SALMAN AND SHAH RUKH KHAN ON MADHURI DIXIT`S WISH

Transcription

TONY
AWARDS
A DESIGNER AS
DRAMATIST,
AND THE
TALES HE
LEFT
BEHIND
PAGE 34 | QT SPOTLIGHT
PAGE 38 | RETROSPECT
Now showing
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Bheja Fry 2
Badrnath
JESSICA
SIMPSON
AS FASHION
STAR
MENTOR
PAGE 39 | HOLLYWOOD
SALMAN AND
SHAH RUKH
KHAN ON
MADHURI
DIXIT’S
WISH LIST
PAGE 40 | BOLLYWOOD
Did you know?
Detailed movie timing on
Page 40
Kate Winslet is only the third person in
history to win two acting Golden Globes
in the same year— Best Actress, Drama
for Revolutionary Road (2008) and Best
Supporting Actress for The Reader
(2008).
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Thursday, June 16, 2011
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Spider-Men, react to audience applause during the curtain call for Spider-Man: Turn Off The Dark at the Foxwoods Theatre in New York.
Broadway musical Spider-Man tested
the creativity of Bono & the Edge
The two rock musicians
of U2 said they never
would have tried to
make Spider-Man if
they had known it
would take a decade to
bring it to life. Bono
felt artistically
‘impotent’ at times
Jennifer Damiano
and Reeve Carney
in a scene from
Spider-Man: Turn
Off The Dark.
PATRICK HEALY
NYT SYNDICATE
N their fullest comments
yet about the creative
clashes this winter inside
Spider-Man: Turn Off the
Dark, Bono and the Edge,
of U2 — first-time Broadway composers — said they originally
embraced Julie Taymor’s script
and characters for the show but
were wholly ill-prepared for putting her ambitious ideas onstage.
Julie Taymor, director of
They ultimately lost faith in her
experimental theatre.
and quietly maneuvered to overhaul Spider-Man, before finally
shocking Taymor, their longtime
collaborator, with her ouster in
March.
During an interview Bono also
disclosed that he had not put any
of his own money into the $70
million musical, the most
expensive in Broadway
history, while the Edge
said he put in an
undisclosed sum
to underscore his
c o m m i t m e n t . The Edge, rock musician of U2
The two rock band.
musicians said they
never would have tried to ers fired Taymor with
make Spider-Man if they had the blessing of Bono and the Edge,
known it would take a decade to and she has said virtually nothing
bring it to life. For all that work, publicly since.
Bono added, he felt artistically
For the two leaders of U2, one
‘impotent’ at times and did not of the top-selling and most-honlove the show until a preview oured bands of all time, a converperformance late last month.
sation that delved into the
Even now, Bono and the demise of their relationship with
Edge said, the musical is just Taymor seemed at once bitter90 percent complete, with a sweet and cathartic. After all,
final 10 percent of work — in Bono said, they had “some of the
their view.
best days of our lives daydreamBono and the Edge ing about what you could do on a
have been opening up stage” with Taymor and their
recently about their fourth collaborator, the playexperience with the wright Glen Berger.
show in hopes of proBut they had no idea how
moting the much-altered much time it would consume.
post-Taymor
version.
“The hours, weeks and
Taymor, an acclaimed months,” Bono said with a disdirector of experimental tinct melancholy flattening his
theatre and a Tony Award voice. “If we thought it would take
winner for The Lion King, this long, there is not a chance on
defended the version they earth we’d have done it.”
reviewed as unfinished.
Taymor had brought in Berger,
A month later the produc- a respected author of highbrow
I
plays, as her writing partner in
2005 on the Spider-Man script.
The Edge said he had urged
Taymor to accept the radical overhaul. She, in turn, was pushing to
suspend performances in midwinter to make her own changes.
“When Plan X, a new, simplified
plot written largely by Berger, was
presented, she said: ‘That could
never be achieved in a three-week
period. You’d need months to do
that, and it probably won’t work,’”
the Edge recounted. “At that
moment, when that was her
response, the producers felt that
whatever Julie would do with a
hiatus was more of a polishing job
than a top-to-bottom rethink
of the show.”
Asked whether he and
Bono plotted against
Taymor, the Edge
replied: “Julie was
clearly
exhausted,
overwrought, and we all
thought that if we don’t
tread carefully, she’s going to
walk. We were tip-toeing around
her, and I think that probably
meant that people were careful in
what they said or told her. I certainly didn’t feel I could be 100
percent frank with Julie, and that
was because I felt she was carrying
so much of the weight.”
In hindsight, Bono said, starting
preview performances of SpiderMan on Broadway in November
without an out-of-town tryout was
“a terrible decision” that put enormous pressure on Taymor. But
such a test run was impossible,
Bono added, because the show’s
aerial technology and massive,
pop-up sets were built to fit its
New York home, the
Foxwoods theatre.
“Looking back,” Bono
said, “we, through inexperience, had no sense
of the implications of
that decision. The first
time anyone saw a full
run-through of the story, songs,
staging, and show that was the
first night of previews. Can you
imagine that? No one had seen the
whole thing before everyone saw
it.”
But the composers acknowledged that they were hardly in the
dark about Taymor’s vision of
Spider-Man.
“We read her script, we were
part of developing that script, we
thought it was great,” Bono said.
The two men attended developmental workshops over the last
three years where the dialogue
was read, characters fleshed out.
It was not until they took a month
off from U2 last fall to work on the
musical that, they said, they
realised the magnitude of turning
the script into a full-blooded
show. “Julie was trying to wrestle
with the logistics as well as the art,
and that’s when I felt fairly impotent,” Bono said.
Bono and the Edge left for a U2
tour in New Zealand in late
November. They said they were
aghast at what they saw on the
videos: the plot was muddled, as
was the music, and Spider-Man
still lacked an ending.
Once Bono and the Edge
returned, they initially agreed
with Taymor to focus on “clarifying the story,” the Edge said.
Some cast members, though,
began
suggesting
radical
changes, like moving the spectacular aerial battle between SpiderMan and the Green Goblin from
the end of Act I to the climax of
Act II — an idea that had
occurred to the Edge too. Berger,
the playwright, began developing
new script ideas.
“Glen was one of the early
believers that there was possibly a
more simple version,” the Edge
said. “Reluctantly I think most of
us came to believe that he was
right.” Those outlines of a new
show are now apparent in the 2.0
version of Spider-Man.
But Bono said he felt the show
was finally greater than the sum of
its parts — parts, though, that did
gave him frissons of excitement.
Bono, rock musician of U2 band.
34
QT SPOTLIGHT ON TONY AWARDS
www.qatar-tribune.com
The cast of The Scottsboro Boys.
Daniel Radcliffe (center) and the cast of How To Succeed in Business Without Really Trying.
Reeve
Carney (left) and
Jennifer Damiano
perform a song from
Spider-Man: Turn Off
the Dark.
Neil Patrick Harris.
A scene from War Horse.
Brooke
Shields
Whoopi
Goldberg
Andrew Rannells (left) and the cast of The Book of Mormon.
LaTanya
Richardson (left)
and Samuel L
Jackson.
LIFESTYLE
35
Allergy tips for gardeners
THERE’S no reason to let allergies keep you from getting your hands dirty. Here are a few simple tips to keep allergies at bay this
planting season:
*Try to do your gardening late in the afternoon. Most plants tend to release their pollen between the hours of 5 am and 10 am, so
pollen counts are likely to be the highest at this time. By late afternoon, actual pollen counts may be higher, but circulating pollen
will be higher in the sky and not near the ground where you are likely to be working. This also protects you from the most damaging
sun exposure.
* Keep clean. Take a shower and wash your hair immediately after gardening to avoid spreading the pollen throughout your home.
People with mold allergies should:
* Wear a mask when turning the compost pile.
* Avoid working with wet mulch or straw.
* Limit indoor plants whose moist soil creates an ideal condition for mold growth.
Lifestyle
guide
A decorated shed on a
Pennsylvania farm
PENELOPE GREEN
NYT SYNDICATE
T’S survival of the fittest,” said
Esther Dormer, a founder of the
Future Fund, a venture capital
firm, who bought the place 11 years ago
as a second home with her husband,
Brian Dormer, an airline pilot. The two,
both 51, live in a Pittsburgh suburb 30
minutes away. “We plant and go,” she
said. “We never mulch, and if something can’t cut it – a plant, the dogs, the
fabric on the furniture – it’s out. We
can’t be fussy here.”
It was a blisteringly hot afternoon,
and the pollen was blowing through the
barn, a genuine Amish number spiffed
up with a collection of atmospheric
cement balls, a reproduction Morsecode signal lamp, 30 silver folding
chairs hanging from weathered iron
spikes, a 24-foot-long table made from
salvaged wood and a pool table covered
in hammered, studded aluminum.
In the corner, a Chesterfield sofa
wore cognac-coloured python-print
vinyl, which is mouse- and mold-proof,
as noted by Lisa Dagnal, a 43-year-old
self-taught designer whose only client is
Esther Dormer.
It was Dagnal whom Dormer turned
to three years ago for decorating help.
“I have this farm,” she said. “It could
look a lot better.”
Dagnal’s first job was to polish up the
barn’s downstairs office. She and
Darrell Frey, a laconic permaculture
expert and property manager who is the
Farm’s resident philosopher and facilitator, covered its ductwork in moss and
birch bark.
The Farm has not always been so
camera-ready. When she and her husband bought the land, it was a fallow
graveyard for old appliances and a pasture for cattle.
Dormer, “a suburban girl who couldn’t keep a houseplant alive,” as she put
it, wanted her son, Max, and daughter,
Maggie, now 17 and 14, to know where
their food came from and had an idea
that she could grow produce and
donate it to the local food bank.
Some food banks, as she learned,
have gleaning programs that will distribute the surplus food a farmer grows.
Dormer’s proposition – to grow produce intended for a food bank – was
unique, said Lisa Scales, chief operating
officer of the Greater Pittsburgh
Community Food Bank.
“I didn’t have a clue,” Dormer said. “I
knew nothing about farming. I thought,
‘Well, what’s the worst that can happen?”’
The property cost just under
$400,000, and Dormer offered the ask-
“I
A bedroom in the farm house.
ing price the day she saw it, on condition that her offer be accepted by midnight, and that the soil be right for
crops.
The soil tested well (the Farm is in a
flood plain, which makes it nutrientrich), but the Dormers spent the first
couple of years harvesting trash, not
food. The fields and forest were mined
with rusted television sets, broken farm
equipment, mysterious parts from the
broken farm equipment, bales of copper wire, aluminum cans, plastic bottles
and dried but fragrant cow patties.
Dormer had had a vision of her children, who were then well under 10, frolicking in verdant pastures filled with
attentive woodland creatures.
“Like the scene in Snow White,
remember?” she said. “Instead, they’d
complain, ‘Do we have to go out to the
stinking farm?’ Because it really, really
stank.”
They hired a farmer, who lived on the
property and planted 10 acres of nutritionally rich crops like kale, collard
greens, carrots and peppers. The food
bank provided volunteers to harvest it.
Before long, the Farm was producing a
reliable yearly crop that the food bank
distributed. Brian Dormer, who works
for United Airlines, is gone four to five
days out of seven; he pitched in when
he could. The children came when their
school schedules allowed.
Esther Dormer, who was attending
every sustainable-agriculture conference she could sign up for, met Frey at
one, and enlisted his help in applying
permaculture principles which are all
about creating efficient and self-sustaining ecological systems like no-till
orchards. She bought an old Amish
barn so the volunteers would have a
place to get out of the sun. And she fantasised about “a joyful coming together,” she said, of eager, like-minded
helpers.
The reality, she discovered, is that
volunteers are not cookie-cutter individuals. Sometimes there would be
teenagers, she said, “running around
trying to poke each other with farm
equipment, or sometimes people
wouldn’t show up at all.” But they harvested a lot of food, more than 150,000
pounds of produce from 2001 through
2007, and Dormer extended her commitment from five years to seven.
“I wasn’t always the best organic
farmer,” she said. “Sometimes I’d just
hide with my girlfriends when the volunteers came. I wasn’t always a slave to
the effort.”
After seven years, Dormer was worn
out by the farming, and her children
had grown into teenagers, more interested in paintball than in crops. Dormer
decided she was ready to enjoy the
place, to turn the working farm into a
weekend getaway.
At first, she consulted landscape
architects.
“But they were all about where to put
the tree,” she said.
Dormer balked at the elaborate site
plan, the plant list and the projected
cost (about $12,000) for a pond that
needed to be shored up.
“I thought, it’s just this little area, I
can’t see doing this for 150 acres all the
way around.”
Meanwhile, Dagnal, who was raising
three boys, and had always decorated
her own home and her friends’ homes,
decided to have an open house to show
off her work: lacquered tables, refinished case goods and pale upholstered
pieces. Dormer was invited by a friend
of a friend and was attracted to
Dagnal’s style, which reminded her of
her own.
An early project involved a pond, its
bank and an old rowboat.
“Esther said, ‘Make this look fabulous,”’ Dagnal recalled. “I cleaned the
boat all up, painted it black and cream.
I had never done anything like that
before. My friends would say, ‘You’re
painting a boat?”’
Now it rests prettily half in, half out of
the water, tethered to an iron post, no
longer a boat so much as a decorative
object.
“We made it fashionable,” Dagnal
said.
She also turned a huge concrete fountain base into a coffee table/terrarium
for the living room of the farmhouse,
filling it with dirt, moss, twigs and
rocks, and topping it with a piece of
acrylic. Frey had to reinforce the floor
so it would not cave in. A laundry room
is now a luxurious bath lounge, with
iron garden chairs upholstered in an
old mink coat Dagnal found at a thrift
shop.
Purists might wince, but Dagnal and
Dormer are having fun gussying up
wheelbarrows, milking stations and
dusty sheds. One outbuilding now
shines with white paint, gilded mirrors
and an artist’s easel. It is a space
inspired by Dagnal’s 10-year-old son,
Will, who liked to play there while his
mother was working.
The merging of the decorative with
the utilitarian occasionally poses problems. In a toolshed, Dagnal created an
installation of salvaged wood, coils of
rope and chains. Its components are
tempting to Frey and the Farm’s workers, who sometimes sneak away with
the parts.
“They have stripped that down to
nothing many times,” Dagnal said.
“When anyone needs anything, that’s
the first place they go.”
At
the Farm – 150
rolling acres 15 minutes
from downtown Pittsburgh
– iron chairs wear mink
coats, candelabras sprout
from picnic tables, and
crystals hang from
the trees
A bathroom in the farmhouse.
The farm owned by Brian and Esther Dormer.
A sitting area at the farm.
A concrete fountain base made into a coffee-table.
A bench in the woods.
36
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DISCOVERY SCIENCE
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Special Agent Oso
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Little Einsteins
The Little Mermaid
Handy Manny
Timmy Time
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The Little Mermaid
Little Einsteins
Handy Manny
The Hive
Jungle Junction
The Little Mermaid
Timmy Time
JoJo’s Circus
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Last Voices Of World War I
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11:30 Riding Route 66
12:00 Globe Trekker
13:00 Distant Shores
13:30 Sophie Grigson In The Orient
14:00 Cruise Today
14:30 Megalopolis
15:30 Travel Today
16:00 Globe Trekker
17:00 Essential
17:30 Croissants In The Jungle
18:00 Cruise Today
18:30 Sophie Grigson In The Orient
19:00 Globe Trekker
20:00 Nomad’s Land
21:00 World’s Greatest Motorcycle Rides
22:00 Glutton For Punishment
22:30 Angry Planet
23:00 Globe Trekker
ZEE AFLAM
01:00 Nayak- The Real Hero
03:30 Balika Badhu
06:00 Elaan
08:00 Nayak- The Real Hero
10:30 Insan
13:00 Salaam Namaste
16:00 Mere Baap Pehle Aap
19:00 Raqeeb- Rivals In Love
22:00 Muqaddar Ka Sikandar
38
RETROSPECT
A designer as dramatist,
and the tales he left behind
Alexander
McQueen
A shoe from the Fall/Winter 2010-11
collection.
HOLLAND COTTER
NYT SYNDICATE
A
HAIRSTYLIST friend of mine used to
place leather bondage gear in her downtown shop window to scare off what she
called “the wrong element,” meaning
anyone wanting a nice wash and trim.
She wanted to be sure that if you sat in her chair, you
were ready to accept whatever look she decided on
for you, because it would change the way you saw
yourself in the world. That was the deal.
“Alexander McQueen: Savage Beauty” at the
Metropolitan Museum of Art, a survey of the career
of the British fashion designer who died last year, a
suicide at 40, is similarly about control and change.
The show, or rather what’s in it, is a button-pushing
marvel: ethereal and gross, graceful and utterly
manipulative, and poised on a line where fashion
turns into something else.
Part of its dynamic is old-fashioned shock. In galleries that combine the look of baronial halls and
meat lockers, clothes come at you like electrical zaps:
a blouse threaded with worms, a coat sprouting
horns, shoes that devour feet. A pert little jacket is
printed with a crucifixion scene; the hair on a fulllength hair shirt is carefully waved and combed; a
corset has a cast-metal animal spine curling out from
behind.
And everywhere there are arresting delicacies. The
yellow-green beadwork is so fine it looks as soft as
moss. Floral-patterned lace has been cut up, flower
by flower, then stitched together again, but only partially, to give a dress the illusion of having being torn.
The details pull you back to the start of the show
after your first wild ride through. And it’s on the second, slower look that some of the prickly contradictions that underlie McQueen’s work, and fashion as a
genre, start to emerge.
McQueen grew up in London, the son of a cabdriver. He made much of his working-class Cockney
roots. They were, along with his homosexuality and
rebelliousness, part of his insider-outsider creden-
The retrospective at the
Metropolitan Museum of Art is
about the British fashion designer,
who committed suicide
last year at 40
tials, his wrong-elementwherever-I-am identity.
At 16 he landed an
apprenticeship with a
Savile Row tailoring firm
that catered to the
British royal family, and he was a
more than apt
pupil. A virtuosic grasp of the
mechanics of
clothes making
– cutting, sewing,
constructing
–
became early hallmarks of his design,
with drapery skills
developing later. He
was always a handson worker: in art terms,
a formalist as much as a
conceptualist.
But it was the conceptualist, the idea man, the storyteller, who began making
news. After a stint with a
theatrical costume company he went to design
school and quickly gained
a reputation for distinctively dark, louche brilliance. He
titled his graduate show Jack
(Left and right) Shoes from the Alexander McQueen spring/summer 2010 Plato Atlantis
collection.
the Ripper Stalks His Victims, signing each piece
with a stitched-in lock of hair. He turned to violent
films like Taxi Driver and The Shining for inspiration, and to tales of persecution (17th-century
witch hunts) and martyrdom (Joan of Arc).
In 1994 he had some commercial success with designs for ultra-low-rise “bumster” pants that helped start an international trend. But he was still most interested
in narratives, in making each new collection an
attention-grabbing drama. One way to get
noticed was by alienating people, and the runway
show for his Highland Rape collection of 1995-96
drew some serious heat.
He said that he meant the show as a commentary on England’s pillaging of Scotland,
where he claimed ancestry. But the sight
of zonked-out models stumbling around
in torn dresses brought accusations that
he was cashing in on abusive images of
women. The bad-boy image, which was
already part of his kit, intensified and
stuck.
Still, he didn’t stay with any
one theme for long, though
the curator of the Met
show,
Andrew
Bolton of the
m u s e u m ’ s
Autumn/Winter
Costume Institute,
1997–98 design
tries to give the
with antlers.
career an organic
shape by viewing it
through the lens of
Romanticism. And he
eases us into this view with
an introductory gallery of
quite wearable-looking jackets
and dresses, with quasi-traditional tailoring and lines as clean
and emphatic as if ink-drawn.
Beyond that point, however,
drama heats up.
A crowd gathers to view a collection of designs by Alexander McQueen.
2001
Dress, VOSS, from the Spring/Summer
collection.
Clothes become costumes, with sensuous, sumptuous lives of their own.
What looks like Victorian funerary attire fills one
end of a mirror-lined room: a black ensemble with a
leather halter, a jet gown of billowing silk, and an
awesome black-feathered body suit, pumped up as if
it was about to explode.
By contrast, at the room’s other end, enshrined in
a giant glass casket, there’s a lineup of light, bright
ready-for-heaven wear: a gilded-feather coat with a
skirt of white silk gushing out from below; a long
gray robe printed with faces of angels at the shoulders.
The Highland Rape collection, with which he
asserted a Scottish allegiance, was followed by
another that was an unmistakable, if partly tonguein-cheek, homage to British monarchy, with the two
collections accompanied by volleys of nationalistic
bluster. And although McQueen grumbled about
racist stereotyping in Western fashion, he perpetuated such stereotypes in his Asian- and Africanderived designs.
The Met exhibition passes all this off as manifestations of a Romantic temperament, but you have to
ask critical questions. The chief problem with the
fashion-as-art fad of the 1990s was precisely that it
didn’t ask them.
To take two examples, for its 1997 exhibition The
Warhol Look: Glamour Style Fashion, the Whitney
Museum did little more than fill a floor with Warhol
paintings, back issues of Interview and a Diana
Vreeland tape and basically said: Let’s celebrate.
Two years later the Guggenheim – though it
denies this – effectively rented its Manhattan premises to Giorgio Armani for his retrospective. (Such
deals are now the norm, and the Met is forthright
about stating that most of the money for the
McQueen retrospective comes from the fashion
house called Alexander McQueen.) My point is: If
you’re going to deal with fashion as art, treat it as
art, bring to it the distanced evaluative thinking,
including social and political thinking, that scholars
routinely apply to art.
An Alexander McQueen design from the
Autumn/Winter 2010-2011 collection.
HOLLYWOOD
Scene
unscene
Dianna Agron romancing Sebastian Stan?
Tom Cruise mulling offer for One Shot thriller
Glee actress Dianna Agron is reportedly dating Gossip Girl actor
Sebastian Stan. “He came to Dianna’s 3pm Glee performance
at the Staples Centre in Los Angeles. He waited for her backstage. Once the cast finished the show, Dianna ran backstage to
Sebastian, and they were all over each other! Dianna and
Sebastian love hanging out together. He can definitely hang
with the Glee cast,” femalefirst.co.uk quoted a source as saying. Agron was previously linked to Sebastian’s Captain
America: The First Avenger co-star Chris Evans after meeting
him at a pre-Oscars in February.
TOM Cruise has an offer in hand to star in One Shot,
a thriller about a former military policeman investigating the arrest of a sniper accused of killing five random people. Christopher McQuarrie, who has worked
on the screenplays for several Cruise films in the past
few years, including 2008’s Valkyrie, has adapted
the 2005 Lee Child novel and will also direct the
Paramount project. Cruise, currently filming Rock of
Ages, returns to theaters in December with Mission:
Impossible — Ghost Protocol.
TOM CRUISE
DIANNA AGRON
Jessica Simpson as
Fashion Star mentor
TRIBUNE NEWS NETWORK
N
BC has named Jessica
Simpson as a celebrity
mentor for its upcoming reality series
Fashion Star. The network said recently that Simpson
will join host Elle Macpherson on
the reality series, which will see 14
unknown designers compete for
the chance to win a multimilliondollar contract to launch their lines
in three of America’s largest retailers. Buyers from the three retailers
serve as judges.
“With an almost billion-dollar
lifestyle brand under her belt she is
sure to be an excellent mentor to
our up-and-coming designers,”
said Paul Telegdy, NBC executive
vp alternative programming at
NBC and Universal Media Studios.
Simpson, whose credits include
features The Dukes of Hazzard,
Employee of the Month as well as
MTV’s Newlyweds and the VH1
docuseries The Price of Beauty,
also has seven Billboard Top 40
hits.
Fashion Star was created by
EJ Johnston and James
Deutch of the Global Fashion
Association, Rick Ringbakk of
5x5 Media and Ben Silverman,
who executive produces along with
Jane Lipsitz and Dan Cutforth of
the Magical Elves, Ringbakk,
Macpherson and Johnston &
Deutch of GFA.
“Jessica Simpson has built an
incredible fashion business and is a
perfect mentor to our aspiring
designers,” said Silverman, CEO
and founder of Electus. “She will
complement the buyers, Elle
Macpherson and amazing format.”
39
Jessica
Simpson
Actress
Jessica Simpson
will join host Elle
Macpherson on the reality
series, which
will see 14 unknown
designers compete for
a multimillion contract
‘Malnourished’ Selena
Gomez misses Monte Carlo
appearance
S
Selena
Gomez
ELENA Gomez has explained
what landed her in the hospital last week and forced her
to pull out of a previously
scheduled promotional appearance
for her upcoming film, Monte Carlo.
“I was very malnourished,” Selena
told Access Hollywood recently as she
made an appearance at the Santa
Monica Place Center Plaza in Santa
Monica, California, as she promoted
her new film and performed with her
band, The Scene.
“I was dehydrated and very low on
iron,” she continued of her health
scare. “So, I just gotta take care of
myself.”
As
previously
reported
on
AccessHollywood.com, Selena was
taken to the hospital following a visit
to The Tonight Show with Jay Leno
last Thursday, and later underwent
what her representative said were
“routine tests.”
As a result, she canceled a Friday
appearance in Santa Monica to promote her film, and later postponed
what would have been a Sunday
appearance for Monday.
At Monday’s event, Selena said she
was feeling good.
“I’m doing great... Much better,”
she told Access.
“I was very disappointed that I
couldn’t be here, but I’m here now,”
she added of finally greeting the fans
and putting on a short live show.
As for her film, Monte Carlo, which
also stars Leighton Meester and Katie
Cassidy, Selena said she is looking
forward to the movie’s release on July
1.
“I’m kind of nervous to be honest.
It’s my first romantic comedy and I
get to star with some really amazing
co-stars, so it’s a really sweet movie
and I can’t wait for everybody to see
it,” she said.
Denise Richards to tell tale of
her divorce from Charlie Sheen
IANS
A
CTRESS Denise Richards
says she and actor Charlie
Sheen went through “one of
the worst divorces”. Richards
and Sheen, who have two
daughters, Lola, 6, and
Sammy,7,
together,
ended their marriage in
2006 and although the
actress says they once
shared a “beautiful love
story”, she also admits it all
descended into bitterness at
the end.
Explaining her decision to write a
memoir, which is being released next
month, the 40-year-old said she wanted
to reveal what it was like to “struggle”
through the divorce.
“People have only gotten the rotten
stuff so, you know, there was a beautiful
love story between he and I and I know
that it went the way it went, but I talk
more about how I felt during that time
because I feel like a lot of women can
relate to that, going through a divorce
and custody and being a single parent
and trying to work and all of that stuff,”
femalefirst.co.uk quoted Richards as
saying.
Denise Richards
40
BOLLYWOOD
Scene
unscene
Asin Thottumkal and Zarine Khan
say no to bikini
Shah Rukh Khan’s presence adds lustre
to my film: Roshan Abbas
DIRECTOR Sajid Khan is having tough time convincing his
leading actress Asin and Zarine to wear bikini for Housefull 2
(H2). Sajid wants H2 to be as glamourous as the prequel.
The director is expecting his glam girls to don the bikini just
like Lara Dutta, Deepika Padukone and Jiah Khan did in the
original. But Asin and Zarine aren’t comfortable sporting bikini. It is believed that according to Sajid’s instructions Zarine
has lost weight to look glamourous for the film but bikini is
out of the question.
ROSHAN Abbas, who has made his directorial debut Always Kabhi
Kabhi with newcomers, says producer Shah Rukh Khan’s involvement adds lustre to the film. “We can shape a dimaond... but it
will shine only when light falls on it. With Shah Rukh, the film
suddenly becomes larger (than life),” Roshan said. “We were promoting our film in a mall where the song Antenna, which is picturised on Shah Rukh, was being played and we could see people
enjoying and singing that song. This is his popularity and we need
that kind of promotion and support for this film,” he added.
ZARINE KHAN
ROSHAN ABBAS
Salman and Shah Rukh Khan on
Madhuri Dixit’s wish list
Bollywood’s Dhak Dhak
girl Madhuri Dixit is game
for working with co-stars
like Salman Khan and
Shah Rukh Khan
ADHURI has a special
request for filmmakers. “It’ll
be wonderful to work with
Salman (Sallu) and Shah Rukh
(SRK) again... three of us together in
one film. I hope some good script
comes our way. It’ll be so much fun”,
says Madhuri recalling the chemistry
she created with the duo in Hum
Tumhare Hain Sanam.
M
Madhuri
Dixit
o
t
r
o
o
p
a
K
a
m
Karis I
Madhuri starred opposite SRK and
Sallu in the romantic drama Hum
Tumhare Hain Sanam in the late
nineties. She’s also individually
worked with SRK in Anjaam, Dil To
Pagal Hai, Koyla, Gaja Gamini and
Devdas while she epitomised
romance in Sajaan, Hum Aapke Hain
Kaun, opposite Salman.
“I am aware of the growing popularity of Salman these days. I have seen
his recent films. Salman deserves
every bit of his super success today. I
really want to work with him if there’s
a script” she admits candidly.
The actress shares a lovely friendship with both these actors.
Marvelling at how well the actors have
maintained themselves. “It’s awesome to see all my heroes’ getting
younger day by day and romancing
the young girls. It’s incredible”, said
Madhuri Dixit (right) with Shah Rukh
Madhuri with a smile.
Khan in a scene from the film Dil To
Pagal Hai.
m
l
fi
D
3
a
do
T’S official. Karisma Kapoor (Lolo) is returning to
films after a hiatus. She has signed Vikram Bhatt’s
next — Dangerous Ishq, an erotic thriller in
3-D. Her last release was Mere Jeevan Saathi in 2006.
Says a source, “Lolo never really announced her retirement even
after her marriage to industrialist Sanjay Kapoor in 2003. Despite
being busy with her domestic life and subsequent motherhood
(daughter Samaira was born in 2005, son Kiaan Raj in 2010),
Karisma has always had film offers. She has remained in circulation by signing many endorsements but has now finally given the
nod to Vikram’s film. His last film Haunted in 3-D did well at the
box office. That was the clincher for her.”
Says Vikram, “When I first gave Karisma a narration, she loved
the story and the script. It’s a woman-centric film and she plays
the main character. Dangerous Ishq is a thriller based on pastlife regression. We start shooting in September in Rajasthan.”
Karisma is looking forward to the film. “It’s a role I haven’t
done before. The script is very interesting and working in the
3-D format will be a new experience for me,” she says.
Hrithik Roshan reveres Michael Jackson
and Shammi Kapoor as dance idols
GRAND CINE CENTRE
SUPER 8 (ACTION/ADVENTURE): 11.15 AM, 1.45 PM, 4.15 PM, 6.45 PM, 9.15 PM, 11.45 PM
GREEN LANTERN (ACTION): 10.30 AM, 11.30 AM, 1 PM, 2 PM, 3.30 PM, 4.30 PM, 6 PM, 7 PM, 8.30 PM,
9 PM, 11 PM, 11.30 PM
(3D): 11 AM, 1.30 PM, 4 PM, 6.30 PM, 9 PM, 11.30 PM
THE BEAVER (COMEDY): 11.15 AM, 1.15 PM, 3.15 PM, 5.15 PM, 7.15 PM, 9.15 PM, 11.15 PM
THE CHAPERONE (COMEDY): 2.15 PM, 7 PM, 11.45 PM
WINNIE THE POOH (ANIMATION): 11AM, 12.30 PM, 2 PM, 3.30 PM
X-MEN: FIRST CLASS (ACTION): 10.45 AM, 1.15 PM, 3.45 PM, 6.15 PM, 8.45 PM, 11.15 PM
KUNG FU PANDA (ANIMATION): 10.3O AM, 12.30 PM, 2.30 PM, 4.30 PM, 6.30 PM, 8.3O PM, 10.30 PM
(3D): 11.30 AM, 1.30 PM, 3.30 PM, 5.30 PM, 7.30 PM, 9.30 PM, 11.30 PM
READY (HINDI): 11.30 AM, 4.15 PM, 9 PM
THE HANGOVER 2 (COMEDY): 12.15 PM, 2.30 PM, 4.45 PM, 7 PM, 9.15 PM, 11.30 PM
LIMITLESS (THRILLER): 5 PM, 7.15 PM, 9.30 PM, 11.45 PM
PIRATES OF THE CARIBBEAN, ON STRANGE TIDES (ACTION)(3D): 12 NOON, 2.45 PM, 5.30 PM, 8.15 PM,
11 PM
FAST AND FURIOUS 5 (ACTION): 10.30 AM, 1 PM, 3.30 PM, 6 PM, 8.30 PM, 11 PM
BLITZ (ACTION): 11.45 AM, 1.45 PM, 3.45 PM, 5.45 PM, 7.45 PM, 9.45 PM
MALL CINEMA
SUPER 8 (ACTION/ADVENTURE): 2.30 PM, 4.30 PM, 6.30 PM, 9 PM, 11.15 PM
GREEN LANTERN (ACTION): 2.30, 5 PM
(3D): 9 PM, 11.15 PM
THE CHAPERONE (COMEDY): 7.15 PM, 11.30 PM
SOMETHING BORROWED (COMEDY/ ROMANCE): 9.15 PM
KUNG FU PANDA (3D) (ANIMATION): 3 PM, 5PM, 7 PM
Shammi Kapoor his idols.
Asked how he manages so many
things together, Hrithik said, “the
definition of a successful
man is not depending on
how much money a person
has earned or how much
fame he has, it is about
how he manages his
time.”
“If you are a slave to
your time, then you
can’t be successful man.
The person who takes
out time for everything
he wants to do, that person
is truly successful. Time management is important. It’s an
everyday practice that I’m
learning and I need to learn.
There are too many things
happening so I need to
improve my time
management techniques,” he added.
RITHIK Roshan is known for his impressive
dance moves and the star, set to make his TV
debut with a dance reality show, feels honoured when seen as a symbol for dance in the
country.
“I find every dance difficult. Whenever I start
rehearsals, I start from zero and I feel that I can’t do
this. Then I slowly learn. I’m no God of dance, but I’m
very happy with the fact that I have become a symbol
for dance,” Hrithik said.
He will judge Star Plus’ reality show Just Dance,
which goes on air this Saturday.
“I’m blessed that I have become a symbol for something that stands for such a great talent. But I’m not
the best dancer in the country, city or my neighbourhood. I’m just a very hardworking dancer,” he added.
Hrithik will judge the show along with choreographers Farah Khan and Vaibhavi Merchant.
The 37-year-old, who makes jaws drop with his
impeccable moves and flexible dancing style, calls Michael
Jackson and
H
Karisma Kapoor
Now showing
Madhuri Dixit (right) with Salman Khan
in a scene from the film Hum Aapke
Hain Kaun.
Hrithik Roshan
VILLAGGIO MALL
LANDMARK CINEMA
SUPER 8 (ACTION/ADVENTURE): 11.15 AM, 1.45 PM, 4.15 PM,
6.45 PM, 9.15 PM, 11.45 PM
GREEN LANTERN (ACTION): 11.30 AM, 2 PM, 4.30 PM, 7 PM,
9.30 PM, 12 MN
(3D): 10.30 AM, 1 PM, 3.30 PM, 6 PM, 8.30 PM, 11 PM
THE BEAVER (COMEDY): 11.15 AM, 1.15 PM, 3.15 PM, 5.15 PM,
7.15 PM, 9.15 PM, 11.15 PM
SUPER 8 (ACTION/ADVENTURE): 2.30PM, 4.45 PM, 7 PM, 9.15
PM, 11.30 PM
GREEN LANTERN (ACTION)(3D): 6.30 PM, 9 PM, 11.15 PM
THE BEAVER (COMEDY): 5.3O PM, 7.30 PM, 9.30 PM, 11.30 PM
KUNG FU PANDA (ANIMATION)(3D): 2.30 PM, 4.30 PM
PIRATES OF THE CARIBBEAN: ON STRANGE TIDES
(ACTION/ADVENTURE)(3D): 3 PM
BHEJA FRY 2 (HINDI)
ROYAL PLAZA
X-MEN: FIRST CLASS (ACTION): 11.45 AM, 12.45 PM, 2.30 PM,
3.30 PM, 5.15 PM, 6.15 PM, 8 PM, 9 PM, 10.45 PM, 11.45 PM
KUNG FU PANDA (ANIMATION): 12 NOON, 2 PM, 4 PM, 6 PM, 8
PM, 10 PM, 12 MN
(IMAX): 11 AM, 1 PM, 3 PM, 5 PM, 7 PM, 9 PM, 11 PM
GREEN LANTERN (ACTION)(3D): 7 PM, 9.15 PM, 11.30 PM
WINNIE THE POOH (ANIMATION): 2.30 PM, 4 PM
THE BEAVER (COMEDY): 5.30 PM, 7.30 PM, 9.30 PM, 11.15 PM
THE HANGOVER 2 (COMEDY):5 PM, 9.30 PM
X-MEN: FIRST CLASS (ACTION): 11 AM, 1.30 PM, 4 PM, 6.30 PM,
9 PM, 11.30 PM
THE HANGOVER 2 (COMEDY): 12 NOON, 2.15 PM, 4.30 PM, 6.45
PM, 9 PM, 11.15 PM
X-MEN: FIRST CLASS (ACTION): 2.30 PM, 7 PM, 11.15 PM
PIRATES OF THE CARIBBEAN: ON STRANGE TIDES (ACTION):
12.30 PM, 3.15 PM, 6 PM, 8.45 PM, 11.30 PM
KUNG FU PANDA (ANIMATION)(3D): 3 PM, 5 PM
PIRATES OF THE CARIBBEAN: ON STRANGE TIDES (ACTION)
(3D): 8.30 PM, 11 PM
GULF CINEMA
BHEJA FRY-2 (HINDI): 2.30 PM, 5.30 PM, 8.30 PM, 11 PM
BADRINATH (MALAYALAM): 2.30 PM, 5.30 PM
ETHAN (TAMIL): 8.30 PM, 11 PM
BADRINATH (MALAYALAM)
THE CHAPERONE (COMEDY): 11 AM, 3.15 PM, 7.30 PM, 11.45 PM
SOMETHING BORROWED (COMEDY/ ROMANCE): 1 PM, 5.15 PM,
9.30 PM
BLITZ (ACTION): 10.45 AM, 3 PM, 7.15 PM, 11.30 PM
LIMITLESS (THRILLER): 12.45 PM, 5 PM, 9.15 PM
FAST AND FURIOUS 5 (ACTION): 10.45 AM, 1.15 PM, 3.45 PM,
6.15 PM, 8.45 PM, 11.15 PM
WINNIE THE POOH (ANIMATION): 10.30 AM, 12 NOON, 1.30 PM,
3 PM, 4.30 PM, 6 PM
THOR (ADVENTURE): 7.30 PM, 9.45 PM, 12 MN

SALMAN AND SHAH RUKH KHAN ON MADHURI DIXIT`S WISH

Transcription

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