARY 22-28, 2015 WEEKLY ALIBI It is still entirely possible to lose your job if you are drugtested and come up positive for marijuana. You can still be arrested for using green meds in public. And you can only possess a relatively small amount at any given time. to keep compassion and the resulting patientcentric focus prime tenets of both the spirit and letter of the law. Medical cannabis supply and demand is problematic in New Mexico. Some of these problems are being addressed by the department in discussion with program participants, including chronic medical cannabis shortages, concerns about production standards and enhancing the delivery structure for a much-needed medicine with a growing patient/client base. The program’s possession/quantity rules are guided by an assumption that potential oversupply to patients might result in medical cannabis appearing on the black market. To prevent this, application of the law takes a conservative approach, frustrating health care providers, growers, dispensaries and patients who advocate access over a prohibition mentality. Supporters of ramping up production and possession limits point to the importance of maintaining the program’s compassionate framework as its client base and system naturally grows and requires consistent monitoring and adjustment. Willie Ford, founder of a thriving dispensary, summed up that feeling when statewide attention was drawn to the intricacies of medical marijuana policy earlier last year. “Patients’ access should be [priority] number one,” said Ford. “The end goal of all this should be to get patients access to more medication.” It seems unlikely that substantive changes to quantity limits or an increase in licensed production quotas will occur when the health department has its say later in the year. But medical marijuana issues are certainly on the 2015 legislative session agenda. Senator Cisco McSorley (D-Albuquerque) is preparing to introduce legislation to decriminalize marijuana use and possession via an amendment to the State Constitution; this political maneuver bypasses the staunchly “Just Say No” stance of the reigning state Republican party and its prime mover Gov. Susana Martinez. Apart from state-borne regulatory issues, the medical marijuana industry in New Mexico faces some daunting financial issues. At the heart of these issues are memos generated by the US Department of Justice and US Department of Treasury’s Financial Crimes Enforcement Network (FinCEN) on Feb. 14, 2014. The former memo, penned by Deputy Assistant Attorney General James Cole, reiterates the federal position that marijuana remains an illegal drug, but it also offers financial institutions the option of working with marijuana-based nonprofit businesses so long as said banks perform due diligence on these accounts, including reviewing the business’ application for state production or dispensary licensure, and filing abbreviated “suspicious activity reports” on these companies. Marijuana remains a Schedule I drug under federal law, so an initial report acknowledging that must be filed on creating accounts for these businesses. After that, three brief reports are required annually. Medical marijuana use is legal in 23 states, but it remains classed alongside drugs like LSD, heroin, MDMA, GHB and DMT. At the request of the Drug Enforcement Agency or DEA, the Food and Drug Administration is currently analyzing whether marijuana should be downgraded. FinCEN clarified the banking issue in a 7page document intended to encourage banks to work with legal/medicinal marijuana producers and sellers. Titled “[Bank Secrecy Act] Expectations Regarding MarijuanaRelated Businesses,” the edict had a negative effect in New Mexico and elsewhere in the US. Southwestern credit unions have gone on record saying they don’t have the resources or inclination to handle such intensive financial reporting, resulting in the closure of commercial accounts for some of New Mexico’s producers and dispensaries. Other financial institutions have grown reluctant to take over accounts until federal regulations become clear to all. Most significantly, this situation has caused some patients to grow wary. Accustomed to paying with a credit or debit card, the reduction of the program to a cash-only affair is understandably disconcerting. The conflict between state and federal law regulating marijuana production and use also presents an enforcement issue. Corporations and the criminal justice system struggle with the cultural reframing of marijuana’s role as medicine. It is still entirely possible to lose your job if you are drug-tested and come up positive for marijuana. You can still be arrested for using cannabis in public. And you can only possess a relatively small amount at any given time, an attempt to prevent diversion of medical cannabis to teenagers or, worse, potheads. Until the stigma of highly illicit, Schedule I drug use can be contextually separated from the ingestion of a plant for medicinal purposes, marijuana remains, for all intents and purposes, not entirely legal and definitely problematic. And that conflict won’t be resolved until the federal government amends its drug law. a WEEKLY ALIBI JANUARY 22-28, 2015 [11] Feature | Border town the new Border town Pagosa Springs offers nearest legal recreational marijuana to New Mexico BY TY BANNERMAN n September 2013, the Colorado Department of Revenue cleared away the last few obstacles to allowing the sale of recreational marijuana in that state. In January of 2014, the first retail cannabis stores tentatively opened their doors. By September of this year, dozens of shops in cities and towns all over the state were legally selling a product once deemed “the assassin of youth” in mid-20th century antidrug films. I’ve long been curious about legal recreational marijuana, how an open market would affect its sales and what kinds of people it attracts to storefronts, and so I knew I would have to check out the Colorado scene sooner or later. The closest retail dispensary to the New Mexico border is in the small resort town of Pagosa Springs, about three-and-a-half hours away from Albuquerque. On a recent weekend my wife and I ditched our kids with their grandmother and took the beautiful drive up. Pagosa Springs is a cheerful place, replete with microbreweries and boutique hotels. Although pot has only been sold recreationally since September, at least one of the local inns has taken steps to appeal to the potential new clientele: At the Sky View Motel, every room comes with a Phish poster, and for $140 a night guests can crash in the “cannasuite,” a wood paneled room stocked with “samples” and a marijuana leaf bed spread. My wife and I elected for a more prosaic setting, however, and headed upland to the High Country Lodge (a pun the Sky View Motel would kill for, I imagine). We checked into a log cabin with a small wood stove and a snow-covered porch, and then set out for our very first purchase of legal marijuana from Good Earth Meds. Pagosa Springs is tiny, but we had to drive all the way across it to find our turnoff by Pagosa’s lilliputian airport. Then it was another turn by the dog pound and down a dirt road until we came to an industrial warehouse with security cameras around the perimeter. It may be legal to sell marijuana in Pagosa, but as we got out of our car, it felt like we were heading toward an illicit rendezvous straight out of “Breaking Bad.” Inside the dispensary, however, the atmosphere was much more welcoming. A bright-eyed young woman with a Texas accent greeted us as we entered, and a softmouthed boxer dog nuzzled my hand. We signed in at the desk and took in our surroundings. It was a very clean space, tastefully decorated. A counter in one corner displayed glassware available for purchase, while a second room housed the various varieties of marijuana for sale. They I [12] JANUARY 22-28, 2015 WEEKLY ALIBI were stocked in heavy glass jars like tea. Not surprisingly, the entire building was pungent with the piney scent of marijuana resin. The owner, Bill Delany, was on hand to show us around his operation. Delany is an older gentleman, a veteran and a recovering alcoholic. “We had to take the medical marijuana upstairs because we can’t have the general public around for that,” he said in measured tones. Good Earth Meds started as a medical dispensary in 2009, and the medicinal aspect of cannabis has remained close to Bill’s heart. “I’m literally dying of Crohn’s disease,” he said when I asked him about his own experience with cannabis. “I lived up here for years in misery. I got a stage 2 melanoma from all the immune suppressant drugs I was taking.” Finally, he tried medical cannabis. “From the first puff, I knew I had a chance,” he said, describing how marijuana helped to not only reduce the inflammation and spasms in his bowels but also to change his overall outlook. “I feel great now. When your gut is in pain, it’s sending constant distress signals to your brain which causes anxiety ... [marijuana] breaks that and relaxes you.” With the positive effects of cannabis so apparent in his own life, Delany took the step of founding Good Earth Meds and providing it to others who were in need. Now, five years later, he has expanded the business into retail sales. There are a wide variety of products there, from the aforementioned marijuana in jars (all grown onsite in another part of the warehouse) to vaporizers to edibles like chocolate bars and taffy. While we reviewed the various offerings, a young couple came into the store with a palpable air of excitement. Their names were Scott and Alicia, and they had just driven up from Albuquerque. “We feel like kids in a candy store,” Scott said, and Alicia agreed. “This is our first legal purchase. We are so excited about this! We didn’t know what to expect, but this is awesome.” Among other items, they showed a lot of interest in a cannabis patch that delivers THC through skin contact. “My dad would really appreciate this,” Alicia said. “He has a lot of chronic pain, but he doesn’t really smoke.” After touring through the facility, including the jungle-like growing area, Delany offered us a sample of his product, a variety of marijuana called “Bruce Banner.” We couldn’t resist, so we took him up on it and purchased a $4 pipe and a BIC lighter to try it out. I took a few discreet puffs in the car as we drove back through Pagosa’s charming downtown—smoking in public is still illegal— and considered which of the promising looking restaurants to try out. We landed on a place called the Riff Raff Brewing Company, a beer and burgers kind of spot stuffed with skiers and hot spring goers. I tried a goat burger, and it was the best thing I ever ate in my life. We ordered a flight of beers, and they were the best beers I’d ever had in my life. I suddenly realized why marijuana and food reviewing don’t really work well together. A while later, my wife and I returned to our cabin and brought the pipe back out. It was easily some of the most wholesome tasting marijuana I’ve experienced, and the effect was more electric and energizing than I was expecting. The next day we would have to drive back to a state where using this substance could easily land us in jail, but as we sat on the floor of our cabin, laughing at the pages of a Pagosa Springs tourist magazine, nothing could seem more ridiculous. a WEEKLY ALIBI JANUARY 22-28, 2015 [13] Feature | the reluctant stoner erasing stigma An interview with an unlikely medical cannabis patient BY AMELIA OLSON s I sip on my cranberry juice and wait for Joel White to meet me, I am unsure of what to expect. Many folks who are card-carrying medicinal cannabis patients are reluctant to share their story. They fear their jobs could be at risk or that their peers will judge them, and make a painful mark on an already difficult circumstance. There are still plenty of people who believe cannabis is strictly an illicit drug that stoners and deadbeats smoke on their parents’ couch. And while the cultural attitude toward marijuana is steadily shifting, there are still plenty of people who aren’t on board with cannabis as medicine. When White arrives, he’s dressed professionally, wearing a burgundy turtleneck beneath his suit jacket. He’s slender and jovial in his demeanor. A far cry from the Deadhead wearing John Lennon glasses and flip-flops one might expect from a marijuana legalization advocate. As we begin our interview, it’s obvious that cannabis is no joke to him. “I had never tried any drug, hadn’t even had a glass of wine until I was 40,” White confesses. As a boy White had enthusiastically participated in anti-drug campaigns and later as an adult and registered Republican, attended D.A.R.E. assemblies with his children. Once after finding marijuana in his teen son’s possession, he took his pipe and smashed it against a rock in their backyard, condemning him for using drugs. But after being diagnosed with multiple sclerosis at 25, White was prescribed a regimen of medications to manage attacks and reduce inflammation and pain. MS is a lifelong disease in which nerve cells in the brain and spinal chord are damaged, impairing a variety of nervous system functions. “Sleeping is always the hardest part. It isn’t really pain I feel in my right side so much as an annoying tingling and deep body ache, almost like when you have the flu and your muscles are sore,” he explains. To combat this, he was prescribed Temazepam, a drug that is used to treat anxiety and lengthen sleep time, which he took for several years despite its troublesome side effects. “I would wake up so groggy. Just really out of it. It made functioning professionally very A [14] JANUARY 22-28, 2015 WEEKLY ALIBI difficult for me because I was struggling to put words together and think straight the morning after taking it.” I nod sympathetically when he tells me this. I had been prescribed a similar drug, Lorazepam, and while it made sleep effortless, I would often spend the next morning piecing together how to function. “Because sleeping was so difficult without it, I had to kind of choose between discomfort or clear headedness,” White says. As a business professional whose career has spanned several decades in finance and real estate, White really couldn’t afford to feel so out of sorts every morning. When a friend suggested White try smoking cannabis to treat his symptoms, he was doubtful. “It was given to me in a jar, and I hid it in my closet behind a bunch of clothes. It stayed there for over a year. I didn’t touch it and was afraid to.” But after an especially difficult attack that left him feeling depressed about his overall quality of life, White decided to try the now-year-old cannabis. “I hid on my balcony and just sort of guessed how to smoke it. I was so paranoid! My neighbors were outside doing something, and I was so afraid they would see me.” But what began as a nerveracking, possibly even shameful experience, quickly dissolved into a pleasant and overwhelmingly life-changing decision. “Suddenly I realized my legs weren’t hurting. I could walk around easily, and I was totally able to articulate and think clearly.” For White, the ability to reduce discomfort and remain lucid was shocking. White began researching how to acquire a medicinal cannabis license so he could legally help treat the symptoms of the disease that had at times left him unable to do everyday physical activities. When White acquired state licensure in 2010, he admits he felt totally clueless as to how dosing would work. “No one gives you a guide on dosages, so you just kind of guess. The people at the dispensaries were very helpful though. They gave me good guidelines to follow.” Still, one can imagine the perplexity and surreality of going through four decades of not tasting so much as a drop of alcohol and then suddenly using cannabis daily. White is not the only one whose opinions have changed over the years. As we move beyond the 20th century’s “War on Drugs” mentality we find ourselves applying new logic toward reasonable usage and practical regulations on what was once considered a gateway drug to heroin. And just like any monumental shift in policy, the patients using cannabis are faced with complicated legislation that leaves them legitimized in the state’s eyes but criminal in the federal government’s. As cannabis becomes increasingly relevant, folks like White are doing what they can to eliminate the stigmas. “I’m the vice president of New Mexico Medical Cannabis Alliance, and right now we are just trying to present the patients as a viable community within the state of New Mexico. We do outreach. We teach classes at the North Domingo Baca Multigenerational Center for new patients. We’re not freaks, and we’re not doing anything weird. ... We are productive citizens; we are tax payers; and there are a lot of professionals like me that are part of the alliance, but not willing to be as open at this time.” Contradictory federal and state laws, decadeslong stigmas and hesitant physicians all create a difficult landscape for medicinal cannabis patients. Still White is hopeful for change and commited to moving forward in the legalization process. “We’re trying to get past that initial stigma. There’s a lot of work to do, but I know someone has to do it. So I’m doing it.” a WEEKLY ALIBI JANUARY 22-28, 2015 [15] BUSINESS PROFILE • PAI D ADVERTISEMENT CG Corrigan What is CG Corrigan? CG Corrigan is a nonprofit medical provider of cannabis in New Mexico, devoted to serving the statewide needs of the chronically ill with compassion and professionalism. Our brick and mortar store is located at 30 E. Frontage Rd. in Placitas. Tom Wilkie is the current manager. Can anyone purchase at your location? We only sell cannabis to New Mexico medical cannabis card holders. Here is the current list of the 20 qualifying conditions as found on the New Mexico Department of Health website: [16] JANUARY 22-28, 2015 WEEKLY ALIBI 1. 2. 3. 4. 5. Cancer Glaucoma Multiple sclerosis Epilepsy Spinal cord damage with intractable spasticity 6. HIV/AIDS 7. Painful peripheral neuropathy 8. Intractable nausea/vomiting 9. Severe anorexia/cachexia 10. Hepatitis C infection currently receiving antiviral treatment 11. Crohn’s disease 12. Post-traumatic stress disorder 13. Amyotrophic lateral sclerosis 14. Severe chronic pain 15. Hospice care 16. Inflammatory autoimmune-mediated arthritis 17. Cervical dystonia 18. Parkinson’s disease 19. Huntington’s disease 20. Ulcerative colitis How does CG Corrigan care for New Mexico medical patients? • We keep our flower prices from $9 to $12/gram. • We’re open 7 days a week. 10am to 4pm on Saturday and Sunday. • We’re open from 12-7pm Monday through Friday. • We typically carry over 35 different strains of flower. • We test for THC and CBD, as well as possible contaminants. • We carry a selection of edibles with tested levels of THC/CBD. • We emphasize education for our patients. • We give new patients a cannabis journal and one free gram. Do you carry CBD products? CBD (Cannabidiol) is one of 60-70 cannabinols (like THC) with little psychoactive effect. We carry CBD oil, gum and a couple of versions of CBD chocolate and hard candy that also contain a small amount of THC to increase effectiveness. What is your advice to new patients? Relax. This industry/medicine is evolving. No one person knows everything about cannabis, and no one knows what medicine will be best for you. It will be a matter of trying a couple of things out to see what works. Start slow. You might be surprised Type of Business Medical Cannabis Dispensary Business Address 30 E. Frontage Rd. Business Phone (505) 933-5599 Business Email info@cgcorrigan.org Website how little medicine you need for it to be effective. Just remember this is a medicine; we’re trying to always make things better. Most importantly, feel better. Feel better about purchasing your medicine. Cannabis is medicine. - CG Full menu with pricing: leafly.com/dispensaryinfo/cg-corrigan VIA WIKIPEDIA Community Calendar EVENT | PREVIEW THURSDAY JAN 22 A 9,000 YEAR OLD WINDOW TO THE PAST: INVESTIGATING YUKON’S ICE PATCHES A discussion with P. Gregory Hare, a senior projects achaeologist with the Government of Yukon, Canada. Maxwell Museum of Anthropology (500 Redondo West NW). 7:30pm. 277-4405. alibi.com/e/127102. GENTLE YOGA Use deep breathing and slow, deliberate movement to stretch and strengthen the body and calm the mind. Yoga Mike Studio Blue (2205 Silver SE). $9 suggested donation. 6-7:15pm. 433-8685. alibi.com/e/125536. GOING DOWN LIKE A PRO: TIPS FOR PLEASURING THE V In this interactive class (on toys, not on people, folks), Matie guides you in becoming a skilled and generous giver. Self Serve (3904 Central SE). $15. 7:30-9pm. 265-5815. alibi.com/e/125365. LEARN THE LANGUAGE OF YOUR BUSINESS FINANCES This session focuses on “Cash Flow Statements.” WESST Enterprise Center (609 Broadway NE). $25-$75. 3-5pm. 246-6900. alibi.com/e/127101. MIDDAY MADNESS TOASTMASTERS MEETING Practice speaking and leadership skills in a supportive environment. Midday Madness Toastmasters (115 Gold SW). Noon-1pm. 255-2034. alibi.com/e/126132. FRIDAY JAN 23 ADULT CRAFT Join in and create snowflake suncatchers. For ages 18 and up. South Broadway Library (1025 Broadway SE). FREE, registration required. 4:30-5:30pm. 764-1742. alibi.com/e/124682. AKC AGILITY See all sizes of dogs run an obstacle course. Expo New Mexico (300 San Pedro NE). 8am-4pm. alibi.com/e/127183. ALBUCREEPY DOWNTOWN GHOST WALK This 90-minute tour guides you past 1.3 miles of Albuquerque’s darker side. Hotel Andaluz (125 Second Street NW). $18-$22. 8-9:30pm. 242-9090. alibi.com/e/126960. DROP-IN ROCK BUG CRAFT Paint your own creative rock bug. For families with children ages 7 and over. East Mountain Library (1 Old Tijeras, Tijeras). 2-5pm. (505) 281-8508. alibi.com/e/126026. FOLK REVIVAL PROJECT WITH JUSTIN THOMPSON AND FRIENDS This lecture presented by Justin Thompson covers a wide variety of folk music history topics. Bookworks (4022 Rio Grande NW). 7pm. 344-8139. alibi.com/e/125528. MATRIX ENERGETICS FUNDAMENTALS INTRODUCTION COURSE Get a general overview of the basic principles of Matrix Energetics in an easy-tounderstand, playful fashion. DoubleTree by Hilton Albuquerque (201 Marquette NW). 7-9pm. (800) 269-9513. alibi.com/e/120066. MONTHLY MEETING & STARGAZE A meeting and presentation, followed by a stargaze (weather permitting). Rainbow Park (301 Southern SE, Rio Rancho). 7pm. alibi.com/e/127104. SQUARE DANCE LESSONS Modern Western square dance lessons. Casual dress. Couples or singles. Albuquerque Square Dance Center (4915 Hawkins NE). FREE for first two weeks, $60 after. 6:30-8pm. 345-9797. alibi.com/e/112685. WINTERBREW New Mexico Brewers Guild celebrates a new year for craft beer at the 4th Annual WinterBrew. Santa Fe Farmers’ Market Pavilon (1607 Paseo de Peralta, Santa Fe). $25. 4-9pm. 660-2951. alibi.com/e/125295. SATURDAY JAN 24 2014 KOB 4 HEALTH AND WELLNESS FAIR Visit more than 200 exhibitors and health care experts as they showcase health and fitness programs and more. Expo New Mexico (300 San Pedro NE). $5, FREE for children under 12. 9-5pm. alibi.com/e/127181. See preview box. AKC AGILITY 8am-4pm. See 1/23 listing. ALBUCREEPY DOWNTOWN GHOST WALK $18-$22. 8-9:30pm. See 1/23 listing. BEGINNING GUITAR INSTRUCTION Take your own guitar and learn the rudiments of how to play one. Limited to those who can hold the guitar on their own. East Mountain Library (1 Old Tijeras, Tijeras). 3-4pm. (505) 281-8508. alibi.com/e/126029. Let the Healing Begin It’s that time of year, people. The time when a common cold or a bout with influenza can debilitate even the most strong SATURDAY individuals. But fear JANUARY 24 not: The 2014 KOB 4 Health and Wellness Expo New Mexico Fair gets underway at 300 San Pedro NE Expo New Mexico alibi.com/e/127181 (300 San Pedro NE) 9 to 5pm on Saturday, Jan. 24, VIA WIKIMEDIA from 9am to 5pm and Sunday, Jan. 25, from 9am to 4pm. Don’t miss out on the state’s most comprehensive health event, and take the opportunity to have every nook and cranny poked and prodded to make sure you’re in tip-top shape. Well, they’re probably not going to poke and prod (unless you ask), but they’ll be providing free flu shots, blood pressure screenings and more by doctors and nurses from UNM Hospitals. And Quest Diagnostics will be on hand for discounted prostate, cardio IQ lipid and ION mobility exams. Not to mention, eVOLV Fitness will be holding hourly demonstrations, which provide a chance to snag class passes and discounted memberships for those who wanna shed some pounds. This is just the tip of the bone, so to speak. The cost is $5 for adults, and children under 12 get in for free. For more information head to bit.ly/17XWEpt. (Mark Lopez) a CANINE FREESTYLERS Join in for this celebration of musical canines with the Rio Grande Canine Freestylers. Juan Tabo Public Library (3407 Juan Tabo NE). 1-2pm. 291-6260. alibi.com/e/119671. EXPLORA LIVE THEATER: MARCO POLO A 30-minute, one-act play about Marco Polo’s travels, followed by a Q&A. ¡Explora! (1701 Mountain NW). Included with admission. 1pm, 3pm. 224-8300. alibi.com/e/124329. HERBS FOR COLD AND FLU SEASON Learn how to use herbs to strengthen the lungs and to ease runny noses, coughs, colds, fevers and sinus infections. The Source (1111 Carlisle SE). $25. 10am-noon. 228-2356. alibi.com/e/123386. MEET THE FARMER: COMPOSTING An organic farmer instructs on how to produce luscious compost right from your very own home. Los Poblanos Historic Inn & Organic Farm (4803 Rio Grande NW). $10-$40. 10-11:30am. 344-9297. alibi.com/e/127218. SCIENCE WORKSHOPS FOR EARLY CHILDHOOD EDUCATORS Immerse yourself in a science-rich classroom exploration and fulfill required early childhood training hours. ¡Explora! (1701 Mountain NW). $20. 1-2:30pm. 224-8300. alibi.com/e/124333. SEA TURTLE AWARENESS DAY Learn all about sea turtles and the efforts to protect them. ABQ BioPark Aquarium (2601 Central NW). Included with admission. 10am-2pm. 848-7180. alibi.com/e/120888. TAPPING INTO FREEDOM Tap, tap, tap your issues away, while improving school/sports performance, intuitive abilities and self-esteem. New Horizons (4176 Chaparron, Santa Fe). $95. 9am-5pm. 438-2031. alibi.com/e/126550. VOICES OF AFRICAN AMERICAN WOMEN Join in for a panel discussion of how these women made New Mexico’s history in spite of the barriers they faced. Special Collections Library (423 Central NE). 10:30am-noon. 848-1376. alibi.com/e/122584. VOLUNTEER TRAINING Join Rio Grande Nature Center State Park for their annual new volunteer training, and learn more about the bosque. Rio Grande Nature Center (2901 Candelaria NW). $40. 9am-2:30pm. 344-7240. alibi.com/e/125934. Community Calendar continues on page 18 WEEKLY ALIBI JANUARY 22-28, 2015 [17] Community Calendar continued from page 17 DIVING INTO DINNER: NEW YEAR’S RESOLUTION Enjoy a unique, hand-crafted, edgy culinary experience with a view. ABQ BioPark Aquarium (2601 Central NW). Prices vary, reservations recommended. 5:30-9pm. 848-7180. alibi.com/e/120887. SUPER BOWL 2015 Attendees sample soups and desserts provided by over 40 area restaurants during this three-hour event. Roadrunner Food Bank (5840 Office NE). $10-$40. 11am-2pm. 247-2052. alibi.com/e/127150. WORLD’S LARGEST MATANZA This family-friendly event features cooking competitions, music, crafts, children’s activities and all-you-can-eat-food. Eagle Park (305 Eagle, Belen). $10. 7am. 702-9468. alibi.com/e/126581. SUNDAY JAN 25 2014 KOB 4 HEALTH AND WELLNESS FAIR $5, FREE for children under 12. 9-4pm. See 1/24 listing. A.B. MCMILLEN AND THE ALAMEDA LAND GRANT A talk presented by Corrales Historical Society member and retired lawyer Stan Betzer. Casa San Ysidro (973 Old Church, Corrales). 3pm. (505) 898-3915. alibi.com/e/127105. AKC AGILITY 8am-4pm. See 1/23 listing. BEYOND MEDITATION: COMMUNITY HU SONG Actively explore your inner worlds, experience more divine love, a feeling of peace and increased awareness by chanting HU with others of like mind. Eckankar Center (2501 San Pedro NE). 10:30-11am. 265-7388. alibi.com/e/124842. HALF-MARATHON & 10K TRAINING PROGRAM Expert instruction, education and personalized attention will inspire you to cross the finish line. You! Inspired Fitness (1761 Bellamah NW). $119-$169. 7am. 489-9484. alibi.com/e/115701. LUCKY PAWS VAN ON THE MOVE Off-site pet adoption. PetSmart (10248 Coors Bypass NW). 10am-4pm. 764-1164. alibi.com/e/127058. MEDITATION FOR KIDS Children learn how to build a space of inner strength and confidence by developing their good qualities. Kadampa Meditation Center (8701 Comanche NE). $3 per child suggested donation, parents free. 10-11:30am. 292-5293. alibi.com/e/124592. PRAYERS FOR WORLD PEACE Bring more peace and happiness into our world by learning to cherish others, overcome anger and deal with stress. Kadampa Meditation Center (8701 Comanche NE). $10 suggested donation. 10-11:35am. 292-5293. alibi.com/e/124596. PRENATAL YOGA WORKSHOP Join Julia for a fun, relaxing and educational afternoon of yoga, specifically with pregnant women in mind. The Studio Space (7014 Cochiti SE). $15-$20. Noon-1:30pm. (646) 872-3418. alibi.com/e/127107. ZUMBA #CAMEHERETOPARTY TOUR WITH GINA GRANT AND DAHRIO WONDER Be prepared to have a fantastic time at this zumba cardio party. No experience necessary. Dirty Bourbon (9800 Montgomery NE). $30-$50. 4-5:30pm. 620-0327. alibi.com/e/126424. MONDAY JAN 26 GENTLE YIN-STYLE YOGA This welcoming, all-levels class provides gentle movements to release tension from the shoulders, back and hips. You! Inspired Fitness (1761 Bellamah NW). $10. 7:30-8:30pm. 433-8685. alibi.com/e/125312. LUNAR OBSERVING View the moon close up through the observatory telescope, and learn about its features, history and future of its exploration. New Mexico Museum of Natural History and Science (1801 Mountain NW). 7-8pm. 841-2802. alibi.com/e/127151. SPRAYFOAM 2015 CONVENTION & EXPO Get the best information from technical and market-related breakout sessions, and see the latest equipment on display with live reps in their booths. Albuquerque Convention Center (401 Second Street NW). 768-4575. alibi.com/e/127157. ZUMBA WITH SABRINA’S Z CREW Shed those unwanted holiday calories, and keep up with your New Year’s resolutions with a zumba cardio party. Maple Street Dance Studio (Alley Entrance) (3215 Central). $5 drop in, $40 for 10 classes. 4:25-5:25pm. 620-0327. alibi.com/e/125377. TUESDAY JAN 27 BEGINNER SQUARE DANCE LESSONS No experience necessary, no partner needed, and singles, couples [18] JANUARY 22-28, 2015 WEEKLY ALIBI and families are welcome. Albuquerque Square Dance Center (4915 Hawkins NE). $30 per person for 20 weeks. 6:30-8pm. 720-9332. alibi.com/e/113833. CASINO/CUBAN-STYLE SALSA AND RUEDA DE CASINO Take some beginner and intermediate classes with Sarita Streng, Nick Babic and more. National Hispanic Cultural Center (1701 Fourth Street SW). $5-$10 suggested donation. 6-8pm. 246-2261. alibi.com/e/125983. GENEALOGY RESEARCH DAY Join members of the Albuquerque Genealogical Society and library staff for individual assistance with your family history research. Main Library (501 Copper NW). 10:30am-3:30pm. 768-5131. alibi.com/e/124338. MELLOW YOGA This is the class especially for baby boomers, office workers and people who aren’t as active as they’d like to be. Form Studio (3001 Monte Vista NE). $12-$100. 7-8pm. 433-8685. alibi.com/e/107187. MONTHLY MEETING OF THE MIND (& BRAIN) A new year and new you? Resolutions rarely work; find out what does. North Domingo Baca Multigenerational Center (7521 Carmel NE). FREE, reservation required. 6:45-8:30pm. 332-8677. alibi.com/e/126642. ROBO TASK FORCE AFTER SCHOOL PROGRAM An afterschool robotics club for grades 3-7. ¡Explora! (1701 Mountain NW). $195-$230. 4-5:30pm. 224-8300. alibi.com/e/109607. SANTA FE COUNCIL ON INTERNATIONAL RELATIONS MEETING Featuring guest speaker Art McHaffie, former CFO for Azerbaijan International Operating Co. Santa Fe University of Art and Design (1600 St Michaels, Santa Fe). FREE, registration required. 5pm. (877) 732-5977. alibi.com/e/127106. SPRAYFOAM 2015 CONVENTION & EXPO See 1/26 listing. YOGA BASICS AND FUNDAMENTALS WITH KENDRA The perfect class series for complete newcomers to the art and science of yoga, or for those who want to refine their alignment and poses. Studio Sway (1100 San Mateo NE). $10. Noon-1pm. 710-5096. alibi.com/e/117484. ZUMBA TONING WITH SABRINA’S Z CREW Tone those muscles and develop muscle endurance with zumba toning. Form Studio (3001 Monte Vista NE). $5 drop in or $40 for 10 classes. 5:45-6:45pm. 620-0327. alibi.com/e/125398. WEDNESDAY JAN 28 ART START: TEXTURES Perfect for kids (ages 3-5) to enjoy art through observation, stories, songs and play. Albuquerque Museum of Art and History (2000 Mountain NW). Included with regular admission. 9:30-10:30am. 243-7255. alibi.com/e/127059. BARK! PET CARE WITH DEN AND DAISY Join Den and his dog, Daisy, to learn all about how to be your best friend’s best friend. Juan Tabo Public Library (3407 Juan Tabo NE). 3-4:30pm. 291-6260. alibi.com/e/124691. HIGH DESERT PHILATELIC SOCIETY MEETING All ages of stamp collectors and any skill level welcome. Mesa View Church (4701 Montano NW). 6-8pm. alibi.com/e/124793. MIXOLOGY MIXER The New Mexico American Marketing Association presents this event during which participants receive tips on marketing and networking. Chama River Brewing Company (4939 Pan American Freeway NE). $20, FREE for NMAMA members. 5-7:30pm. 342-1800. alibi.com/e/127109. PLANNING FOR MEDICARE IN RETIREMENT Learn about the breakdown of Medicare costs and how it will affect you or a loved one. Greater Albuquerque Habitat for Humanity ReStore (4900 Menaul NE). 10-11am. 265-0057. alibi.com/e/125211. QI GONG: ANCIENT HEALING FOR MODERN LIFE Explore Mogadao Qigong breath and movement practices that connect us to archetypal energies. Maple Street Dance Space (3215 Central NE). $10. 10:30-11:30am. 400-4140. alibi.com/e/125046. RUNES 101 Join Josh as he goes over the basics of rune casting and reading. Abitha’s Apothecary (3906 Central SE). $10. 7:30pm. 262-0401. alibi.com/e/126171. SMALL BUSINESS LUNCH & LEARN First Citizens Bank discusses the small business loan application, deposit accounts and more. Lunch provided. WESST Enterprise Center (609 Broadway NE). FREE, registration required. Noon-1pm. 246-6900. alibi.com/e/127111. SPRAYFOAM 2015 CONVENTION & EXPO See 1/26 listing. ZUMBA WITH SABRINA’S Z CREW $5 drop in, $40 for 10 classes. 4:25-5:25pm. See 1/26 listing. a WEEKLY ALIBI JANUARY 22-28, 2015 [19] ART SCENESTER ARTS | FeATuRe BY BLAKE DRIVER Storytime Is Over Sip, Paint, Repeat Art with Bars Kelly Jo Kuchar, owner of Kelly Jo Designs by Wine (6829 Fourth Street NW), throws parties for $35 a ticket. People of all artistic abilities complete an acrylic painting over the course of two or three hours in the ambience of her working ceramics studio. Copying one of more than 60 acrylic images designed by Kuchar and her instructors, many of them with decidedly regional themes like “Bosque Colors in Fall” and “San Miguel Church in the Snow,” partygoers reproduce the painting on their own blank canvases to create a work of art they can take home and proudly hang on their walls. Meanwhile, Kuchar sells glasses of reds and whites from three New Mexico wineries, as well as seven red varietals of her own label. While the vino initially helps lower people’s creative inhibitions, Kuchar says more than two or three glasses tend to send their creations the way of Jackson Pollock. Following a similar format, Sisters Paint and Wine (5500 San Mateo NE) offers 90 different classes for $35 and serves Ponderosa Valley Winery vintages. Events held at nearby restaurants like Garduño’s widen the party fare. Owner Lisa Wilkes says plans are underway to produce wine onsite in the near future, which will further distinguish her establishment from large sip-and-paint chains. Custom painter and faux finisher Jerry Gail lets customers choose between guided and freestyle sip-and-paint classes for $50 at Old Town Creative Studios (323 Romero NW), while offsite parties at Hotel Albuquerque cater to customers desirous of more than her studio’s gourmet iced coffee bar. Finally, artists Terry and Steve DeWitt of ABQ Canvas and Coffee (6700 Fourth Street NW) host adult and children’s painting classes, ranging in price from $20 to $35, which include a complimentary coffee or tea, and dessert sourced from local bakers. Bars with Art If you miss ArtBar, which closed down last July in response to a liquor license issue, Tractor Brewing continues to fill the void with events like Art Fusion for a Cause on select Wednesdays at its Wells Park Tap Room (1800 Fourth Street NW). The event lets lovers of locally crafted brews watch Albuquerque’s best tattoo artists collaborate on charcoal art, which is raffled off for $5 a ticket to benefit Paws and Stripes, a local organization pairing veterans and canines. On Sundays from 2-5pm, creative types gather at Winning Coffee Co. (111 Harvard SE) to work on their craft projects in a café already famed for its rotating art and photography displays. Sunday Crafternoon organizer Amanda Dean says the majority of participants has so far consisted of knitters, but no project is too avantgarde for this crowd. If sipping and painting takes too much coordination, a bevy of drink holes around town that feature artists on their walls make primo destinations to sip and see, including O’Niell’s Pub, Zendo, Java Joe’s, Gold Street Caffé, Flying Star Cafe, Range Cafe, Farina and Farina Alto Pizzeria and Wine Bar, and Artichoke Cafe. a [20] JANUARY 22-28, 2015 WEEKLY ALIBI How Amazon is out-Goliathing the publishing industry EL BIBLIOMATA VIA FLICKR CC BY 2.0 With sip-and-paint franchises popping up around the country, and bars and coffee houses doubling as galleries, art openings aren’t the only opportunities to imbibe some culture with your drinks. Whether you’re dowsing for premium New Mexico wine, microbrews or gourmet coffee, Albuquerque is lucky enough to offer several homespun ways to get your art with a bar. BY RANDYN CHARLES BARTHOLOMEW recent corporate brawl between publishing company Hachette and online retailer Amazon.com was not so much David vs. Goliath; it was more like Goliath vs. Super-Ultra Colossotron Rex. For this was a battle between two multi-billion-dollar corporations (though one is more multi than the other—the market capitalization of Hachette’s parent conglomerate stands around $3 billion compared to Amazon’s $133 billion). At issue was that publishers wanted control of ebook prices to prevent cannibalizing their paper sales (many of which still come from brick and mortar establishments). They hadn’t anticipated Amazon would be so set on growing the new market that they would take a $3-$4 loss on each ebook sold. Bad for publishers and competing retailers, but good for consumers. If books were generic merchandise, that would be the end of the debate for most people, or at least it would become boring enough that they would stop caring. But books aren’t widgets. They hold a central place in our culture, and if they all have to pass by one monolithic gatekeeper, this has implications beyond the purely economic. In bringing Hachette to bay, Amazon revealed its numerous avenues of attack: They removed the pre-order button from Hachette titles, stopped their customary discounting, delayed shipment times and suggested cheaper alternatives. (In what is hopefully not a harbinger of things to come, they exempted the books of certain powerful politicians, however.) The Hachette bottom line took an 18-percent hit. Not that book publishers are any saints themselves. The Justice Department found that five of the big six, plus Apple, were guilty of colluding to raise ebook prices. Amazon claims the old gatekeepers aren’t keeping up with the times and compares their resistance to cheap ebooks with their onetime snobbery against the paperback. At a recent Intelligence Squared debate on this topic between four published authors, even Franklin Foer, former editor of The New Republic and a fierce critic of Amazon, admitted that basically, “yeah, book publishers suck.” The point was not contested. But despite their imperfections they at least provide a bundle of services for a book to go from the writer’s laptop to the reader’s hands. The publishers finance authors with advances, edit their work, assist with design and then work their marketing magic. Monetization for this vast apparatus comes at the very end via sales. Amazon squeezes these profits from the publishers and passes on large savings to consumers. In the process it makes only very low profit margins for itself, but the modern world of internet finance is based more on users, expansion, brand, consumer data and scale. Amazon founder and CEO Jeff Bezos told Charlie Rose, “Amazon is not happening to book selling, the future is happening to book selling.” Regardless of Amazon’s fate, not even Goliath can fight the tide. But the future in the form of Amazon is a A Artist’s rendition of Amazon’s competitive practices Traditionally, between writer and reader lay two distinct layers of intermediary, the publisher and the seller, each further fragmented into numerous companies, thus giving various ways for books to flow to market. Now these different streams are being choked off or turned into tributaries to the one mighty river Amazon. particularly ferocious adversary. With the backing and blessing of Wall Street capital, they are willing to make little to no profits in order to relentlessly expand and dominate. In fact, the initial domain name purchased by Bezos was relentless.com, and that URL still leads to Amazon’s site today. (No joke. Try it.) To compound the existential threat to the old order, Amazon is attempting to create a new era of self-publishing. Traditionally, between writer and reader lay two distinct layers of intermediary, the publisher and the seller, each further fragmented into numerous companies, thus giving various ways for books to flow to market. Now these different streams are being choked off or turned into tributaries to the one mighty river Amazon. The web retailer’s defense: The publishing industry is a bunch of anachronistic middlemen that the new model can and should chuck to the wayside; “antediluvian losers with rotary phones” in the words of a former Amazon executive in George Packer’s New Yorker article. In the artist-as-creative-entrepreneur model that Amazon is ushering in, every author has to be or hire their own editor, designer and marketer. It tends to work well enough for genre fiction, but is less successful at producing works of serious literature or nonfiction. A well-researched biography or books like Donna Tartt’s The Goldfinch, which took more than 10 years to write, usually require advances to be feasible. At risk is an entire system for creating, finding and promoting good books. Does Amazon cut out the need for a middleman, or just a way for the middleman to make money? No one doubts that Amazon is good for readers in remote areas without easy access to a bookstore. They are also good for anyone trying to track down an obscure title, and it is undeniably nifty that anyone with a Kindle can download the complete works of Jane Austen for free. But while this may be a story of the Goliaths and their adversary in the cloud, it is not without its Davids either. Indeed, independent bookstores have actually been making a comeback in recent years. While chains like Barnes & Noble try to compete with Amazon by having their own eReaders and efficiencies of scale, the indies have carved out a fragile niche based on community and charm. Even as I write this, I open a tab and poke over to Amazon to read reviews for a novel I’m interested in. “Save 34%,” the website invites enticingly. I ex out, but see Amazon ads for that particular book four times throughout the day, and each time I feel a twinge of wanting to read (and therefore buy) it. These guys know their stuff. And if there seems a mismatch between the qualitative value of the treasures they control and the data-driven approach to their stewardship, well, the future doesn’t stop coming and the relentless don’t rest. Let’s just hope we as readers have more to show for it than bargain bin prices and free two-day shipping. a Relationships: Why and why not? Astrology of Compatibility with Christopher Gibson Thursday Evenings 6:30-8 p.m. January 29 - February 26, 2014 Astrology • Alchemy • Tarot • Seminars • Spiritual Services • Correspondence Course Spiritual Services Every Third Sunday of the Month-11am to Noon Discussion Groups First Sundays-11am to Noon 2119 Gold Avenue SE, Albuquerque, 87106 Call (505)247-1338 • Email churchoflight@light.org • Light.org WEEKLY ALIBI JANUARY 22-28, 2015 [21] Arts & Lit Calendar THURSDAY JAN 22 WORDS BOOKWORKS Dogs in the Sun: A Tropical Odyssey. A reading and signing with writer Janice Convery. 7pm. 344-8139. alibi.com/e/125527. PAGE ONE BOOKSTORE M-Joy Practically Speaking: Matrix Energetics and Living Your Infinite Potential. Transformational leader Melissa Joy Jonsson discusses and signs her latest nonfiction effort. 6:30-8pm. 294-2026. alibi.com/e/125169. FILM KIMO THEATRE The Thin Man (1934). Watch Nick and Nora Charles solve murder mysteries and engage in witty banter in this Books to Big Screen feature. 7-9pm. 768-3544. alibi.com/e/125181. See “Reel World.” NATIONAL HISPANIC CULTURAL CENTER Subida al Cielo by Luis Buñuel. Luis Buñuel’s film about a young man whose honeymoon is interrupted by his mother’s death. 7-8:30pm. 724-4771. alibi.com/e/127074. REEL DEAL THEATER, Los Alamos Backcountry Film Festival. The Winter Wildlands Alliance presents nine unique films aimed to inspire winter adventurers to seek the snow less traveled. $12-$15. 7pm. (505) 662-1580. alibi.com/e/127592. See “Reel World.” STAGE ADOBE THEATER The Night Thoreau Spent in Jail. Jerome Lawrence & Robert E. Lee’s play about Henry David Thoreau’s time in jail after refusing to pay a “war tax.” Runs through 2/1. $15-$17. 7:30pm. 898-9222. alibi.com/e/125196. CARLISLE GYM, PERFORMANCE SPACE The Tale of Mirjam. Elisabeth Bell of Austria travels through ethereal landscapes with dance, improv and more. Part of the Revolutions International Theatre Festival. Prices vary. 8pm. alibi.com/e/127063. GENIE BOOM’S Comedians’ Power Hour. Comedians Ben Kronberg and Brett Hiker slam shots of beer and do two minutes of comedy for a whole hour. $5. 10:30pm-12:30am. alibi.com/e/125185. STAGE @ SANTA ANA STAR, Bernalillo Stand-up Comedy Thursday. Featuring three of the country’s best standup comedians: Gibran “Gibbs” Saad, Omar Tarango and Keith Breckenridge. $10. 7:30pm. 771-5680. alibi.com/e/124076. TEATRO PARAGUAS, Santa Fe Mariela in the Desert. A lyrical play by Karen Zacarias that focuses on Jose Salvatierra, friend of Frida Kahlo and Diego Rivera, and his wife Mariela. Runs through 2/1. $12-$17. 7:30-9:30pm. (505) 424-1601. alibi.com/e/125984. [22] JANUARY 22-28, 2015 WEEKLY ALIBI FRIDAY JAN 23 ART INSTITUTE OF AMERICAN INDIAN ARTS, Santa Fe IAIA Multiple Exhibits Opening Reception. New works by Christine Nofchissey McHorse (ceramics), Star Wallowing Bull and more. Runs through 1/31. 5-7pm. (505) 983-1777. alibi.com/e/127075. TAMARIND GALLERY IntraUrban: The Built Environment Opening Reception. Works by artists Chester Arnold, Chris Ballantyne, Andrew Dasburg, Harrell Fletcher and more. Runs through 2/27. 5-7pm. 277-3901. alibi.com/e/126641. STAGE ADOBE THEATER The Night Thoreau Spent in Jail. $15-$17. 7:30pm. See 1/22 listing. ALBUQUERQUE LITTLE THEATRE Anatomy of a Murder. An exciting murder mystery about a lieutenant who is accused of murdering the bartender who allegedly raped his wife. Runs through 2/8. $12-$22. 7:30-9:30pm. 242-4750. alibi.com/e/126155. AUX DOG THEATRE Anne Washburn’s Mr. Burns. A Simpsons post-electric musical play that is a paean to live theater and the resilience of Bart Simpson through the ages. Runs through 2/1. $15-$20. 8-10:30pm. 254-7716. alibi.com/e/123304. BOX PERFORMANCE SPACE AND IMPROV THEATRE THE SHOW. Live comedy and improv. $8-$10. 8pm. alibi.com/e/125304. Also, Comedy? High energy, fast-moving and hilarious, Comedy? is Albuquerque’s alternative comedy troupe. $6. 10:30pm-11:45am. 404-1578. alibi.com/e/65109. NATIONAL HISPANIC CULTURAL CENTER Gaytino! A gay Chicano moves from the back of the bus to the front of American pop culture in this autobiographical play. Part of the Revolutions International Theater Festival. $18. 8pm. 246-2261. alibi.com/e/122583. TEATRO PARAGUAS, Santa Fe Mariela in the Desert. $12-$17. 7:30-9:30pm. See 1/22 listing. TRICKLOCK PERFORMANCE LABORATORY Free Speech Comedy Art Series. Featuring Ben Kronberg of Comedy Central and Albuquerque favorite Sarah Kennedy. Part of the Revolutions International Theater Festival. Prices vary. 10pm. alibi.com/e/127062. THE VORTEX THEATRE A Wrinkle in Time. The Newbery Award-winning young adult novel heads to the stage in this exciting production. Runs through 2/1. $22. 7:30pm. 247-8600. alibi.com/e/126304. SONG & DANCE N4TH THEATER The Shoe Room. Production explores stories of fictional characters who owned some of the 4,000 shoes displayed at the U.S. Holocaust Memorial Museum. $18-$20. 7pm. alibi.com/e/127039. FILM KIMO THEATRE After the Thin Man (1936). Watch Nick and Nora Charles solve mysteries and exchange witty banter in this Books to Big Screen feature. 8-10pm. 768-3544. alibi.com/e/125300. SATURDAY JAN 24 WORDS BOOKWORKS Swimming With Elephants Double-Feature. Contributors to the books Trigger Warning: Poetry Saved My Life and Light As a Feather read their works. 3pm. 344-8139. alibi.com/e/125530. TRICKLOCK PERFORMANCE LABORATORY The Reptilian Lounge. Albuquerque’s longest-running late night cabaret and variety show. Part of the Revolutions International Theater Festival. Prices vary. 10pm. alibi.com/e/126236. ART CASA RONDEÑA WINERY, Los Ranchos Tango in Venice Public Reception. New photos by photographer Donatella Davanzo. 2pm. (505) 344-5911. alibi.com/e/127549. See preview box. STAGE ADOBE THEATER The Night Thoreau Spent in Jail. $15-$17. 7:30pm. See 1/22 listing. ALBUQUERQUE LITTLE THEATRE Anatomy of a Murder. $12-$22. 7:30-9:30pm. See 1/23 listing. AUX DOG THEATRE Anne Washburn’s Mr. Burns. $15-$20. 8-10:30pm. See 1/23 listing. BOX PERFORMANCE SPACE AND IMPROV THEATRE THE SHOW. $8-$10. 8pm. See 1/23 listing. CARLISLE GYM, PERFORMANCE SPACE The Tale of Mirjam. Prices vary. 2pm. See 1/22 listing. FOUL PLAY CAFE, Sheraton Uptown Noir Point Blank. Dinner theater featuring a detective looking for a murderess and a gangster on the lam. $57. 7:30-10pm. 377-9593. alibi.com/e/119465. NATIONAL HISPANIC CULTURAL CENTER Gaytino! $18. 6pm. See 1/23 listing. TEATRO PARAGUAS, Santa Fe Mariela in the Desert. $12-$17. 7:30-9:30pm. See 1/22 listing. UNM’S EXPERIMENTAL THEATRE, Center for the Arts Beau & Aero. A critically acclaimed, five-time awardwinning story of two bumbling, incompetent aviators. Part of the Revolutions International Theater Festival. Prices vary. 8pm. alibi.com/e/127065. THE VORTEX THEATRE A Wrinkle in Time. $22. 2pm, 7:30pm. See 1/23 listing. SONG & DANCE INDIAN PUEBLO CULTURAL CENTER Red Turtle Dancers of Pojoaque Pueblo. See some traditional dances that are a central part of Pueblo life. $4-$6. Noon-1pm. 843-7270. alibi.com/e/125633. N4TH THEATER The Shoe Room. $18-$20. 2pm, 7pm. See 1/23 listing. POPEJOY HALL, UNM Center for the Arts Fumi Plays Tchaikovsky. A jaw-dropping performance from 20year-old violin phenomenon Fumiaki Miura. $20-$68. 6-8pm. 925-5858. alibi.com/e/117178. FILM EVENT | PREVIEW JEAN COCTEAU CINEMA, Santa Fe New Mexico Filmmakers Showcase. Featuring a variety of New Mexico-made films in multipla categories, including documentaries, drama, animated films and more. 4pm. alibi.com/e/127590. See “Reel World.” SUNDAY JAN 25 WORDS BOOKWORKS A Brother’s Cold Case. A reading and signing with writer Dennis Herrick. 3pm. 344-8139. alibi.com/e/125532. ART CASA RONDEÑA WINERY, Los Ranchos Tango in Venice Public Reception. See 1/24 listing. CONGREGATION NAHALAT SHALOM These Are My People Opening Reception. Featuring works by Heather Bradley, Matthew Hibben, Carol Hoy, Julianna Kirwin and Ilene Weiss. Runs through February. 2-4pm. 343-8227. alibi.com/e/126558. STAGE ADOBE THEATER The Night Thoreau Spent in Jail. $15-$17. 2pm. See 1/22 listing. ALBUQUERQUE LITTLE THEATRE Anatomy of a Murder. $12-$22. 2-4pm. See 1/23 listing. AUX DOG THEATRE Anne Washburn’s Mr. Burns. $15-$20. 2pm. See 1/23 listing. TEATRO PARAGUAS, Santa Fe Mariela in the Desert. $12-$17. 2-4pm. See 1/22 listing. UNM’S EXPERIMENTAL THEATRE, Center for the Arts Beau & Aero. Prices vary. 2pm. See 1/24 listing. THE VORTEX THEATRE A Wrinkle in Time. Includes audience talk-back. $22. 2pm. See 1/23 listing. SONG & DANCE INDIAN PUEBLO CULTURAL CENTER Red Turtle Dancers of Pojoaque Pueblo. $4-$6. Noon-1pm. See 1/24 listing. THE KOSMOS Chatter Sunday: Trio, Quartet + Varsity. Featuring musicians David Felberg (violin), Dana Winograd (cello), Jesse Tatum (flute) and more, as well as poet Reid Maruyama. $5-$15. 10:30-11:30am. 307-9647. alibi.com/e/124335. TAJ MAHAL Amaya’s “1001 Arabian Nights.” An evening of delightful cuisine, beautiful belly dancers and dynamic drummers. $5, FREE for children. 6-8pm. 255-1994. alibi.com/e/127076. FILM JEAN COCTEAU CINEMA, Santa Fe New Mexico Filmmakers Showcase. 10am-4:30pm. See 1/24 listing. KIMO THEATRE The Thin Man Goes Home (1945). Watch Nick and Nora Charles solve murder mysteries and exchange witty banter in this Books to Big Screen feature. 2-4pm. 768-3544. alibi.com/e/125516. MONDAY JAN 26 Old World Frame of Mind Donatella Davanzo’s photos of Italians dancing Argentine tango in Venetian piazze artfully contrast the fluid movement of this New World dance and the rigid context of an Old World backdrop. She forms her subjects from an anthropological perspective that makes her Tango in Venice photographic series a true study in people’s use of space. On Jan. 24 SATURDAY and 25, Casa JANUARY 24 Rondeña Winery Casa Rondeña Winery (733 Chavez NW) 733 Chavez NW opens up their 1629 alibi.com/e/127549 Club for a public 2pm exhibition of some of these dynamic images, which Davanzo captured by shadowing tango couples in the basilica porticos and public squares where they regularly gathered to dance. Venice, some homegrown vino and the rustic setting of Casa Rondeña’s vineyard promise to get guests into an Old World frame of mind, a suitably provincial way to prep for the impending Italian culture rush headed to town with the eighth annual New Mexico Italian Film & Culture Festival in February. As she did in a similar pre-festival exhibit last year, Davanzo, the festival’s official photog for the second year running, will donate a portion of her sales to the University of New Mexico Children’s Hospital, and she’ll greet guests personally on Jan. 24 at 2pm. (Blake Driver) a TRICKLOCK PERFORMANCE LABORATORY Time Served. Poetry and prose inspired by a writer and performer’s years spent teaching incarcerated students. Part of the Revolutions International Theater Festival. Prices vary. 8pm. alibi.com/e/127067. WORDS SONG & DANCE BOOKWORKS Youth Writer’s Showcase. The works of writers between the ages of 4 and 18 are featured. 6:30pm. 344-8139. alibi.com/e/125533. FIRST CHRISTIAN CHURCH Albuquerque Civic Chorus Rehearsals Begin. If you love to sing, join others who share your passion. 7-9pm. 981-6611. alibi.com/e/126180. SONG & DANCE ASBURY UNITED METHODIST CHURCH Sing in the New Year with Soli Musica! If you are looking for a quality group to sing with, consider joining Soli Musica for their spring rehearsals and concerts of Irish music. 7-9pm. 299-0643. alibi.com/e/126646. LEARN CORRALES ELEMENTARY SCHOOL, Corrales Acting Techniques and Scene Study. Acting for beginners includes reading monologues and acting with fellow students. $60 a month. 6-7pm. 897-3351. alibi.com/e/125146. TUESDAY JAN 27 WORDS BOOKWORKS My Horse, My Self. A reading and signing with writer Susan Washburn. 7pm. 344-8139. alibi.com/e/126113. STAGE SOUTH BROADWAY LIBRARY Beau & Aero. A critically acclaimed, five-time award-winning story of two bumbling, incompetent aviators. Part of the Revolutions International Theater Festival. Noon. 764-1742. alibi.com/e/124647. WEDNESDAY JAN 28 WORDS BOOKWORKS Brujo. A reading and signing with writer Jann Arrington-Wolcott. 7pm. 344-8139. alibi.com/e/126116. ART ROCK & BREWS Archetype Art Fusion. Featuring live art demos, kamikaze karaoke, raffle prizes, spoken word performances, drink specials and more. 7-11pm. alibi.com/e/125960. STAGE KESHET CENTER FOR THE ARTS The Woman Who Didn’t Want to Come Down to Earth. A comic-style, indoor aerial trip that depicts the universal challenge of individuals to stay true to themselves. Part of the Revolutions International Theater Festival. Prices vary. 8pm. alibi.com/e/127069. FILM KIMO THEATRE A Path Appears. From the creators of Half the Sky, this film reveals the incredible adversity faced by millions of women and girls every day. 7-9pm. 768-3544. alibi.com/e/126231. a WEEKLY ALIBI JANUARY 22-28, 2015 [23] A DRINKABLE FEAST FOOD |restaurant review BY HOSHO MCCREESH Bunch of Phonies Edition ADF celebrates J.D. Salinger (Jan. 1, 1919Jan. 27, 2010) Before WWII, J.D. Salinger was an ambitious, upand-coming New York lit scene star, publishing in respected literary journals. During WWII he stormed Utah Beach in Normandy, likely carrying chapters of what would later become The Catcher In The Rye. After the war Catcher made him the wildly successful writer he’d set out to become. By 1965 he’d grown weary of publishing and literary celebrity, so he moved to New Hampshire and lived the rest of his life removed from the public eye. If 2013’s documentary, Salinger, is to be believed, this year could see the release of the first of at least five unpublished novels Salinger wrote during the last half-century. ADF happily sits down to a beer, a bite and a book in recognition of the wonder and possibilities. Beer: The Bosque Brewing/Turtle Mountain collaboration Rio Grande Tortoise This beer is proof that great things happen when people pull together. A dark and mysterious beer with a sturdy cream head, the Rio Grande Tortoise is a sharp bite of beer with subtle hops that is malty and even chewy. The bitterness is balanced by some caramel, and like a Salinger story, it stays with you—finishing like silky, velvet syrup. The flavors are ambitious, yet expertly rendered—so three cheers for a really successful collaboration by two local breweries. Salinger was not at all interested in collaboration, especially the Hollywood kind. But the people in Cornish, N.H., conspired with Salinger for decades, keeping his home and life largely under wraps. If his stories won’t sell you on human decency, then perhaps his hometown will. Food: Street Food Institute’s chipotle Cubano Also in that collaborative spirit: Albuquerque’s Street Food Institute. CNM students, if so inclined, can learn from the Institute—which puts students through their paces, before an internship actually puts them on board SFI’s food truck, churning out fresh and sumptuous grub like the chipotle Cubano. This Cubano comes on a hard-crusted hoagie bun, jam-packed with chipotle-slathered pork, pickles and Gruyere. How’s that like J.D. Salinger, you ask? Simple: We can never have too much great food, or too many great ideas, or too many Salinger books. Book: Three Early Stories Originally published between 1940 and 1944, these short stories showcase how exacting and precise Salinger is. They’re standard Salinger fare: wealthy characters of some status wrestling with the wants and worries the outside world inspires. In “The Young Folks” lonely, self-involved, detached party goers are always on the lookout for someone better. “Go See Eddie” features a haggard older brother berating his sister for her sordid liaisons, threatening her with the juicy gossip that usually follows. In “Once a Week Won’t Kill You,” a young soldier prepares to leave his wife and aunt for the haunting and terrible worries World War II has in store. Salinger’s stories are simple in their construction: men, women and their shared moments. But simplicity, combined with precision, makes for gorgeously executed and very subtle yarns—just don’t expect fireworks. The fireworks here are pauses, gestures or dialogue that betray a simple lie. It’s hard to believe these are early stories. And it’s equally difficult not to view them through the lens of Salinger’s life and later work. These bellwether stories remind us just how interested Salinger was in the falsehoods of high society and that blank, unholy wilderness of the world. If this is where he began, it’s no wonder World War II pushed him over the edge: forcing him into his writing “bunker.” Five years after his death, what we know about J.D. Salinger’s life remains intriguing, infuriating and, in many ways, inconclusive. The 50 years that have passed since his last published novel make rumors of new work tantalizing. The fact that one new book is rumored to be about his experiences interrogating prisoners of war—while America ruminates on GITMO and highly “advanced torture techniques”—is prescient and uncanny. And that a dead writer, silent for half a century, may well have his finger on this country’s moral pulse as it continues to grapple with freedom and humanity is nothing short of astounding. And A Drinkable Feast is all too happy to be along for the ride. a [24] JANUARY 22-28, 2015 WEEKLY ALIBI Kara miso ramen PHOTOS BY ERIC WILLIAMS • ERICWPHOTO.COM Back from the Heart of Japan Kokoro Japanese Restaurant returns to Albuquerque BY ARI LEVAUX he Japanese word kokoro translates loosely into something between heart, soul and feeling. It’s an ambitious, humble and entirely fitting name for the tiny strip mall enclave on Menaul between San Mateo and San Pedro, where the food is at once simple and meticulously prepared in a setting that’s as no-frills as a monastery. While pretense is low at Kokoro, confidence is high. Few restaurants would be able get away with abruptly shutting their doors so the chef can take a year off in the motherland. Owner/chef Takako did, causing extreme consternation among local Japanese food fans. Upon her return the menu was downsized, with sushi being dropped entirely. And still, the place is packed. Dinner is a noodle-borne slurpfest, while lunch is a more diverse affair, with ten-don bowls (tempura on rice), donburi bowls (nontempura things on rice), teishoku aka meal sets, and a long list of curries. Perhaps no Japanese dish is more humble than curry. Originally brought over to Japan by the British, the roux-based Japanese curry is spicy but understated, quietly adding fat and flavor and making everything it touches taste good. The dullish brown curry dishes are contrasted with a side of bright pickles that look like candy: red radish, green fiddlehead, yellow gourd. There are probably coastal villages in Japan where a seafood curry like Kokoro’s would be considered a pedestrian affair, but here in Albuquerque it’s borderline spectacular. A bowl of that dark brown sauce, jammed with scallops, mussels, squid and shrimp, seemed very kokoro, at least according to my limited understanding of the word. Likewise, the miso soup that comes at lunch was uncommonly rich with a smoky edge. That, and a large cup of green tea for 50 cents, will help get you through any cold afternoon. T Kokoro Japanese Restaurant 5614 Menaul NE 830-2061 kokoroabq.com Hours: 11am to 3pm, 5:30pm to 8:30pm Tuesday through Saturday Vibe: Pragmatism rules. Booze: No Extras: Japanese books and magazines to read while waiting The Weekly Alibi recommends: Kara miso ramen, Aji fry, seafood curry, scallop ten-don, tuna soba But the small, open kitchen can still crank out culinary visual art as well, such as the pomegranate shrimp, which practically tap dances on the plate. The shrimp are uncurled to arrow-straight, deep fried and held together by an onion ring. This knot of tempura is served on greens—organic, promises the menu—and drizzled with a thin pomegranate sauce. The scallop ten-don was a mixture of juicy, tempura-fried scallops with various tempura’d veggies, including kabocha squash, zucchini, string bean and yellow bell pepper, all piled atop a bowl of rice and drizzled with what tasted like tempura dipping sauce. While neither lunch or dinner menus have appetizers, the list of side dishes— including the pomegranate shrimp, above—fills the same niche. And many of these sides, like the Aji fry mackerel, are also on the lunch menu as centerpieces of their own curry or teishoku meal set. These include the Shumai, steamed shrimp dumplings that are a mainstay of Chinese dim sum, and masterfully rendered at Kokoro, and the potato croquettes, pankocoated, deep-fried balls of mashed potatoes, for the vegetarian or less adventurous. Of all the sides, the Aji fry is the most special. The small fish are split down the middle and fried, splayed, flattened and served with a very gingery dipping sauce. Dipping the oily, crispy fish in that sharp sauce makes for a striking thing to eat. Dinner, with the exception two dry noodle dishes and the list of sides, is focused on ramen soup. At 10 bucks a bowl, you can afford to try them all sooner or later. But if you have to pick one bowl and aren’t averse to a little pork in your soup, the choice is easy: the kara miso. It pulls you into its earth-toned embrace, clouds of brown miso with red and green shards of pickled ginger and minced scallions, respectively, with a whiff of sesame oil and fragments of seaweed, bathing the pile of supple noodles and marbled slabs of pork belly in the middle of that excellent, excellent bowl. Of the two cold, non-soupy noodle dishes on the dinner menu, the tuna soba is the one to get. It’s Kokoro’s only current raw fish dish, and a masterful one at that. A bowl of cold soba noodles is topped with chunks of maguro (tuna) and a scoop of bright orange masago (capelin roe), and flanked by a dish of Japanese chile sauce that’s meant to be dumped over the whole business. The simple, elegant wow factor on the tuna soba is through the roof. The other cold noodle dish, alas, didn’t do it for me. Shiro Goma is a pile of cold ramen noodles, topped with bamboo, pork and egg, alongside a bowl of white sesame sauce. It’s a bit like a broth-free ramen bowl, with sesame sauce instead of broth. It’s OK, but more wows can easily be found elsewhere. Many longtime fans of Kokoro will surely miss the diversity of options from the larger menu, especially the raw fish dishes like the rainbow roll or chirashi bowl. I miss them too, but I can’t hold it against someone for not dealing in raw fish—or a cumbersome menu— if they don’t have to. And clearly, Chef Takako doesn’t. By focusing her energy on fewer items, her craftsmanship, artistry and, dare I say, her Kokoro, shines all the brighter. a WEEKLY ALIBI JANUARY 22-28, 2015 [25] REEL WORLD FILM | revIew BY DEVIN D. O’LEARY Blackhat Think Thin When it comes to information technology, Hollywood just can’t hack it; or the history of bad computer movies in one review BY DEVIN D. O’LEARY The historic KiMo Theatre (423 Central NW) launches another classic film series this week. In conjunction with the Friends for the Public Library, KiMo will present the Thin Man movie series, based on the books by Dashiell Hammett. It all starts on Thursday, Jan. 22, at 7pm with 1934’s The Thin Man starring William Powell and Myrna Loy as married detective duo Nick and Nora Charles. Loy and Powell played the martinidrinking, deco-era detectives in a number of successful films—all of which you’ll have an opportunity to see on the KiMo’s big screen. After the Thin Man from 1936 plays Friday, Jan. 23, at 8pm. Another Thin Man from 1939 plays Saturday, Jan. 24, at 2pm. Shadow of the Thin Man (1941) follows on Saturday at 7pm. The cocktail party wraps up on Sunday, Jan. 25, with The Thin Man Goes Home (1945) at 2pm and Song of the Thin Man (1946) at 5pm. It’s all part of ABC Library’s “Books to the Big Screen” celebration. Admission to all screenings is free to the general public, and tickets are not required. For more details go to kimotickets.com or abclibrary.org. Showcasing New Mexico The New Mexico Filmmakers Showcase will hit the Jean Cocteau Cinema (418 Montezuma Ave. in Santa Fe) this weekend. Some 43 independently produced films from Albuquerque, Sandia Park, Santa Fe, Portales, Farmington, Capitan, Clovis, Las Cruces and Roswell will be featured. On Saturday, Jan. 24, starting at 4pm, there will be the “Best of Category” screening, a 132-minute block of the winning films from this year’s entries. That’s followed at 6:30pm by a networking event hosted by the theater. On Sunday, Jan. 25, you’ll get a chance to see all the films submitted this year, starting at 10am with the animation block. That’s followed at 10:15am by the comedy category, at 11:20am by the documentary category, at 12:50pm by the drama category, at 2:20pm by the experimental category and at 3:30pm by the horror/sci-fi category. Admission to all screenings is free, but seating is limited. Following the showcase, winning films will travel New Mexico throughout the year in collaboration with local film festivals and theaters. For more information, including a complete schedule of films, go to nmfilm.com. Snow screen If you’re in the mood to head out of town for a little film action, the fourth annual Backcountry Film Fest will hit the Reel Deal Theater (2551 Central Ave. in Los Alamos) this Thursday, Jan. 22. Presented by the Winter Wildlands Alliance, Backcountry Film Festival aims at “entertaining while raising funds and awareness for Winter Wildlands, a nonprofit organization that promotes and preserves winter wildlands and snow sports experiences on public lands.” Nine independent, grassroots films inspiring winter adventurers to seek “the snow less traveled” will be screened in two separate screenings beginning at 7pm. Tickets are $12 in advance or $15 at the door. To purchase advance tickets, visit fyilosalamos.com/event/backcountry-film-festival or call (505) 662-0460. a [26] JANUARY 22-28, 2015 WEEKLY ALIBI H ollywood has long been fascinated with computers. Usually, they’re evil and want to kill us. There have been, by way of representative sample, the murderous HAL 9000 in 2001: A Space Odyssey (1968), the worldconquering Colossus in Colossus: The Forbin Project (1970) and the sexually inappropriate Proteus IV in Demon Seed (1977). Things evolved in 1983, however, when we got the high-tech thriller WarGames. Sure, we still had the implausibly named supercomputer WOPR— who, like its predecessors, was intent on wiping out humanity. But we also got, as our protagonist, underachieving computer nerd David Lightman (a very young Matthew Broderick). Suddenly the age of the hacker as hero was born. Fascinated by this new species of genius and the soon-to-be meteoric rise of computer technology, the movie industry sat up and took notice. In the decades since, we’ve had dozens of computer-oriented thrillers, usually with improbably skilled (and improbably goodlooking) computer geniuses front and center. WarGames actually spotlighted some down-toearth tech skills (Broderick, for example, phreaking a pay phone with a soda can pull tab—causing today’s audiences to wonder what a pay phone and a pull tab are). By contrast, films since then have gone out of their way to highlight ridiculously unrealistic technology and a minimal understanding of how computer programming actually works. The year 1995 was something of a watershed in the history of computer movies. First we got The Net with Sandra Bullock. Bullock played a systems analyst who stumbles across a vast online conspiracy involving this thing called “the internet.” Director Irwin Winkler tried his best to spice things up. After typing at a computer terminal for 10 minutes or so, Bullock was obliged to get up, run somewhere really fast and type at a different computer for a while. The film effectively pointed out the main problem with movies about computers. Also in 1995, we got Hackers, a sexy look at teenagers with crazy online aliases (Zero Cool, Crash Override, Acid Burn) battling the Secret Service as well as an evil computer genius. Jonny Lee Miller and Angelina Jolie played the teenage hackers, setting the precedent for unrealistically hot nerds in movies. The film also created the cliché of rendering data in cool 3D geometric images that computer users can magically fly through like they’re in Tron. Movies love that visual—but to this day computers still deal primarily in long strings of boring, incomprehensible characters. Hackers has its lovers and its detractors, and has become something of a cult film in the intervening years—partially for its neon-soaked, ’90s-style visuals and partially for its occasionally realistic depiction of the tedious work real hackers have to deal with. “Uh-oh, how the hell do you delete your search history?” Blackhat Now playing Directed by Michael Mann Starring Chris Hemsworth, Viola Davis, Wei Tang Rated R Swordfish showed up in 2001 with sexy hackers Hugh Jackman, John Travolta and Halle Berry in tow. The movie’s logline was “Log on. Hack in. Go anywhere. Steal everything.” Clearly, the filmmakers believed it was just that easy. At one point Jackman breaks in to a government computer system in 60 seconds while getting a blow job and having a gun pointed at his head. How’s that for realism? But the film does feature Halle Berry’s first topless scene. So there’s that. Despite the rocky history, Hollywood is still fascinated by computers and the people who poke at them. Unfortunately, they still haven’t worked out the kinks. Most recently, crime thriller king Michael Mann (Thief, Manhunter, Heat, Collateral, Miami Vice) was lured by the dull hum of the computer monitor and found himself directing the high-tech thriller Blackhat. To be blunt, it’s one of Mann’s worst films. Mann has always had an ability to blend the gritty and the glossy. There are moments in Blackhat when the old Mann seeps through the seams—a thrilling car chase here or a well-choreographed gun battle there. But for the most part, Blackhat is pure Hollywood silliness. Chris Hemsworth (Thor from The Avengers) plays Nick Hathaway, a legendary computer hacker who, like all real-life computer hackers, is a devastatingly sexy hunk of well-muscled beefcake and not some oily teen in a Skrillex tshirt jacked up on Bawls. Seems some “black hat” computer hacker has keyboarded his way into a nuclear power plant in Taiwan and is threatening to blow it sky high. Is this a new form of cyberterrorism or just a distraction from some larger, eviler, more computer-hackery crime? (The answer will bore you.) No matter; our man Nick is the only one who can stop it from happening. Why? Eh, reasons. Unfortunately, he’s locked away in prison. So the CIA busts him out and sends him to Asia to kick some ass, slap some computers and romance a cute Chinese girl. Why? Mostly because China co-financed this movie. What follows is 133 minutes of pseudo James Bond action as our computer hero jets from China to Indonesia to Malaysia and parts of America trying to stop this digital crime spree. How does he accomplish that? Mostly by shooting and punching people. Oddly enough, his computer skills aren’t on display very often. Fortunately—again, like all computer nerds— Nick is an expert hand-to-hand fighter and a master of firearms. Hey, it’s not that computer nerds can’t be good-looking or proficient in other areas—it’s just that the more Blackhat tries to justify the existence of this six-foot-five Australian superhero, the dumber it gets. Seriously, he’s like Jason Bourne, James Bond, MacGyver and the cast of “The Big Bang Theory” all rolled into one. When he does get his hands on a computer, he bangs away at it with the now-requisite superhuman typing skills. In the minds of Hollywood screenwriters, press one button on a keyboard and a computer will intuitively perform dozens of functions, vomiting up the exact information you need and giving you a kaleidoscopic visual display to boot. Mann does his best to hype up the action, plunging his camera’s eye deep into the guts of various computers, watching glowing blips of data race from circuit to circuit, flashing and buzzing and turning into numbers along the way. Computer can do that? It’s a noble attempt to jazz things up. But it’s also vaguely ridiculous and doesn’t cover up for the fact that watching people sit at computers and type is as boring now as it was back in 1995 when Sandy Bullock did it. a TELEVISION | IDIOT BOX Nazi America “The Man in the High Castle” on Amazon BY DEVIN D. O’LEARY A mazon’s streaming video service is in the middle of another pilot season—which means they’ve posted a number of TV pilots and are seeking viewer input to decide which should be developed into full series. This time around they’re offering at least one must-see—an ambitious adaptation of author Philip K. Dick’s alternate history sci-fi The Man in the High Castle. As written and produced by “The X-Files” writer-producer Frank Spotnitz, “The Man in the High Castle” deviates heavily from Dick’s original. That’s hardly a sin. His stuff is pretty trippy and hard to translate into the visual medium. Like Blade Runner and Total Recall and a few others, however, Dick’s basic concept remains. In this world Japan and Germany won World War II. They divided up America, with Germany taking the East Coast and Japan getting the West Coast. The year is now 1962, and Hitler is on the verge of dying. Gossip on the street is that this might set off a new war between the Axis powers. We see this totalitarian world in bits and pieces through a number of divergent characters. Several protagonists/antagonists from the book have been squashed together or removed entirely. Our main character is Juliana Crain (Alexa Davalos, Clash of the Titans), a young woman studying Aikido in San Francisco. Her estranged sister shows up one evening out of the blue and gives her a reel of film. Immediately afterward, her sister is executed by Japanese soldiers. Evidently, Juliana’s sister was involved in the resistance, and this film reel is somehow terribly important to them. Determined to make her sister’s sacrifice worthwhile, Juliana ditches her (secretly Jewish) boyfriend (Rupert Evans, THE WEEK IN SLOTH THURSDAY 22 “Backstrom” (KASA-2 8pm) Rainn Wilson (“The Office”) plays one of those super-crazy, super-brilliant detectives who solves crimes while annoying everyone around him. “Nightwatch” (A&E 8pm) A&E’s new nonfiction series follows police officers, EMTs and firefighters working the overnight shift in New Orleans. “This Is Not Happening” (Comedy Central 1:30am) Ari Shaffir hosts this series featuring “long-form storytelling” from famous comedians. Keegan-Michael Key, Bobby Lee and Joe Rogan are among the funny people relating true-life stories. FRIDAY 23 “Love, Lust or Run” (TLC 7pm) Style expert Stacy London, obviously not done telling people how to dress after “What Not to Wear,” returns for more TV makeovers. Hellboy) and heads to the Neutral Zone of Colorado to deliver the mysterious package. Meanwhile, on the other end of the continent, we’ve got Joe Blake (Luke Kleintank, “Bones”), a young man who meets up with members of the rebellion and offers to drive a truck full of “coffee makers” to Colorado. A lot of Dick’s book, oddly enough, deals with the antique business and an underground industry which fakes pieces of Americana (from Civil War pistols to Mickey Mouse watches) in order to sell them to culture-hungry Japanese collectors. This ties heavily into the novel’s theme of what is and is not reality. That’s carried into the character of Hawthorne Abendsen, a reclusive science fiction author (and blatant stand-in for Dick himself) who has written a novel titled The Grasshopper Lies Heavy. The novel posits an alternate reality in which the Allied forces triumphed in World War II. In other words, the fake novel-within-a-novel is actually reality. The TV series replaces Abendsen’s novel with the film reel Juliana is smuggling (and Joe as well, as it turns out). It’s a loop of newsreel footage that shows Americans winning the war. Though this MacGuffin serves more or less the same purpose (and in a much more visual way), the TV series doesn’t yet have the same existential vibe. For now the 1-hour pilot does an impressive job of world-building. Amazon Studios has clearly dumped a lot of time and money into this project, and it looks slick as hell. It’s more than enough to whet a lot of appetites for what happens next—which is anyone’s guess, since the pilot plows through a chunk of the book’s slim narrative. a “The Man in the High Castle” pilot is available for viewing now on Amazon Instant Video. SATURDAY 24 With This Ring (Lifetime 6pm) Looks like, following the Great Christmas Rom-com Rumble, Lifetime and Hallmark are back at it—dueling it out with Valentine’s Day romances well ahead of the holiday. Jill Scott, Eve, Regina Hall, Gabrielle Union and Deion Sanders star in this one about a group of friends who attend a lavish wedding and vow to get married within one year. Love By the Book (Hallmark 7pm) And in this one, a man bets the owner of a bookstore that she’ll lose interest in her beau after one month. Stefanie Powers and John Schneider costar. So there’s that. “MythBusters” (Discovery 7pm) Jamie and Adam finally get around to busting all those pesky “A-Team” myths. Sons of Liberty (History 7pm) Sam Adams, John Hancock and our other founding fathers get portrayed as the bad-ass freedom fighters they were in this actionpacked miniseries. MONDAY 26 “Super Bowl’s Greatest Commercials 2015” (KRQE-13 7pm) The pregame hype officially gets underway. “Ellen’s Design Challenge” (HGTV 7pm) Ellen DeGeneres pumps what excitement she can into this reality show competition about furniture design. TUESDAY 27 “Rebel Without a Kitchen” (Cooking 8pm) Canadian chef Matt Basile travels the world looking for the best food trucks. SUNDAY 25 “The 21st Annual Screen Actors Guild Awards” (TBS/TNT 6pm) The road to the Oscars gets a few steps shorter tonight. “The 63rd Annual Miss Universe Pageant” (KOB-4 7pm) I find it impossible to believe anyone other than Donald Trump cares about this. WEDNESDAY 28 “Kart Life” (truTV 8pm) We’ve already got reality shows about parents pressuring their kids into becoming beauty queens (“Toddlers & Tiaras”), dancers (“Dance Moms”), footballers (“Friday Night Tykes”) and golfers (“The Short Game”). So why not go-kart racers? a WEEKLY ALIBI JANUARY 22-28, 2015 [27] FILM | CAPSULES BY DEVIN D. O’LEARY OPENING THIS WEEK The Boy Next Door Jennifer Lopez stars in this time-wasting erotic thriller about a divorced teacher who has a torrid affair with the new boy across the street. Things get complicated when he turns up as a student in her high school class and then goes all Glenn Close in Fatal Attraction on her. Oops. 91 minutes. R. (Opens Thursday 1/22 at Rio Rancho Premiere Cinema, Century 14 Downtown, Century Rio) Cake Jennifer Aniston gets all actorly all of a sudden to play a drug-addicted suburbanite who becomes fascinated by the suicide of a woman in her chronic pain support group. It’s her best “change of pace” work since 2002’s The Good Girl, but the film is too slow and morose to fully gel as either a comedy or a tragedy. 102 minutes. R. (Opens Friday 1/23 at Century 14 Downtown) Drunktown’s Finest Shot in Gallup, NM, by hometown boy and first-time filmmaker Sydney Freeland, this gritty ensemble drama follows three young Native Americans—an adopted Christian girl, a rebellious father-to-be and a promiscuous transsexual—as they strive to escape the hardships of life on an Indian reservation. The script was developed through the Sundance Director’s Lab, and the finished product was executive produced by Mr. Sundance himself, Robert Redford. 92 minutes. Unrated. (Opens Friday 1/23 at Guild Cinema) that the hellish zombie infection has followed her out to sea. Death and dismemberment ensue. In Spanish with English subtitles. 95 minutes. R. (Opens Friday 1/23 at Guild Cinema) Roger Beebe: Films for One to Eight Projectors Basement Films co-presents a multi-projector performance by experimental filmmaker/curator/professor Roger Beebe. This “best of” collection features several of Beebe’s most famous shorts, including “the six-projector show-stopping space jam ‘Last Light of a Dying Star’.” Among the topics up for discussion are black athletes with Irish surnames (“Famous Irish Americans”), Las Vegas suicides (“Money Changes Everything”) and companies jockeying to be at the front of the phone book (“AAAAA Motion Picture”). 120 minutes. (Opens Wednesday 1/28 at Guild Cinema) Strange Magic Before he sold the farm, George Lucas spent several years working on this secret project. It’s an animated musical about goblins, elves, fairies and imps, all battling over a powerful magical potion. Evan Rachel Wood, Alan Cumming, Maya Rudolph and Kristen Chenoweth provide some of the voices. Popular tunes by Whitney Houston, Heart, The Four Tops and ELO make up of the musical numbers. 99 minutes. PG. (Opens Thursday 1/22 at Rio Rancho Premiere Cinema, Century 14 Downtown, Century Rio) STILL PLAYING American Sniper James Stewart, John Wayne, Gregory Peck, Henry Fonda, Debbie Reynolds, Carroll Baker, Eli Wallach, Robert Preston, Karl Malden and just about everybody else in Hollywood in 1962 star in this multigenerational, multisegment saga about the Gold Rush, the Civil War and pretty much anything else Wild West-related. It was originally shot in 70mm, and John Ford directed the Civil War stuff. This is definitely the kind of epic Western you wanna see on the big screen. 164 minutes. Unrated. (Opens Sunday 1/25 at Century 14 Downtown, Century Rio) Reliable but rarely more than workmanlike director Clint Eastwood helms this biopic based on the biography of Navy SEAL sniper Chris Kyle. Bradley Cooper is excellent, running through all the emotions of our main character as he goes from front-line shellshocked to home-front rehabilitated. But Eastwood waffles too much between gung-ho patriotism and a more reasoned examination of the horrors our modern military men and women are asked to endure. It wants to tackle some big moral issues, but unlike Eastwood’s Unforgiven, it just can’t break the Hollywood formula long enough to find the metaphorical weight behind the story. 132 minutes. R. (Century Rio, Rio Rancho Premiere Cinema, Century 14 Downtown) The Humbling Annie Barry Levinson (Diner, Rain Man) directed and Buck Henry (The Graduate, Catch-22) adapted the screenplay for this comedy-drama based on the not-very-well-regarded novel of the same name by Philip Roth. Al Pacino plays an aging theater actor who’s lost his talent for the stage. He finds motivation, however, by sleeping with his lustful, lesbian goddaughter (indie doll Greta Gerwig). It’s some major, dirty-old-man wish fulfillment—but Pacino sure commits to it. Think half Birdman, half Woody Allen sex farce. 112 minutes. R. (Opens Friday 1/23 at Guild Cinema) The classic stage musical (based on the Depression-era comic strip by Harold Gray) gets a modern update. Mostly that means a lot of references to Twitter, Google, Facebook, Vine and YouTube. Quvenzhané Wallis (from Beasts of the Southern Wild) makes for a cute Annie, and Jamie Foxx is acceptable as Daddy Warbucks (here renamed “Bill Stacks”). Unfortunately, writer/director Will Gluck (Easy A) seems to have no talent whatsoever for musicals. Everything is staged in a dull, clunky fashion with no cool costumes, big production numbers, splashy fantasy sequences or anything much in the way of choreography even. Reviewed in v23 i51. 118 minutes. PG. (Century Rio) How the West Was Won Mortdecai Johnny Depp, Gwyneth Paltrow and Paul Bettany star in this oddball adaptation of Kyril Bonfiglioli’s P.G. Wodehouseesque comic thrillers (published between 1973 and 1978). Depp plays the title character, a charming, debonair art dealer and part-time rogue who gets caught up in a caper involving Mi5, some angry Russians and a stolen painting rumored to contain a code that leads to lost Nazi gold. 106 minutes. R. (Opens Thursday 1/22 at Rio Rancho Premiere Cinema, Century 14 Downtown, Century Rio) Moulin Rouge! Australian director Baz Luhrmann (Strictly Ballroom, William Shakespeare’s Romeo + Juliet) cuts loose with an all-out fantasy musical set in 19th-century century Paris’ most infamous nightclub, the Moulin Rouge. Nicole Kidman stars as the club’s most famous showgirl. Ewan McGregor plays an amorous writer in love with the bewitching performer. John Leguizamo pops up as McGregor’s mentor, famed painter Toulouse Lautrec. The music is a lyrical blur of everything from Nat King Cole to Madonna. Astonishingly, this heady anachronistic cocktail works thanks to the sheer moxie of writer/director Luhrmann, who creates a lurid, candy-colored fever dream of a film that just might make musicals cool again. Reviewed in v10, i23. 127 minutes. PG-13. (Thursday 1/22 at SUB Theater) [REC] 4: Apocalypse Writer-director Jaume Balagueró returns for the fourth film in the claustrophobic zombie series [REC]. This time around, the demonic virus has busted out of the apartment building in Barcelona and is going international. Ángela Vidal (Manuela Velasco), the spunky young television reporter who somehow survived the first film, is back. Quarantined on a offshore oil tanker by a medical team, she discovers [28] JANUARY 22-28, 2015 WEEKLY ALIBI Big Hero 6 When Disney took over Marvel, everyone wondered what that mash-up would look like. Now we know. Based (quietly) on the Marvel comic of the same name, this sci-fi cartoon feels like a Disneyfied (in the best sense) take on the superhero genre. Tech-savvy teenager Hiro lives in futuristic San Fransokyo with his brother and aunt. But when his bro is murdered and his greatest invention stolen, Hiro teams up with an inflatable robot named Baymax and a group of self-proclaimed “science nerds” to get revenge on the masked villain responsible. The story is your standard superhero origin tale. But the sci-fi flourishes are well conceived, and the unflappably kindhearted Baymax is easily the most lovable character of the year. 108 minutes. PG. (Century Rio, SUB Theater) Birdman or (The Unexpected Virtue of Ignorance) Alejandro González Iñárritu (Babel, 21 Grams) directs Michael Keaton (Batman) in this winkingly meta farce about a washed-up action movie star who tries to mount a comeback on Broadway. Shot in what looks like a single, breathless take, the film swoops and soars through the corridors of a venerable Broadway theater watching its manic, self-loathing, hallucination-prone protagonist face crisis after crisis. Dark and funny, cynical and empathetic, this oddly experimental gem offers viewers this year’s most original cinematic vision. Reviewed in v23 i45. 119 minutes. R. (Century 14 Downtown) Blackhat Reviewed this issue. 135 minutes. R. (Century Rio, Rio Rancho Premiere Cinema, Century 14 Downtown) Dumb and Dumber To Twenty years later moronic friends Lloyd (Jim Carrey) and Harry (Jeff Daniels) reunite for a cross-country road trip. Harry’s searching for the daughter he never knew, but it’s really just an excuse for our two characters to engage in more of their patented clueless idiocy. 109 minutes. PG-13. (Movies West, Movies 8) groundbreaking march from Selma to Montgomery, Ala., in 1965. David Oyelowo (Lee Daniels’ The Butler) is perfect as King. Cuba Gooding Jr., Tim Roth, Giovanni Ribisi, Carmen Ejogo, Alessandro Nivola, Martin Sheen, Tom Wilkinson and Oprah Winfrey round out the important cast. 128 minutes. PG-13. (Century Rio, Rio Rancho Premiere Cinema) Spare Parts The Hobbit: The Battle of the Five Armies Peter Jackson wraps up his monumental (perhaps a little too much so) adaptation of J.R.R. Tolkien’s The Hobbit. Here we finally get to the closing action sequence, a war that pits five armies and a dragon against one another in a battle for the fate of Middle-earth. 144 minutes. PG-13. (Rio Rancho Premiere Cinema, Century 14 Downtown, Century Rio) Four Hispanic high school students form a robotics club. With no experience, no money and a bunch of old car parts, they challenge the country’s reigning robotics champions at MIT. Marisa Tomei, Jamie Lee Curtis, Esai Morales, George Lopez and Steven Michael Quezada star. Yup, it was shot here in Albuquerque, and it’s based on one of those inspiring true stories you hear so much about. 83 minutes. PG-13. (Century Rio) The Hunger Games: Mockingjay—Part 1 Hollywood is sick of trilogies. That’s only three movies’ worth of profits. The cool thing now is to take the final book in a trilogy and split it in two different movies (like The Twilight Saga: Breaking Dawn—Part 1 and The Twilight Saga: Breaking Dawn—Part 2). So apparently Katniss (Jennifer Lawrence) has destroyed the Hunger Games. She’s hiding out, trying to rescue her boyfriend (Josh Hutcherson) from evil government forces when she gets a call from the rebel leader (Julianne Moore) asking her to become the face of the rebellion. It beats being the face of L’Oreal. ... And now you only have an entire year to wait until the second half of the story. 123 minutes. PG-13. (Rio Rancho Premiere Cinema, Century Rio) The Imitation Game America’s British boyfriend Benedict Cumberbatch stars as famed mathematician Alan Turing in this real-life biopic about Turing’s efforts to decipher the infamous German Enigma code during World War II. The film is very tasteful and “Masterpiece Theatre”-ish. But Turing’s story of professional triumph and personal tragedy is terribly compelling stuff. Based on the book by Andrew Hodges. 114 minutes. PG-13. (Century Rio, Century 14 Downtown, Rio Rancho Premiere Cinema) Taken 3 It really does not pay to be friends or family with exgovernment agent Bryan Mills (Liam Neeson). Everybody he knows has been killed or kidnapped by bad guys, whom he is then obliged to stalk and kill using his “particular set of skills.” This time around his wife has been killed, and he’s framed for murder. Oh, somebody’s in for an old man asskicking! As before, French action king Luc Besson pens it, and the awesomely named Olivier Megaton directs it. 109 minutes. PG-13. (Century 14 Downtown, Century Rio, Rio Rancho Premiere Cinema) The Theory of Everything ‘Tis the season for high-toned biopics. Eddie Redmayne (The Pillars of the Earth, Les Misérables) stars as worldfamous physicist Stephen Hawking. This inspirational romantic drama concentrates on Hawking’s pre-talkingwheelchair relationship with his college girlfriend-cum-wife Jane (Felicity Jones, Like Crazy). It’s beautifully performed and perfectly bittersweet, but occasionally feels too expertly crafted for Academy Award appeal. Reviewed in v23 i48. 123 minutes. Unrated. (Century Rio) Unbroken Filmmaker Paul Thomas Anderson tackles elusive author Thomas Pynchon’s psychedelic detective novel from 2009. If you’re familiar with both of those gentlemen (one of whom directed Boogie Nights, one of whom wrote Gravity’s Rainbow), you should be suitably intrigued by the team-up. This ’70s-set California noir finds a stoned-out private investigator (Joaquin Phoenix) asked by an ex-girlfriend to untangle a mystery he can barely comprehend while battling Nixon-era paranoia. Reviewed in v24 i3. 148 minutes. R. (Century 14 Downtown, Century Rio) As a director, Angelina Jolie (who previously gave us In the Land of Blood and Honey) appears to like things as dark and depressing as possible. Here, she searches for uplift in the (true life) story of Olympic champ Louis Zamperini, who got shot down over the Pacific during World War II, spent 47 days on a raft and then went straight to a Japanese prisoner-of-war camp. The telling is dutiful and appropriately epic, and star Jack O’Connell (300: Rise of an Empire) does understated work. But even with a scripting assist from Joel & Ethan Coen, the film ends up wearing its good intentions on its sleeve a little to prominently. 137 minutes. PG-13. (Century Rio) Into the Woods The Wedding Ringer At this point mashing up a bunch of fairy tales is nothing new in movies (Shrek) or TV (“Once Upon a Time”). Nonetheless, Stephen Sondheim and James Lapine’s hit Broadway musical does some interesting work finding the “adult” undertones of the old Brothers Grimm tales. Disney has glossed over some of the darker material, and the perpetually moving ensemble cast was probably better suited to stage. Still, actors Meryl Streep, Chris Pine, Emily Blunt, Anna Kendrick and James Corden are fun to watch as they reinvent Cinderella, Rapunzel, Little Red Riding Hood and the like. Compared to Annie, this is pure genuis. Reviewed in v 23 i52. 124 minutes. PG. (Rio Rancho Premiere Cinema, Century Rio, Century 14 Downtown) Josh Gad (Frozen) plays a well-meaning, friendless schlub who hires a fake best man (comedian Kevin Hart) in order to impress his fiancée (Kaley Cuoco-Sweeting) at their wedding. As one does in contrived romantic comedies. 101 minutes. R. (Century Rio, Rio Rancho Premiere Cinema, Century 14 Downtown) Inherent Vice Night at the Museum: Secret of the Tomb Ben Stiller and friends (and the monkey) are back in this third outing about wacky hijinks at a natural history museum after the lights go out. Seems the magic that causes all the displays to come to life at night is fading, and our security guard hero (Stiller) must travel the globe, uniting characters old (Robin Willams’ Teddy Roosevelt) and new (Dan Stevens’ Sir Lancelot) to save it. 97 minutes. PG. (Rio Rancho Premiere Cinema, Century Rio) Paddington The beloved British picture book character gets the requisite CGI makeover for the movies. Ben Whishaw (Skyfall) voices the raincoat-wearing Peruvian bear who ends up lost and alone at a London train station. He gets adopted by a kindly family (led by Hugh Bonneville and Sally Hawkins) and has some episodic adventures. Nicole Kidman plays the villain, an evil taxidermist. Because there has to be a villain in these sorts of things. 95 minutes. PG. (Century Rio, Rio Rancho Premiere Cinema, Century 14 Downtown) Selma This serious, dutiful biopic chronicles Dr. Martin Luther King Jr.’s campaign to secure equal voting rights via a Whiplash A shy young musician (Miles Teller from The Spectacular Now) dreams of becoming a world-famous jazz drummer. Attending a prestigious New York music academy, he gets the opportunity to learn from the school’s most infamous instructor (J.K. Simmons from “Oz”). What follows is the musical equivalent of the training camp sequence from Full Metal Jacket. Simmons is perfect as the sadistic taskmaster, but Teller matches him beat-for-beat as the determined student. Reviewed in v23 i45. 107 minutes. R. (Century 14 Downtown) Wild Reese Witherspoon stars in this inspirational biopic about Cheryl Strayed, who lost her mother and slipped in a bout of sex and drug addiction. Instead of going to therapy, she decided to go all hippie and hike the Pacific Crest Trail solo. It’s kind of like Eat, Pray, Love—but with walking instead of food. 115 minutes. R. (Century Rio, Century 14 Downtown) The Woman in Black 2: Angel of Death This loose sequel to the old-fashioned ghost story starring Daniel Radcliffe takes place 40 years after the first haunting at Eel Marsh House. It’s the eve of World War II, and a group of London schoolchildren has been evacuated to the English countryside. Unfortunately, it’s to a sprawling estate full of dead people. Good luck with that, kids. 98 minutes. PG-13. (Century Rio) FILM | TIMES wEEk oF FrI., jan. 23-ThurS., jan. 29 CENTURY 14 DOWNTOWN GUILD CINEMA 100 Central SW • 1 (800) 326-3264 ext. 943# 3405 Central NE • 255-1848 How the West Was Won Sun 2:00; Wed 2:00, 7:00 Whiplash Fri-Thu 1:45, 8:05 The Boy Next Door Fri-Sun 12:40, 3:05, 5:30, 7:55, 10:15; Mon-Thu 12:40, 3:05, 5:30, 7:55 Strange Magic Fri-Sun 11:35am, 2:05, 4:35, 7:05, 9:35; Mon-Thu 11:35am, 2:05, 4:35, 7:05 Mortdecai Fri-Sun 11:40am, 2:20, 5:00, 7:40, 10:20; MonThu 11:40am, 2:20, 5:00, 7:40 Cake Fri-Sun 12:05, 2:30, 4:55, 7:20, 9:45; Mon-Thu 12:05, 2:30, 4:55, 7:20 Paddington Fri-Sun 11:45am, 2:10, 4:35, 7:00, 9:25; MonThu 11:45am, 2:10, 4:35, 7:00 Blackhat Fri-Sun 4:40, 10:45; Mon-Thu 4:40 American Sniper Fri-Sun 1:15, 4:25, 7:30, 10:35; Mon-Thu 1:15, 4:25, 7:30 The Wedding Ringer Fri-Sun 12:15, 2:50, 5:25, 8:00, 10:45; Mon-Thu 12:15, 2:50, 5:25, 8:00 Taken 3 Fri-Sun 11:45am, 2:25, 5:05, 7:45, 10:25; Mon-Thu 11:45am, 2:25, 5:05, 7:45 Inherent Vice Fri-Sun 7:15, 10:30; Mon-Thu 7:15 Birdman or (The Unexpected Virtue of Ignorance) Fri-Sat 1:55, 4:45, 7:35, 10:25; Sun 4:45, 7:35, 10:25; Mon-Wed 1:55, 4:45, 7:35; Thu 1:55 The Imitation Game Fri-Sun 1:30, 4:15, 7:10, 9:55; MonThu 1:30, 4:15, 7:10 Wild Fri-Sun 11:35am, 2:20, 5:05, 7:50, 10:40; Mon-Wed 11:35am, 2:20, 5:05, 7:50; Thu 11:35am, 2:20 Into the Woods Fri-Thu 1:05, 4:00 The Hobbit: The Battle of the Five Armies Fri-Sat 12:55, 4:10, 7:25, 10:40; Sun 7:25, 10:40; Mon-Tue 12:55, 4:10, 7:25; Thu 12:55 CENTURY RIO I-25 & Jefferson • 1 (800) 326-3264 How the West Was Won Sun 2:00; Wed 2:00, 7:00 The Theory of Everything Fri-Thu 12:10, 6:50 The Boy Next Door Fri-Sat 10:40am, 11:55am, 1:15, 2:35, 3:55, 5:15, 6:35, 7:55, 9:15, 10:35, 11:55; Sun-Thu 10:40am, 11:55am, 1:15, 2:35, 3:55, 5:15, 6:35, 7:55, 9:15, 10:35 Strange Magic Fri-Thu 10:35am, 1:25, 4:15, 7:05, 9:55 Mortdecai Fri-Thu 11:00am, 1:55, 4:50, 7:45, 10:40 Spare Parts Fri-Thu 10:30am, 1:35, 4:35, 7:35, 10:35 Paddington Fri-Thu 10:35am, 1:15, 4:00, 6:45, 9:35 Blackhat Fri-Sat 12:55, 4:10, 7:25, 10:45; Sun 7:25, 10:45; Mon-Tue 12:55, 4:10, 7:25, 10:45; Wed-Thu 10:45 American Sniper Fri-Sat 10:40am, 11:30am, 12:20, 1:10, 2:00, 2:50, 3:40, 4:30, 5:20, 6:10, 7:00, 7:50, 8:40, 9:30, 10:20, 11:10, 12:01am; Sun-Thu 10:40am, 11:30am, 12:20, 1:10, 2:00, 2:50, 3:40, 4:30, 5:20, 6:10, 7:00, 7:50, 8:40, 9:30, 10:20 The Wedding Ringer Fri-Sat 10:45am, 12:05, 1:30, 2:55, 4:20, 5:45, 7:10, 8:35, 10:00, 11:25; Sat-Thu 10:45am, 12:05, 1:30, 2:55, 4:20, 5:45, 7:10, 8:35, 10:00 Taken 3 Fri-Thu 10:30am, 1:30, 4:30, 7:30, 10:30 Selma Fri-Thu 12:20, 3:50, 7:05, 10:20 Inherent Vice Fri-Thu 9:50 The Woman in Black 2: Angel of Death Fri-Thu 9:45 The Imitation Game Fri-Thu 12:45, 3:45, 6:45, 9:45 Unbroken Fri-Thu 12:25, 3:50, 7:15, 10:40 Into the Woods Fri-Thu 12:30, 3:45, 6:55, 10:15 Wild Fri-Thu 12:15, 3:25, 6:40 Annie Fri-Thu 3:35, 10:05 Night at the Museum: Secret of the Tomb Fri-Sat 10:45am, 1:25, 4:20, 7:10, 10:00; Sun 4:20, 7:10, 10:00; Mon-Thu 10:45am, 1:25, 4:20, 7:10, 10:00 The Hobbit: The Battle of the Five Armies Fri-Thu 12:00, 3:30, 7:00, 10:30 The Hunger Games: Mockingjay—Part 1 Fri-Thu 12:45, 4:00, 7:20, 10:45 Big Hero 6 Fri-Thu 1:00, 3:55, 6:50 The Humbling Fri-Tue 4:00, 8:15 Drunktown’s Finest Fri-Tue 6:15 [REC] 4: Apocalypse Fri-Sat 10:30 Roger Beebe: Films for One to Eight Projectors Wed 7:30 HIGH RIDGE 12910 Indian School NE • 275-0038 Please check alibi.com/filmtimes for films and times. MOVIES 8 4591 San Mateo NE • 1 (800) Fandango, express # 1194 Dracula Untold Fri-Thu 11:50am, 2:30, 5:00, 7:40, 10:20 Dumb and Dumber To Fri-Thu 12:50, 3:50, 6:50, 9:50 Penguins of Madagascar 3D Fri-Thu 12:40, 3:10, 5:40, 8:10 Penguins of Madagascar Fri-Thu 11:30am, 2:00, 4:30, 7:00, 9:30 Horrible Bosses 2 Fri-Thu 12:20, 3:30, 7:10, 10:00 Ouija Fri-Thu 11:40am, 2:20, 4:40, 7:20, 10:30 Gone Girl Fri-Thu 5:10, 8:40 Alexander and the Terrible, Horrible, No Good, Very Bad Day Fri-Thu 12:00, 2:15 The Book of Life Fri-Thu 11:35am, 4:50, 7:30 The Book of Life 3D Fri-Thu 2:10, 10:10 MOVIES WEST 9201 Coors NW • 1 (800) Fandango, express # 1247 Dracula Untold Fri-Thu 12:05, 2:35, 5:05, 7:35, 10:10 Nightcrawler Fri-Thu 1:15, 4:10, 7:10, 10:05 Dumb and Dumber To Fri-Thu 1:35, 4:20, 7:05, 9:50 Penguins of Madagascar 3D Fri-Thu 1:45, 4:15, 6:45, 9:15 Penguins of Madagascar Fri-Thu 12:00, 2:30, 5:00, 7:30, 10:00 Horrible Bosses 2 Fri-Thu 1:30, 4:15, 7:00, 9:45 Ouija Fri-Thu 2:30, 7:15 Alexander and the Terrible, Horrible, No Good, Very Bad Day Fri-Thu 12:10, 4:55, 9:40 The Book of Life Fri-Thu 12:00, 5:10, 7:45 The Book of Life 3D Fri-Thu 2:35, 10:20 RIO RANCHO PREMIERE CINEMA 1000 Premiere Parkway • 994-3300 The Boy Next Door Fri-Thu 11:30am, 2:10, 4:40, 7:20, 10:00 Strange Magic Fri-Thu 11:10am, 1:45, 4:25, 7:00, 9:35 Mortdecai Fri-Thu 11:25am, 2:25, 5:10, 7:50, 10:30 The Wedding Ringer Fri-Thu 1:15, 4:00, 6:45, 9:30 Paddington Fri-Thu 11:00am, 1:30, 4:00, 6:30, 9:00 Blackhat Fri-Thu 11:45am, 2:55, 6:05, 9:15 American Sniper Fri-Thu 11:20am, 12:20, 2:35, 3:35, 5:50, 6:50, 9:05, 10:05 The Imitation Game Fri-Thu 11:10am, 2:00, 4:50, 7:40, 10:30 Selma Fri-Thu 11:15am, 2:20, 5:25, 8:30 Taken 3 Fri-Thu 11:05am, 1:45, 4:30, 7:15, 10:00 Into the Woods Thu-Thu 12:10, 3:15, 6:30, 9:25 Night at the Museum: Secret of the Tomb Fri-Thu 11:35am, 5:10, 10:40 The Hobbit: The Battle of the Five Armies Fri-Thu 12:20, 3:35, 6:55, 10:15 The Hunger Games: Mockingjay—Part 1 Fri-Thu 2:10, 7:45 SUB THEATER UNM (Student Union Building Room 1003) • 277-5608 Big Hero 6 Tue 8:00; Wed 4:00, 7:00; Thu 3:30 Moulin Rouge! Fri-Sat 6:00, 8:30; Sun 1:00, 3:30 WINROCK STADIUM 16 IMAX & RPX COTTONWOOD STADIUM 16 Cottonwood Mall • 897-6858 2100 Louisiana Blvd. NE • 881-2220 Please check alibi.com/filmtimes for films and times. Please check alibi.com/filmtimes for films and times. WEEKLY ALIBI JANUARY 22-28, 2015 [29] JAZZED MUSIC | ShOw Up BY AUGUST MARCH On Belonging and Beholding How to Encounter Duke City Jazz, Pt. II Alibi: Besides touring outfits, what sort of jazz experiences were available to local listeners before the scene grew up in the late ’70s and early ’80s? Tom Guralnick: Another part of the scene when I moved here in 1976 was the amazing Mirror Lounge at Broadway and Marquette. It was run by the Broadway Elks Club, I believe, and was mostly an African-American social club. The bartender was the great fighter Bobby Foster (one of the only people to knock down Cassius Clay) and his sister. At any rate, it had a great jukebox. It was [the] old style with great jazz on it ... Charlie Parker, Gene Ammons and so forth. Who were some of the local players at the club? In residence, there was a great older, black bass player from Washington, DC, named Professor Harry Robinson. [He] ran the nightly jam session there. Some of the guys from the original New Mexico Jazz Workshop were also in the house band. They included pianist Sherman Rubin and Pete Amahl on drums. Everybody came in to jam. It was a very mixed scene: black and white, old and young, students and workers, everybody. Really, it was a special place. The young Doug Lawrence would come in to play. Dick Trask, a local scientist and great alto [sax] player, played there. Older black musicians like Laney MacDonald (“the Storm” from Chicago), Red Higgins and saxophonist John Lewis Kilpatrick were part of the scene. All the young Alma guys like John Truitt, Dan Dowling, Pat Rhoads, John and Joan Griffin, Mike Fleming too. Other great players on the scene included bassist and vocalist Conrad Figueroa (father of pianist Steve Figueroa) and so many more. Many went on to play in bands in Las Vegas. Were there any other early jazz venues in Burque? A little later a club named Danbi’s opened up on the Westside at Coors and I-40. There was nothing there at the time. But a lot of people came through to play, Richie Cole among them. I think the owner’s name was Dave Silverman. The house band included Alma piano player Pat Rhoads and a young bass player named John Blackburn. Besides legendary local players, some world-renowned notables have been part of the scene. Who are they? It is said that the great Lester Young lived here for a while in the late 1920s. The Modern Jazz Quartet founder/pianist John Lewis grew up here and went to Albuquerque High and UNM, and the South Broadway Cultural Center Theater is named after him. In the very modern era, one of the finest young bass players on the NYC scene, Matt Brewer (who plays with Gonzalo Rubalcaba, Antonio Sanchez and so on), grew up here and was actually part of Outpost jazz classes. His mother Cris Nichols [runs] our box office at night and works at KUNM. Looking toward the present and future, who has taken up where these legends left off? Currently there is quite a small but vibrant “creative improvised music” scene mostly centered around tuba player/composer Mark Weaver and his efforts to make that music thrive with his Roost series, which happens eight weeks each summer at various locations. It’s been going for five years now. a [30] JANUARY 22-28, 2015 WEEKLY ALIBI Five gigs prove there’s no place like home COURTESY OF ARTIST As mentioned last week, finding jazz in Albuquerque is simply a matter of looking in the right place, whether that space is a club or a less traditional venue. Read on for the second part of our interview with Burque jazzman Tom Guralnick. He continues to provide clues for our readers about such encounters, both past and present. BY AUGUST MARCH We’re aware that you cut your hair/ In the style that our drummer wore/ In the video/ But with fame came a mounting claim for the evermore/ You know/ So when your bridal processional/ Is a televised confessional/ To the benefits of Axe shampoo/ You know we did it for you/ We did it all for you/ Cause we know, we know/ We belong to you/ We know you built your life around us.”—“The Singer Addresses His Audience” by The Decemberists “ Whether or not there’s irony involved in Colin Meloy’s cloying pronouncement, it ain’t without precedent, as taking a look and listen to 1967’s The Who Sell Out amply demonstrates. In any case, one could easily spend the week trying to understand the emotional relationship you have with any number of Duke City-bound bands and performers this week, sussing out their cultural affiliations and making determinations about how that affects their presentation. And so on and so forth. Or you could just go out and have a listen. The week’s lineup is just that good, and it does indeed belong to you. Friday On Friday, Jan. 23, begin your tuned-up or transient sonic explorations with a trip to Sister (407 Central NW) for mad musical manifestations by Leeches of Lore, ICUMDRUMS and Pancho! Though it’s possible to paint Leeches of Lore with the broad brush known as heavy rocanrol experimentalism, all that theoretical mierda goes out the window with a live encounter. Leeches’ Steve Hammond, Andy Lutz and Noah Wolters will dissolve your brain with their complex, cross-genre-informed metal as your expectations about rock music burn away. Kris Kerby’s propulsively provocative percussion project ICUMDRUMS takes the middle position for the night while Pancho!, featuring brassy local badass David Schripsema, opens. All of this 21-plus, avantgarde rockadelia can be added to your cumulative human experience for just five bucks; doors are at 8pm, and the show starts at 9pm. Friday, pt. II If you didn’t get a chance to experience The Grateful Dead in this lifetime, you may have a chance this year. I saw them a whole bunch (probably too much), and I have to say they’re pretty darn good. Anywho, they just announced their 50th year anniversary tour. Of course head dancing bear Jerry Garcia won’t be along for this trip. So it might be something like if Paul and Ringo got together for a tour and called it The Beatles, sabes? Instead of taking a chance like that, why not experience a band that continues to preserve the music and culture of The Dead without being tied down by imitation, drug busts or death. The Schwag presents their Grateful Dead Experience at Low Spirits (2823 Second Street NW) on Friday, Jan. 23. The band’s Next Three Miles ability to reproduce the sound of a live Dead show is practically impeccable; with eyes shut or monitor off, it’s damn easy to imagine Jerry and the gang live and only inches away. For music lovers, that in and of itself makes for a cool concert experience. And with his own storied outlaw cred and longtime association with the Jerry Garcia Band, Schwag mastermind Jimmy Tebeau has it down to an art that’s worthy of an extended listen in Burque’s North Valley. This 21-plus sacred simulacra is accessible for 10 dollars, with doors at 8pm. The wanton grooviness kicks in at 9:30pm. Saturday Alt-country and Americana of the highest order touches down at Launchpad (618 Central SW) on Saturday night at the CD release party for Next Three Miles. Centered on the instrumental and harmonic flavorings of Joe Silva and Erin Saulsbury, Next Three Miles has evolved into an ensemble whose blithe spirit is matched with invocations of tradition nuanced by dead-on playing and just a touch of rollicking, post-millennial angst. The evening’s program also features The Handsome Family, an infinitely deep duo whose roots stretch formidably into our town’s musical past. Brett and Rennie Sparks began their work here many years ago before successfully exploring the rock and roll realms that lie beyond the sheltering Sandias. Their oeuvre is filled with blisteringly beautiful, world-weary compositions laden with introspection and diverse influences. And they totally kick ass. Though the two gained prominence for the theme song for “True Detective,” “Far From Any Road,” earlier pieces like “Weightless Again” demonstrate the gravitas and control at the Sparks’ command. Shimmering Americana advocates Wildewood (Meredith Wilder, Alexander McMahon and Greg Williams) open. This 21-plus gig will run you 10 bucks, but you’ll feel bound to the Earth yet able to fly when all is said and done. The doors open at 8pm, and the music commences at 9pm. Monday Red Lion, Pa., rockers Halestorm hit hard at Sunshine Theater (120 Central SW) on Monday, Jan. 26. Known for touring a nonstop rock sound that’s as poignant as it is deliriously driven, Halestorm includes the post-grunge, semi-screamo vocalizations and guitar playing of Lzzy Hale. Her brother Arejay is part of the tightly wrapped rhythm section. The siblings are supported by lead guitarist Joe Hottinger and bassist Josh Smith. In collaboration, these folks make music that gives a petulant pop twist to metal and emo traditions, as exemplified on such singular hit tuneage as “Mz. Hyde” and “Love Bites (So Do I).” They’re kinda like a post-postmodern hair band with attitude out to there, but sans the winsome locks or spectacular makeup. Anesthesia begins the night’s musical discourse. You may attend this all-ages rock and roll extravaganza for a mere $20; doors are at 8pm. Be prepared to rock out at 8:30pm. Tuesday West Virginia stoner-rock trio Karma to Burn has a gig at Launchpad (618 Central SW) on Tuesday, Jan. 27. Noted for an instrumental approach to the smoke-filled, time-traversing genre, K2B members, including guitarist William Mecum, bassist Eric Clutter and drummer Evan Devine, use their instruments to portray a universe dominated by richly distorted guitar narratives, cryptically concise drumming and dark and deft basslines. Karma to Burn is touring with Sierra, a seriously groovy, stoned-out prog-rock band from the great white north. This event is also a prime opportunity to hear Marsupious, one of Burque’s ascendant rock outfits. Definitely desert rock in its stealthy approach and flaming execution, Marsupious relies on super-skillful musicianship and a psychedelic flair to artfully expand on a genre that can come off as ponderous in the wrong hands. Guitarist Eric Paulk sounds crunchy and confidently distorted as he leads this band of astronauts into space. Burque’s dissonantly melodic “grizzled stoner wizards” Supercabra get the action going and are first in line. Eight bones gets you in. The airlocks will be in open mode beginning at 8pm. Liftoff is at 9:30pm. Wow! This week’s musical potential is so mighty and beguiling, I don’t have anything pithy to add to tie things up at the end. Except this: Support your local scene so there will be more where this came from next week. a WEEKLY ALIBI JANUARY 22-28, 2015 [31] Music Calendar EVENT | PREVIEW THURSDAY JAN 22 THE BLUE GRASSHOPPER BREW PUB, Rio Rancho Rebecca Arscott • reggae, calypso • 6:30pm • FREE • ALL-AGES! CORRALES BISTRO BREWERY, Corrales Claystone • 6pm • FREE THE COWGIRL BBQ, Santa Fe Greg Butera and the Gunsels • 8pm • FREE DIRTY BOURBON Rebel Heart • southern rock • 9pm • $5 EMBERS STEAKHOUSE, Isleta Casino Shane Wallin • soul, pop • 6pm • FREE HOTEL ANDALUZ Jesus Bas y MÁS • 7pm • ALL-AGES! THE JAM SPOT Heartist • rock • Sycamour • Brightwell • 7pm • ALL-AGES! LAUNCHPAD Beat Battle & Free Style Competition: Hosted by Wake Self & DJ Young Native • 9pm • $5 MARCELLO’S CHOPHOUSE Karl Richardson • 6:30pm • FREE MOLLY’S BAR, Tijeras 2nd Offenders • 6pm • FREE RANCHERS CLUB Lindy Gold • piano • 6:30pm • FREE SCALO NORTHERN ITALIAN GRILL Wildewood • indie, Americana • 8:30pm • FREE SISTER Lower Than Life Voodooist Vids n’ Vinyl • 9pm • FREE SKYLIGHT, Santa Fe Latin Night • 9pm • $5 ST. CLAIR WINERY & BISTRO Prisma • 6pm • FREE TRACTOR BREWERY WELLS PARK MoonHat • soul, rock • 8pm • FREE TRIPLE SEVENS, Isleta Casino Karaoke • 7:30pm • FREE ZINC WINE BAR & BISTRO Dedric Clark & the Social Animals • Americana, rock, pop • 9:30pm • FREE FRIDAY JAN 23 THE BARLEY ROOM Vinyl Tap • classic rock • 9pm • FREE BIEN SHUR Todd Tijerina • blues, rock • 9pm • FREE THE BLUE GRASSHOPPER BREW PUB, Rio Rancho Kyle Martin • 6:30pm • FREE • ALL-AGES! CARAVAN EAST Kevin Michael Band • country, variety • 5pm • $5 COOLWATER FUSION RESTAURANT Matt Jones • pop, rock • 6pm • FREE THE COUNTY LINE BBQ Los Radiators • folk, blues • 6:30pm • FREE • ALL-AGES! THE COWGIRL BBQ, Santa Fe Jay Boy Adams & Zenobia with Mister Sister • 8:30pm • FREE DIRTY BOURBON Rebel Heart • southern rock • 9pm • $5 EMBERS STEAKHOUSE, Isleta Casino Troupe Red • 6pm • FREE GRAVITY NIGHTCLUB Utopia • 7pm • $15 • ALL-AGES! HOTEL ANDALUZ Jazz Brasileiro • bossa nova • 6:30pm • FREE LAUNCHPAD Fayuca • reggae, rock • Mondo Vibrations • reggae, rock • The Riddims • roots rock, reggae • 9:30pm • $7 LOUNGE 54 @ SANTA ANA STAR, Bernalillo Ed Whiting • 9pm • FREE LOW SPIRITS Grateful Dead Experience: The Schwag featuring Dave A-Bear from Jerry Garcia Band • 9:30pm • $10 • See “Show Up!” MARBLE BREWERY WESTSIDE TAP ROOM Felix y los Gatos • Americana, Creole funk • 6pm • FREE MARCELLO’S CHOPHOUSE Karl Richardson Duo • 6:30pm • FREE MOLLY’S BAR, Tijeras Don Allen • 1:30pm • The Memphis P. Tails • blues • 6pm • FREE NED’S BAR & GRILL The Woodpeckers • classic rock • 6pm • Ravenous • classic rock • 10pm • FREE PUEBLO HARVEST CAFÉ Party on the Patio: The DCN Project • funk, soul • 6pm • $10 • ALL-AGES! SCALO NORTHERN ITALIAN GRILL The Fabulous MartiniTones • lounge, jazz • 8:30pm • FREE SIDELINES SPORTS GRILLE & BAR H28 • classic rock • 9pm • FREE SISTER Leeches of Lore • stoner rock, psychedelic • ICUMDRUMS • Pancho! • 9pm • $5 • See “Show Up!” SKYLIGHT, Santa Fe Reggae Dancehall Fridays • 8pm • The Alchemy Party • 9pm • $7 STAGE @ SANTA ANA STAR, Bernalillo Donald Glaude & Darin Epsilon • electronic, house • 9pm • $13 TLUR PA LOUNGE, Sandia Resort and Casino Fat City • Latin, reggae, swing • 9:30pm • FREE TRIPLE SEVENS, Isleta Casino Whiskey Baby • 9:30pm • FREE [32] JANUARY 22-28, 2015 WEEKLY ALIBI R&B in the 505 Outpost Performance Space (210 Yale SE) has long been recognized for its presentation of Albuquerque’s artistic culture and sense of musicality. And Sunday, Jan. 25, is no exception as Outpost hosts a rarefied concert organized by local vocalist and producer SUNDAY Josef Scott. A JANUARY 25 stalwart presence in the local R&B scene, Outpost Performance Scott has studied and Space performed a wide 210 Yale SE range of genres— alibi.com/e/125519 ranging from opera to 5pm soul—and has performed with groups like The Essence and Black Turquoise. This Outpost performance is titled “Have You Heard?” and features local musicians performing popular and jazz classics in a recital setting. Featured vocalists include Dee Brown, Shaunai Blades, Vonda Coleman, Cynthia Renfro and Josef Scott. The instrumentalists who comprise the band are Andy Kingston on keys, Paul Palmer III on drums, Sammy Perez on guitar and Samantha “Bass Mama” Harris on, yes, bass; and they’ll have the place rocking and grooving. The vocalists involved touch brightly on pop classics, such as Michael Jackson’s “Human Nature,” as well as tunes by The Police frontman Sting, including the wondroussounding “Be Still My Beating Heart.” This allages soulful recitation starts at 5pm sharp, and tickets are $15 at the door. (August March) a SATURDAY JAN 24 ALBUQUERQUE MUSEUM OF ART AND HISTORY Art in the Afternoon: The Tracey Whitney Trio • 2pm • FREE BIEN SHUR Todd Tijerina • blues, rock • 9pm • FREE THE BLUE GRASSHOPPER BREW PUB, Rio Rancho JeeZ LaWeeZ • bluegrass, folk • 6:30pm • FREE • ALL-AGES! CARAVAN EAST AJ Martinez & Taralynn • Spanish, variety • Kevin Michael Band • country, variety • 5pm • $8 COOLWATER FUSION RESTAURANT Headliner Comedy • 9pm • $5 THE COOPERAGE Enjoy • Cuban salsa • 9:30pm • $10 CORRALES BISTRO BREWERY, Corrales Rock Zone • rock • 6pm • FREE THE COWGIRL BBQ, Santa Fe Chango • covers • 8pm • FREE DAMN BAR, Rio Rancho Cody Canada & The Departed • country • 9pm • $12 DIRTY BOURBON Rebel Heart • southern rock • 9pm • $5 DUKE CITY SOUND STAGE Fools and Fanatics • reggae, punk • Dust of the Earth • Modus Operandi • alternative, punk • On Your Doorstep • Man Friends • 6pm • $10 • ALL-AGES! HOTEL ANDALUZ Chris Dracup & Hillary Smith • acoustic, R&B • 7pm • FREE THE JAM SPOT Escape • 8pm • $7 • ALL-AGES! LAUNCHPAD Next Three Miles CD Release Party: The Handsome Family • Wildewood • indie, Americana • 9pm • $10 • See “Show Up!” LEGENDS THEATER @ ROUTE 66 CASINO The McCartney Years: A Tribute to Paul McCartney • 8pm • $10 • ALL-AGES! LEMONI LOUNGE Le Chat Lunatique • dirty jazz • 7:30pm • FREE LIZARD TAIL BREWING Murata • 7pm • FREE LOUNGE 54 @ SANTA ANA STAR, Bernalillo Ed Whiting • 9pm • FREE Music Calendar continues on page 34 WEEKLY ALIBI JANUARY 22-28, 2015 [33] SONIC REDUCER California X Nights in the Dark (Don Giovanni Records) It seems generous at best— and outright wrong at worst—to bill California X as a punk band. Unless, of course, you define punk as every rock band in heavy rotation circa 1994. Nights in the Dark sounds like a lazy pastiche of Weezer (“Hadley, MA”), Soundgarden (“Blackrazor, Pt. 1”) and Metallica (“Blackrazor, Pt. 2”). Now if these sounds are new to you, ’90s revival-reveler, then I can totally see why California X would be appealing. But I lived through all that, and this is nothing new. And most of the punk that I cut my teeth on—while sometimes fond of Fuzzbox— didn’t cotton to the epic canoodling that girds all of this album’s nine tracks. Furthermore, judgmental though it may be, that shitty album cover makes them appear less punk and more bargain bin ’80s metal. Could we instead call California X dull, grungy stoner rock? Maybe. But it’s certainly not punk. (M. Brianna Stallings) Marilyn Manson The Pale Emperor (Hell, etc.) Remember Marilyn Manson? A couple decades back, he was every Biblethumping parent’s rocanrol nightmare. Manson dubbed himself Antichrist Superstar, undertook some vaguely obnoxious faux body modifications and put out a few meaty yet danceable albums. Then he basically evaporated. His schtick became predictable, and a horde of more profane successors supplanted his legacy. Manson chose the middle of the second decade of the 21st century to appear with a new album and new look. The problem is—the dude is starting to resemble Nicolas Cage, a fate that no amount of makeup or threatening lyrics can assuage. Manson’s latest The Pale Emperor attempts to reconcile the artist’s glorious past with a presumably fantastic future. At times glittery and often forlorn, Manson cuts his new teeth on R&B inflection (“Third Day of a Seven Day Binge”) and a hard rock ethos that’s listenable but ultimately rather weary. (August March) The Decemberists What a Terrible World, What a Beautiful World (Capitol Records) Portlandite indie/folk darlings The Decemberists return to fine form with latest effort What a Terrible World, What a Beautiful World. Filled to the caffeinated brim with nuanced hooks, outrageous pop conceits and awesome instrumental prowess, their latest recording clearly demonstrates a kind of musical hegemony for the quintet led by singer Colin Meloy. A complex contrast to the stripped-down majesty of 2011’s The King Is Dead, this new record is a hearty, earnest listen. Coolly dissonant, sometimes harmonic horns continue to play a part in defining The Decemberists’ sound. Tunes like “Cavalry Captain” demonstrate a blustery brassiness atypical of what’s hot in pop right now, while setting a sonic standard that’s practically unbeatable. Further explorations of the band’s superb songwriting craft can be witnessed throughout this affair. And the emotive humor and self-reflection found on “Philomena” and “Make You Better” make this release one to remember. (August March) a [34] JANUARY 22-28, 2015 WEEKLY ALIBI Music Calendar continued from page 32 MARBLE BREWERY WESTSIDE TAP ROOM Daigle Band Trio • 6pm • FREE MARCELLO’S CHOPHOUSE Tony Rodriguez Duo • 6:30pm • FREE MOLLY’S BAR, Tijeras The Deteriorators • 1:30pm • Iron Chiwawa • 6pm • FREE NED’S BAR & GRILL Shit Happens • rock • 9pm • FREE PUEBLO HARVEST CAFÉ Party on the Patio: Raven Rutherford & Her Sweet Potato Pie Band • 6pm • $10 • ALL-AGES! RANCHERS CLUB Lindy Gold • piano • 7pm • FREE SCALO NORTHERN ITALIAN GRILL Alex Maryol Trio • blues • 8:30pm • FREE SIDELINES SPORTS GRILLE & BAR Euphoria • classic rock • 9pm • FREE SISTER Pajama Jammy Jam!: DJ James Black • DJ Dave 12 • DJ Chachi and more • 9pm SKYLIGHT, Santa Fe Bella Gigante: Bella’s Birthday Bash! • 8pm • $10 • Alchemy 2.0 • 9pm • $7 STAGE @ SANTA ANA STAR, Bernalillo Vegas Night: DJ KrisCut • 9pm • $5 for women; $10 for men ST. CLAIR WINERY & BISTRO Kevin Herig • 6pm • FREE SUNSHINE THEATER Zoso: A Tribute To Led Zeppelin • 8pm • $20 • ALL-AGES! THUNDER ROAD, Route 66 Casino Vinyl Tap • classic rock • 9pm TLUR PA LOUNGE, Sandia Resort and Casino Fat City • Latin, reggae, swing • 9:30pm • FREE TORTUGA GALLERY Justin Thompson • 7pm • $15 • ALL-AGES! TRACTOR BREWERY WELLS PARK “In the Mix” Live DJs • 9pm • FREE TRIPLE SEVENS, Isleta Casino Whiskey Baby • 9:30pm • FREE ZINC WINE BAR & BISTRO Keith Sanchez & The Moon Thieves • alternative, Americana • 9:30pm • FREE SUNDAY JAN 25 CORRALES BISTRO BREWERY, Corrales The Accidentals • Americana, rock • 3pm • FREE THE COWGIRL BBQ, Santa Fe Cowgirl Brunch with Boris McCutcheon & The Salt Licks • noon • Karen Jonas & Tim Bray • 8pm • FREE O’NIELL’S PUB, Nob Hill Los Radiators • folk, blues • 4pm • FREE • ALL-AGES! OUTPOST PERFORMANCE SPACE OUTPOST RENTAL: Josef Scott • 5pm • $15 • ALL-AGES! • See preview box. SKYLIGHT, Santa Fe Skylight Goes Bonkerz! • 7pm • $10-$15 MONDAY JAN 26 CORRALES BISTRO BREWERY, Corrales Thru Friends • 6pm • FREE THE COWGIRL BBQ, Santa Fe Cowgirl Karaoke hosted by Michele Leidig • 9pm • FREE LAUNCHPAD Pato Banton • reggae • 9:30pm • $10 LIZARD TAIL BREWING Open Mic Jam Night • 7pm • FREE MARCELLO’S CHOPHOUSE Open Piano Night • 6:30pm • FREE SUNSHINE THEATER Halestorm • hard rock • Anesthesia • 8:30pm • $20 • ALL-AGES! • See “Show Up!” TUESDAY JAN 27 THE BLUE GRASSHOPPER BREW PUB, Rio Rancho Open Mike Bluegrass Jam Session • 6:30pm • FREE • ALL-AGES! CARAVAN EAST Power Drive Band • country, variety • 5pm • FREE, ladies night CORRALES BISTRO BREWERY, Corrales B-Man & the MizzBeeHavens • rock • 6pm • FREE THE COWGIRL BBQ, Santa Fe Troy Browne Duo • Americana • 8pm • FREE LAUNCHPAD Karma to Burn • Sierra • salsa • Marsupious • stoner rock • Supercabra • 9:30pm • $8 • See “Show Up!” LIZARD TAIL BREWING Geeks Who Drink • 6pm MOLLY’S BAR, Tijeras Jimmy’s FamJamly • 6pm • FREE NED’S BAR & GRILL Picoso • Latin, motown • 6pm • FREE POSH NIGHTCLUB Latin Tuesdays: DJ Quico • 9pm SKYLIGHT, Santa Fe Pato Banton • reggae • 9pm • $7 ZINC WINE BAR & BISTRO John Carey Duo • 8pm • FREE WEDNESDAY JAN 28 THE BARLEY ROOM Karaoke with DJ Scarlett Diva • 9pm • FREE THE BLUE GRASSHOPPER BREW PUB, Rio Rancho Open Mike Jazz Jam Session • 6:30pm • FREE • ALL-AGES! CORRALES BISTRO BREWERY, Corrales Partners in Crime • 6pm • FREE THE COWGIRL BBQ, Santa Fe JJ and the Hooligans • 8pm • FREE DIRTY BOURBON Latin Sin Wednesdays with DJ Louie • 6pm • FREE EMBERS STEAKHOUSE, Isleta Casino Acoustic Essence • 6pm • FREE LAUNCHPAD A Malicious Plague • deathcore • Diminished Existence • 9:30pm • $3 LOW SPIRITS Ben Miller Band • Crow Moses • 9pm • $7 MARCELLO’S CHOPHOUSE Sid Fendley • 6:30pm • FREE MOLLY’S BAR, Tijeras Acoustic DNA Band • 6pm • FREE NED’S BAR & GRILL Los Radiators • folk, blues • 6pm • FREE RANCHERS CLUB Lindy Gold • piano • 6:30pm • FREE THURSDAY JAN 29 EMBERS STEAKHOUSE, Isleta Casino Los Amigos • Latin, jazz • 6pm • FREE • ALL-AGES! HOTEL ANDALUZ Jesus Bas y MÁS • 7pm • ALL-AGES! LAUNCHPAD Diverge • industrial • Black Widow Cabal • burlesque • Vorpal Vision • hip-hop, experimental • Silent Crush • metal, punk rock • DJ Suspence • hiphop • 9pm • $10 LOW SPIRITS The Joseph General Band • reggae, world beat, hip-hop • InnaState • rock, reggae • Tha Yoties • rock, reggae • 9pm • $5 TRIPLE SEVENS, Isleta Casino Karaoke • 7:30pm • FREE ZINC WINE BAR & BISTRO Boulevard Lane • blues, rock, folk • 9:30pm • FREE a WEEKLY ALIBI JANUARY 22-28, 2015 [35] straIGHt dope | advIce From tHe abyss by cecIl adams What happened to vitamins F, G, H, I and J? Simple question here: There are vitamins called A, B, C, D, E and K. But what happened to vitamins F, G, H, I and J? —Chris A. Johnson, New York City This sounds like the setup for a joke like the kids’ classic “Why was six afraid of seven?” Unfortunately, there’s no humor in the health sciences, so we don’t get a punch line where a nutritionist says, “Eh, eff G, H, I and J.” But I digress. The answer, like the question, is relatively simple: Most of those missing vitamins between E and K exist, but for one reason or another— mostly scientific disorganization—are now more often called by different names. None, as far as we know, disappeared in the great Vitamin Inc. conspiracy of ’99. Our first five vitamins, A, B, C, D and E, got their sequential names when they were discovered, one after the other, during the early-20th-century search for cures to then-common diseases. Many of these arose from limited intake of produce and other fresh food, which in the pre-Whole Foods era used to be much tougher to come by: Scurvy was a vitamin-C deficiency that made sailors’ gums bleed; beriberi was caused by lack of vitamin B (later B1— see below), found in whole grains, meat and legumes. The general gloominess of English weather was responsible for rampant rickets, due to insufficient vitamin D. After these breakthroughs the great vitamin hunt was on; most of the alphabet was at some point put to use in naming the results. Originally, the assumption was that each new discovery would get the next available letter, but the system went to crap when (1 many of the post-E vitamins were later reidentified as vitamins in the B complex, bearing designations between B2 and B12 (please don’t ask what happened to 4, 8, 10 and 11), and (2 the Germans rebelled and decided to assign letters based on medical relevance rather than order of discovery. Here’s a breakdown: Vitamin F: Known today as the essential fatty acids, of the omega-3 and omega-6 varieties. Should we seek these out? Possibly: They might decrease your risk of cardiovascular disease, but (warns the Mayo Clinic) they also might make you bleed and/or smell like fish. Vitamin G: The American name for what the Brits called B2. Eventually a truce was declared, and now we call it riboflavin. Vitamins H and I: H is one that got named under the German scheme—it stands for Haut, German for “skin,” because that’s what it was thought to strengthen. It’s now called B7 or biotin. (Something similar happened with vitamin K, named for Koagulation.) Vitamin I was said to have a role in digestion and has since been identified with various members of the B group. And finally vitamin J: Beneficial to guinea pigs but unneeded by people, it didn’t make the cut. The second half of the alphabet gets even messier: The bulk of the later would-be vitamins proved not to figure significantly in human growth [36] JANUARY 22-28, 2015 WEEKLY ALIBI and consequently were stripped of their status faster than a female priest. For starters, there was vitamin L, so named for its apparent role in rat lactation. Better known as anthranilic acid, L1 is now closely regulated by the DEA: As one of the primary compounds used in the synthesis of the powerful recreational sedative methaqualone, aka Quaaludes, it falls into that intriguing category of substances that are fun but potentially fatal. A period TV crime drama about its production is undoubtedly forthcoming. Vitamin M is now called folic acid or B9; vitamin P was a name given to the compounds called flavonoids, which apparently contribute more to plant pigmentation than human well-being; and Q is an antioxidant called coenzyme Q or Q10. Vitamin N may have been thioctic acid, and it may have helped with “burning mouth syndrome.” Now we just wait till the coffee cools. Vitamin O goes all but unmentioned in the literature (meaning the name is available should Oprah pursue a career as a DJ), and the vitamin R story is nearly as murky. Vitamins S, T, U, V, W, X, Y and Z either turned out to be inessential to human health (S promotes growth in chicks; T heals wounds in insects) and thus failed to clear the vitamin threshold, or they never existed, The lesson in all this? Stop worrying about vitamins. Daily multivitamins in particular are a firstworld solution to a third-world problem—the average American consumes plenty of the recommended daily amounts naturally without assistance in pill form. Much of the food in the developed world is injected with vitamins before it even reaches our plates. Certain vitamins, like A, can even be toxic if you get too much. A U.S. Preventive Services Task Force reviewing 27 studies covering almost half a million people found no evidence that vitamin supplements offer a benefit for heart disease or delay death from any cause. So really, that punch line has it right after all. Quit wasting your money on gummy vitamins and cut straight to Sour Patch Kids. They may burn a hole in your tongue, but a little vitamin N should clear that up. a Send questions to Cecil via straightdope.com or write him c/o Chicago Reader, 350 N. Orleans, Chicago 60654. WEEKLY ALIBI JANUARY 22-28, 2015 [37] Albuquerque 505.268.6666 FREE CODE 3079 For other local numbers call 1-888MegaMatesTM www.MegaMates.com made WARNING HOT GUYS! 24/7 Friendly Customer Care 1(888) 634.2628 18+ ©2013 PC LLC Dating Easy Albuquerque 505.268.1111 FREE TO LISTEN & REPLY TO ADS! FREE CODE: Weekly Alibi For other local numbers call 1-888-MegaMates 24/7 Friendly Customer Care 1(888) 634.2628 18+ ©2013 PC LLC www.MegaMatesMen.com TM 2508 Free Will Astrology | Horoscopes by ARIES (March 21-April 19): Is there a patron saint of advertising or a goddess of marketing or a power animal that rules publicity and promotion? If so, I’m going to find out, then pray to them in your behalf. It’s high time for your underappreciated talents and unsung accomplishments to receive more attention. And I am convinced that the astrological moment is ripe for just such a development. Help me out here, Aries. What can you do to get your message out better? What tricks do you have for attracting the interest of those who don’t know yet about your wonders? Polish up your self-presentation, please. TAURUS (April 20-May 20): During his 67 years of life, Taurus-born Leonardo da Vinci achieved excellence in 12 different fields, from painting to engineering to anatomy. Today he is regarded as among the most brilliant humans who ever lived. “His genius was so rare and universal that it can be said that nature worked a miracle on his behalf,” said one observer. “He towered above all other artists through the strength and the nobility of his talents,” said another. Yet on his death bed, Leonardo confessed, “I have offended God and mankind because my work did not reach the quality it should have.” Typical for a Taurus, he underestimated himself! It’s very important that you not do the same, especially in the coming weeks. The time has come for you to give yourself more of the credit and respect you deserve. GEMINI (May 21-June 20): Where you have been and what you have done will be of little importance in the coming weeks. Both your mistakes and your triumphs will be irrelevant. In my estimation you have a sacred duty to spy on the future and reconnoiter the pleasures and challenges that lie ahead. So I suggest you head off toward the frontier with an innocent gleam in your eye and a cheerful hunger for interesting surprises. How’s your Wildness Quotient? If it’s in a slump, pump it up. CANCER (June 21-July 22): Will you ever find that treasured memento you misplaced? Is there any chance of reviving a dream you abandoned? You are in a phase when these events are more likely than usual to happen. The same is true about an opportunity that you frittered away or a missing link that you almost tracked down but ultimately failed to secure. If you will ever have any hope of getting another shot at those lost joys, it would be in the coming weeks. For best results, purge the regret and remorse you still feel about the mistakes you think you made once upon a time. LEO (July 23-Aug. 22): In the early 1300s the people of the Mexica tribe had no homeland. They had wandered for centuries through the northern parts of what we now call Mesoamerica. According to legend, that changed in 1323, when their priests received a vision of an eagle eating a snake while perched at the top of a prickly pear cactus. They declared that this was the location of the tribe’s future power spot. Two years later the prophecy was fulfilled. On an island in the middle of a lake, scouts spied the eagle, snake and cactus. And that was where the tribe built the town of Tenochtitlan, which ultimately became the center of an empire. Today that place is called Mexico City. Have you had an equivalent vision, Leo? If you haven’t yet, I bet you will soon. Go in search of it. Be alert. VIRGO (Aug. 23-Sept. 22): By the end of the 16th century, nutmeg was in high demand throughout Europe. It was valued as a spice, medicine and preservative. There was only one place in the world where it grew: on the Indonesian island of Run. The proto-capitalists of the Dutch East India Company gained dominion over Run and enslaved the local population to work on plantations. They fully controlled the global sale of nutmeg, which allowed them to charge exorbitant prices. But ultimately their monopoly collapsed. Here’s one reason why: Pigeons ate nutmeg seeds on Run, then flew to other islands and pooped them out, enabling plants to grow outside of Dutch jurisdiction. I see this story as an apt metaphor for you in the coming months, Virgo. What’s your equivalent of the pigeons? Can you find unlikely allies to help you evade the controlling force [38] JANUARY 22-28, 2015 WEEKLY ALIBI rob brezsny that’s limiting your options? LIBRA (Sept. 23-Oct. 22): Have you triggered any brilliant breakthroughs lately? Have you made any cathartic departures from the way things have always been done? Have you thought so far outside the box that you can’t even see the box any more? Probably not. The last few weeks have been a time of retrenchment and stabilization for you. But I bet you will start going creatively crazy very soon—and I mean that in the best sense. To ensure maximum health and well-being, you simply must authorize your imagination to leap and whirl and dazzle. SCORPIO (Oct. 23-Nov. 21): The cassava plant produces a starchy root that’s used as food by a half billion people all over the planet. No one can simply cook it up and eat it, though. In its raw state, it contains the poisonous chemical cyanide, which must be removed by careful preparation. An essential first step is to soak it in water for at least 18 hours. I see this process as a metaphor for the work you have ahead of you, Scorpio. A new source of psychological and spiritual sustenance will soon be available, but you will have to purge its toxins before you can use and enjoy it. SAGITTARIUS (Nov. 22-Dec. 21): Italian composer Gioachino Rossini (1792-1868) didn’t like to work hard, and yet he was also prolific. In fact, his desire to avoid strenuous exertion was an important factor in his abundant output. He got things done fast. His most famous opera, The Barber of Seville, took him just 13 days to finish. Another trick he relied on to reduce his workload was plagiarizing himself. He sometimes recycled passages from his earlier works for use in new compositions. Feeling good was another key element in his approach to discipline. If given a choice, he would tap into his creative energy while lounging in bed or hanging out with his buddies. In the coming weeks, Sagittarius, I recommend you consider strategies like his. CAPRICORN (Dec. 22-Jan. 19): Each hour of every day, the sun offers us more energy than oil, gas and coal can provide in an entire year. Sadly, much of our star’s generous gift goes to waste. Our civilization isn’t set up to take advantage of the bounty. Is there a comparable dynamic in your personal life, Capricorn? Are you missing out on a flow of raw power and blessings simply because you are ignorant of it or haven’t made the necessary arrangements to gather it? If so, now would be an excellent time to change your ways. AQUARIUS (Jan. 20-Feb. 18): According to my analysis of the long-term astrological omens, 2015 is the year you can get totally serious about doing what you were born to do. You will be given the chance to slough off all that’s fake and irrelevant and delusory. You will be invited to fully embrace the central purpose of your destiny. If you’re interested in taking up that challenge, I suggest you adopt Oscar Wilde’s motto: “Nothing is serious except passion.” Your primary duty is to associate primarily with people and places and situations that feed your deepest longings. PISCES (Feb. 19-March 20): “Give up all hope for a better past,” writes Emily Fragos in her poem “Art Brut.” That’s generally sound advice. But I think you may be able to find an exception to its truth in the coming weeks. As you work to forgive those who have trespassed against you, and as you revise your interpretations of bygone events, and as you untie knots that have weighed you down and slowed you up for a long time, you just may be able to create a better past. Dare to believe that you can transform the shape and feel of your memories. a HOMEWORK: NAME SOMETHING YOU FEEL LIKE BEGGING FOR. THEN VISUALIZE IN GREAT DETAIL THAT THIS SOMETHING IS ALREADY YOURS. REPORT RESULTS TO FREEWILLASTROLOGY.COM Go to realastrology.com to check out Rob Brezsny’s expanded weekly audio horoscopes and daily text message horoscopes. The audio horoscopes are also available by phone at (877) 873-4888 or (900) 950-7700. Classified Place your ad: alibi.com classifieds@alibi.com (505) 346-0660 ext 258 by Matt Jones w SEE PHOTOS AND MORE ONLINE AT ALIBI.COM Legal Services Photographic Services BANKRUPTCY Chapter 7 Bankruptcy $200.00 Payment Plans Available 505410-5021 Open 7 Days A week 8am-9pm LIC#4826272 w DavidMartinezPhotograph Home Services GUITAR LESSONS taught in the context of songwriting and music theory. Gail 267 7079 w GROW ROOMS Tired of paying $$$ for herbs? Full pro grow rooms set up 4 u. Lights,vents,y todo. Confidential & discreet. Free estimates & satisfaction guaranteed. Email lightsofjah@gmail.com TODAY! GETTING MARRIED? y.com Musician Services Announcements THANK YOU, SAINT EXPEDITE You helped me again, Saint Expedite. 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SYSTEMS MANAGER: Kyle Silfer (ext. 242) kyle@alibi.com WEB MONKEY: John Millington (ext. 238) webmonkeys@alibi.com OWNERS, PUBLISHERS EMERITI: Christopher Johnson, Daniel Scott and Carl Petersen CI...
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EDITOR AND PUBLISHER: Carl Petersen (ext. 228) carl@alibi.com SYSTEMS MANAGER: Kyle Silfer (ext. 242) kyle@alibi.com WEB MONKEY: John Millington (ext. 238) webmonkeys@alibi.com OWNERS, PUBLISHERS E...
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Devin D. O’Leary (ext. 230) devin@alibi.com FOOD EDITOR/FEATURES EDITOR:
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