DON CHIPOTLE by Juan Francisco Villa
Transcription
DON CHIPOTLE by Juan Francisco Villa
TerraNOVA Theatre Collective Inc. P-22 CONTACT Jo Cattell 401 West 24th Street #8 New York NY 10011 702.497.0159 jo@terranovacollective.org terranovacollective.org Project Budget $50,450 Grant Request $5,000 501 (c)(3): TerraNOVA Collective PAST GRANTS AWARDED 2013 Project - P.S. Jones and the Frozen City DON CHIPOTLE by Juan Francisco Villa DON CHIPOTLE by Juan Francisco Villa tells the story of two friends, Celestino and Octavio, on an epic journey across New York City in a fantastical adventure. Along the way, they encounter dangerous villains, strange creatures and memorable characters as they escape into an imaginary world of hope and possibility. DON CHIPOTLE will utilize silhouette animation and direct manipulation of puppets created from found objects that exist within the scenery. VIDEO SAMPLE Title: DON CHIPOTLE by Juan Francisco Villa Artists: Puppet Designer: Taylor Bibat; Puppet Director: Rachel Singer; Puppeteers: Rachel Singer, Denise Savas, Wendy Mateo and Angela Oliver. Description: June 22, 2014 Two clips from DCASE workshop of DON CHIPOTLE. Section 1: Three Uncle Operetta with the shadow puppet exploration. Section 2: MAMI rehearsal prop, used to explore timing and design concept. PROJECT P-22 DESCRIPTION terraNOVACollectiveI PROJECT Villa DONCHIPOTLE bvluanFrancisco for the product ionof a fe s p e c tfu l l re y q u e s i s5 5 ,0 0 0for a P foj ectGrantfrom the H ensonFoundatl on te fr aNO V ACollec t i v e new theatfica wotk, Dan chipatle by JuanFrancjscovllla, for the fal of 2015 in ChjcaSo. Don Chipotleis a theatt).al experiefce lnsplred by both the classicstory of Don Quixote and playwrlSht.lraf Franclsco of the Low €rE asl 5!dei n N ew Y orkC i ty.l t tel s the storyof t wo Vi l las ex per ienc gro e w l n gu p i n th e v l o e n t n e i g h b orhood encounl erl ng dangerous yo u ngboy s ,Cees t i n oa n d Oc ta v i ow , h o j o u rn e ya crossN ew Y orkC l tyonan epi cadventure, as hl sal ter ego D on C hi potl e,createsan magna r ywor d C el esti no, vi l ains ,s t r angec r e a tu re sa, n d n re n ro ra b l ceh a fa cters. V l l l asvi si oni s to m ake th a t is f ullof pos s ib i i tya n d g o o d a s a me a n sto e s capethe harshreal i tyof hi svl ol entupbrl ngi ng. th l ss t or y m agic aan d th e a tri c a lu, s l n gto w e rl n gp u ppetsto ref €ct on a ost ti me,i ust asthe tw o boysare l osl ngth e r ch i ldhood. , w ay to movebetw ee nt he r €al that the mostexci tl nSeffectve E v e l o p m e nw t o rk s h o p i, t w a s d iscovered Th rougha DCA S de .ni marl onand dir ect p u p p e try. Tw o di sti nct techni ques w i I be used: si l hoL,ette th e u s e o f im agt ned wor d s l s th ro u g h and U s ng these forms w e w i l seehow p! p p e ts fo u n d o b j e c i s that exi st w i thl n the scenery. fo rme d ffo m ma n ipulat ion of pedestrl an the audi ence to seefr om his to mag cal , and enabl es th e w o rl d a ro u n d h i m from C e l es t ino'm s ind t f a n s fo rm s Tony P uppet, and the ani matl on ol S argand Lot t e W e tz e l , H a n dsprl nS B , read and p o i nt of v ew. I nf ue n c e si n c l u d eL i e b e pal ette, of our hero' s chl l dl l ke,bl ackand a vi sual fepresentati on R e l nigerDo, - Chipo i l ew j l l h a v ea s ta rk ,m o n o c h romati c the shapeof t he p u p p e ts from found obj ects, assembl ed to take i n D o , C h i p odeare cr€ated w h t e v iew of t he w o r d . T h e (pop Y ork cans, trash bass, boxes, basket balls, streets va rlousf igur esT . he s ei te m sa re a l l ma d efro m o b j ectsfound on N ew fa stf ood c ont ainerse, tc .)a n d to w e r o v e r th e c h a r actefsand other scenl cel ements. , sdangerous uncl es,and MA MI,hi s mother ' c j o s eto D o n C hi potei TH ETH R E Ehl Tw o ar gepuppet sp o rtra yc h a ra c te rs , nga mythol ogi cal thfe e headed th ro u g ha s i ngl eshadowpuppetof TH ETH R E Eechoi D o n Chlpote' s unc e s a re re p re s e n te d bv shadow s tyand are fi tti ngv represented cre at ur e.T he s inis te ru n c l e sa fe s h a d o w yfi g u re si n D on C hi potl e' communi p u p pet r y T he ! nc le y s to ri e sa re to d th ro u g hs o n gand di gi tal yproj €cted,stop moti onsi l houettean mati onpfoiect edon . g A i sthei nl ti sl representatl onofTH E TH R EAESthe uncl esdie,t he th e bac k dr opt o c r e a tes h a d o wp u p p e to p e re tta sFi p u p petm or phst o re fl e c tth e l r d i s a p p e a ra n c F e i. g s.8_Erepresentkeysequenti all magesi n the te l i ngof U ncl eFo r t una's story. , ls Do n Chipot le' m s ot h e r,M AMI, l s a n e v e r-p re s e nfltgurew ho movesfrom a trustedand oved posi ton to hi s betra verand vision of p u p p ets. Marnl has betrayed hj m, D on C hi potl e's p ro g re s s i v e l y A ftef rea l zl ng how by t hr e e re pr es ent ed S ro te s q u e shapesare texturedw i th househol di te..s, suchas urnbr elas,a h e r k t hat of a par a s i ti cw a s p (F 1 9F. ).T h e tw o d i mensi onal p u z z p att€rs, and prayercandl esTheyare pai ntedi n the same es, to i e t s eat ,s poons c, u tti n gb o s rd s ,b o o k s , puppeteers. pa The MA M puppetsprogressn si zeasthe d anger mo noc hr om at ic e tte , a n d a fe o p e ra te dfro m b ehl ndby presentati on changesthroughD on C hi potl e' jsournevan d shows th at Don Chipot lef l n d sh l m s e l fp ro g re s s e sl v. l a ml 'svi sual and from a fl 8ureof trust to that of destruct ion s p a c es h e o c c u p i e sl n h i s m i n d ,a nd her tfansformati on u s th e inc r eas ed w e fl rst seea si l h ouet t ed Fl g . 6s hows r hef in a l MA M l e n v eo p l n g th e c i ty i n thesearchforherson. n thi s transformatl on, of t h e fa c eo f a w a s p .Ih e e y e s h a p edho es are then torn from the backdropand tw o puppetsw i be re pf es ent at ion at edt o m a k eMa mj ' se y e sd a n c e .T h es e t,w hi chconsl stsof found obj ectspal ntedw h te set l nto w hi te fabr ic, s ma nipLr to rn awav t of or m g i a n tw i n g s .D i g l ta v l d e o l s p ro jectedontothesew hi tesurfacesshow i ngavl ol entreml xoft heunc€s' sto r less, eenpf ev io u s l yu, n l tl n gth e a n l m a te dp u p p etand physi calpuppetw or ds Fi nalv a co or proj ecti onofthe f aceof a wa s pis pr ojec t edon to th e b a c k d ro pT. h l si s rh e fi rstti me w e seecol ori n the desi gnw hl ch bri ngsthi s er.oti onalmor nentt o th e or es entin a wa v w e h a v en o t s e e nb e fo r€ . Th e pr ojec ts uppor to fth e l l m H e n s o nF o !n d a ti o nw oul d be an honorasw e embarkon thl s mosrambi ti ousende avor ' terraNOVACollective Don Chipatleby JuanFtanciscoVil a ProjectGrant September2014 AUDGET retraNOVACollectiveI PROIECT D0NCHI PoTLE byl u a nF r a n c i s c o V al 1.500.0c r,500.0c r.500.0c r.000.0c 1 000.0c 1,000.0c r,000.0c 2.000 0c r,500.0c 6,000,0c r,200 0c 1,800.0c 6,000.0c 1,200.0c 1,000.0c 1,500.0c 300.00 500.00 150.00 2,500.0c 2,600.0c 2,000.0c 1,200.0c 1,200.0c 1,000.0c 2,000.0c 5,000.0c 500.00 800.00 50,450.0c 1r,450.0c 6.000.0c 6.000.0c 5.000 0c DCA S ES t or eF r on tT h e a te Gra r nt l i no s A r t sc ouncl- A rtsT o u ra .dL l v eMu s i c D EVELOPMENT & PRO DUCTI O NTO TAL I NCO M F 5,000.0c 10,000.0c 2,5000c 4,500.0c 50,450.00 t\\9Yr\\ terraNOVA Collective I ARTIST DESCRIPTION D O N C H IP OTLE by Juan Franci scovi l l a TAYLORBIBAT- Puppet Desi8ner artl stw i th a focusof puppetry.P uppetcr edit s Ta y lorB ibatls a Ch i c a g ob o rn ,O b e rl i nC o le g ee d u cated,i nterdi sci pl i nary / e dmoon,Thel oshud5how ,A dventure5tage,N oahGl fex P uppetCor npany, l n cludewor k wit h B l a i rT h o ma sa n d C o mp a n yR and others. H er rdependentand Diaz lM a ri p o s N a o c tu rn aC , h es e aW a rren/S koklVeal l eyS ymphonyOrchestra, Stephanie the O Neil co l labor at ivwor e k h a sb e e ns e e n o c a l y a t N a s ty ,Bruti sh,and S hortP uppetC abaret,P uppetP l syi st (N Y C ), (2013).5he l s al soa co curatorl or N ast y, e 0 1 21 4 ),a n d th e N atl onalP uppetryFesti val Na tionaP uppet r yC o n fe re n c (2 forthe C hj cagonternauonal P uppetTheaterFestval l nl anuar y2015, Bfu t is h,and S hor ta n d o i r th e c u ra to ri a l c o n rmi tt ee w h e r es heis c o- c u ra tl n g fl v e u n l q u e p u p p e tp ro gramsoverthecourseofaw eek,aswas e pl anni ngthel nternationaSlam w h i c hwillglv eal t h e v i s i ti n gp u p p e ta rti s tsa n o p ponuni tyto presentshortform w ork i n a more l nfofmal andacc ept lng se tting. s i n c es h ew a s fo rtu n ateenou8hto be askedto performl n an adaptatl onof TheS ef sh G iant Ta y lorhasbeenpup p e te e ri n g 2 0 O1 a sa h i g hs c h o o l e r.S i ncethen l t hasbeena passl onof hefsand,fi nal l yi n 2012at t he Ch i c a g oi n a t P uppet r opolls O'N eillNat ionalP u p p e k vC o n fe re n c es,h efo u n d h €r tri be- a faml l yof col aboratorsfrom nearand far. Thatyearat t he O'N eill,s hes t udiedw i th Ma rtl n R o b n s o na n d th re e sessl onmast€rc assw i th P aul V l ncentD avs, .s w e asc,eateda sl mpl estoryofsensua i tythroughpleces p a ruc ipantpr ojec te n ti t e d l o u c h , w h e re s h ee x p e ri mented w i th communi cati nga A o f fo am of v ar iousr a n d o ms h a p e sl.n 2 0 1 3s h ew a s l n the R esl dentC ompanyw heresh€ hel peddevel op nna Firzgetald'sReverseCascode(which pfemiered at The Ba lard nstltute and Museum of Puppetry in 2014), and co laborated w i th B eauB r ownan d l o e T h e ri e n(u n fo rtu n a tey rai nedout) on parti cpant proj ects.n 2014shew as asai nl n the Resldent C o mpanyt his t im e h e l p i n gc fe a tel e s s l c aSi m o n ' sRubydnd charl i e.S hei s curentl yw orki ngon a nati onalcol l abo f at ion w i th ot her O ' Neil a l u mse n tl tl e dO s ;fl s - a p i e c eth at expl oresrebl rththroughthe tel l l nCof storl esthat spanti me af d aw ardsand accolades companythat hasw on vari oLrs Sh eis t he pr oudpr o d u c e ro f th e m a i ns ta g ea t O racl eP rodLrcti ons-a theatre,w hi ch provi derfreeort for oll mod€, publ i caccess th l ss eas onf or t heir h l g ha ftl s tl cq u a l i tya n d th e l r busi ness l nto the seasonat everyoppo r t unit y (www. pLr lc b ac c es s th e a tre .o rg S h).eh a ss ta rte di n tesrati ngpuppetryprogramnri ns Sh eis a s o a t €ac hl fga n l s t a n d € n s e m b€ me mb e fw l th B arrelof Monkeys,w heresheteachescreati vew rl ti ngto st udent s i n the c hic agoP ubi c Sc h o o l sa n d th e n a d a p tsth e m i nto p aysw i th her fel l ow Monkeys the thl nS sw e seeev€ryday int o Wh en s het eac hesp u p p e try ,s h efo c u s e so n th e materi al saroundus and transformi ng w i th the w or d. fo re v e r c h a n g i n g th e w a y we l ni eract l l vl ng,br eat hingbe l n g s , 'lcreoft wrth dn ever expandingtool belt of d iscip nes:theotet, puppetry,donce,nusic, visuolort, wtiting, event cteation, ond nore. lon especiollyinterestedin the intersectianofvarious artt'arns dnd haw they can wotktogetherto expressond touch. lenvision a wald of honesty,trust, and magic. One where rclatianshipsore natJosteredin adetto getdheod, butta sincerclyknaw and invest in a humon being. Ane thdt is nat Wimarily influencedby pawer and wealth, butby beouty,owe, ond care. tbelieve it is aur iob as artistsdnd leadersto creote this vercionolthe world ond spreod the templote osfaroswe con reoch in hapes it catches.'TaylorBibat. ierraNOVACollectiv€ Villa by)uanFrancisco DonChipotle 2014 Project Grant- September s_ffA\ terraNOVA Collective I COMPANY DESCRIPTION D ON C H IP OTLE by Juan Franci scoV i l l a in t€ fraNO V ACollec t i v €s d e v o te dto n u rtu ri n gd l s ti n ct,i nnovatve th€atfi calvoi ces,and mai ntai nl nga g obal perspect ive w herethe art ofstorytel Ll ng thri vesand acti vey seek a l fa c et sof our ar t . We a re d e d i c a te dto c u l ti v a ti n genvi fonments sta gesf or our ev eL e x p a n d i n th g e a tr c a l c o l € c tl v e . te rfaNO V Agiv esv o i c eto h u n d re d so f e me rg i n ga n d estabi shedarti stsannual y,provi di ngeachl ndi vi dualthe fre€domt o and terraN OV Aprovi desa forum for bol d,controver sia, ta ke r is k sand dev eo p th e i r w o rk w l th l n a s u p p o rt l veenvi ronment. by ch allenelf gt heat r ic as to ri e sfro m fi rs t d fa ft to fu l l prod!cti on.W e cel ebratethe energetc di versi tyof l i ve perfor m ance g orks.W e be l evetheatre' shl ghestpurposei s to entedal nby exa m ining a v ar let yo f d y n a m i c.n d c o n tra s ti n w sL rp por t lng and cul ture.W e be i evei n the power a n d dis c us s ing t he h ! m a n c o fd i t o n , c fo s s i n gl i n e sof race,status,gender,sexual i ty, for the new theatfew e cukl vateto expand o f creat ingc om m u n ttya ro l rn do u r a rt' ma k i n ga, n d acti vel yseekopportuni ues HISTORY: Fo undedin 1996un d e rth e d i re c ti o no f R a yY e a te s(fofmerA rti sti cD rectorof the A bbeyTheatrel n l rel and),terra NO VA Co l ec t iv ebeganas a o o s e i ys tru c tu re dc o l l e c ti v eofactors,al ofw homw erel nspi redtocr€atenew w orkanddevelop r td e asin a c ollabor a tl v en,u rtu ri n ge n v l ro n rn e n t.n 2003,afterseveralsmal lproducl l onsi n N ew Y orkC i ty,l enni fe Conley mainst ayol arti sti c D i rector, and began i ts tfansi ti on to a as P foduci ng D a rlingt ook ov erea d e fs h i po f te tra N OV AC o l l e c ti ve i n d e pendentt heat rei n N e w Yo rk ,a s i i l s k n o w nto d ay. L n2 0 04,an lnf or m a w ri te rs g ro u p b e g a n ,p ro v i d n gapl aceforemefgl ngpayw ri ghtstobrl ngearydraftsofne wwof kf or over the courseofthe nextfew years,i t b ecam e sh ar ingwit h ot hef w ri te fs ,a n d th e a l tl n i c s ta ffo f tefraN OV AC ol l ecti ve. essl D H i l ,adfar nat ur g cl e a r t hat t hes er v l c e o fe a ry d ra ftd e v e l o p me n tw asmi ssi ngfromtheN Y C communil n2009,l ty t, as hl redto formal i reand curatew hat l s now know nasthe a n d dir ec t ors peca i z l n gi n n e w p l a yd e v e l o p rn e n w Gro u p . cro u ndbfeak er sP la y w ri g h ts p ri ma rl i yfo c u s e so n th e d e v el opnrent and producti onof i nnovati ven€w w ri ti ngand l i veped or m ance te rr aNO V ACollec t i v e pl ayw rl ghts & th eat r e p fo g ra m,the companyfostersthe w ork of emergl nC fo r t heat r e.T hr oLr gThN C ' sGR O U N D WOR KS P l ayw ri gh tG s r oup, three streams:the Groundbfeakers a fti s r sac r os sa r ang eo f s ty l e s& fo fms .T h i sp ro g ramencompasses productl on ofpl ays ffomfi fstdraftto P ro d u c ti o n s s , e rv i ngthe devel opment P lay s er ie s Ma , i n s ta g e th e New S JamesC arter,di r ect edbv Sl n ce2003,t he c om p a n yh a sp ro d !c e da n d d e v eo ped new pl aysat TheatreR ow(B A B YS TE P by (B U C K , l uan C sanchez, di fected by l amesC arter 2004) , fo r th e Arts FE V E R by T h e Bl u eH e fo nC e n i e r D a vidT f av ls 2003), , K arni l ah Forbes, 2006), DR2 ( MA SQU ER AD E: R oger B onai r A gard, di rected by C A L YP SO AN D H Otl rl bY E C e n t erS t age,NY LLU S IoN byJef f 2008),D Lounge(C R E A TIN G M o R N N G b v K d teM c c o v ern,dl rectedby Gi aForaki s, Th e at er( B LUEB E F o R E zavas, (H E R E (FE E D E R : by l ames carter, di rected bv l ose A LOV ES TOR Y A rts C e nter j . H i l , 2 0 0 9 ), Grow,dir ec t edbv Je s sD A N DTH EFR OZE C Nry by R obertA ski ns,dl rectedby l ose Zayas201 2, 2 0 1 1) ,and T he New Oh i oT h e a tre(P .S.ION ES amongothefs re cipientof a P r oje c tG ra n tfi o m th e H e n s o nF o u n dati on), n 2014,t ef f aNO V Ac o € c t v e e s ta b l i s h e od b a s ej n chi caS o,l ed by R esl dentD i rectorJo cattel l Thi svear,w e present eda of D ONC H I PO TLE bv . deveopmentw orkshoppresentati on re a dingof A NI M A L SC O MM T S U i CD Eb y l ..l u l i a nC hri stopher, o illafo r w h l c h a D C AS s! p a c eg ra ft was aw afded,and,i n N ovember,w i l presenttw o stagedreadingsof Ju anF r anc is cV b y S te v eD i Ubal doas part A R edOrchi dTheatreC ompanykl ncubatorS efes A L IIER OS T O R Y BOO M E R'M S I LLE N N P l aY w rl ghts Groupto run con cur r ent ly , e w i l l b e l a u n c h i n ga C h i cagobranchof the Groundbreakers L nthe 2015 16 s eas o nw w i th ihe NY Cbas edg ro !p . terraNOVACollective Don Chipotlehy JuanFranciscoVilla 2014 Project Grant- September -t 9 6 9" F 97 F <_ ,j. a tt 6.J l +2 i := li - :1 ]l 11 E *n rr\ -l r\ F n -t .- "- = -P -;