the tv terror top 40
Transcription
the tv terror top 40
A 164-PAGE CELEBRATION OF THE GREATEST GORE ON FILM & TV ALIEN CELEBRATING THE WORLD’S SCARIEST HORROR SAGA CAUTION! DON’T OPEN BEFORE MIDNIGHT! ŗ Exclusive new interviews! ŗ Every Alien film revisited! THE HT ZONE TOOWS IG IL W T E FROM TH G DEAD... THE SH WALKIN T TERRIFIED US THA PLUS! exclusive! THE GREEN INFERNO DIRECTOR ELI ROTH INTERVIEWED exclusive! THE WALKING DEAD ARMING THE ZOMBIE HUNTERS preview! THE STRAIN GUILLERMO DEL TORO’S NEW TV SHOW PLUS Supernatural ŗ The Shining ŗ Hannibal ŗ London Horror Comic ŗ Frightfest ŗ The Thing ŗ Poltergeist The Company Of Wolves ŗ Hellraiser ŗ Christopher Lee ŗ Tremors ŗ The Blair Witch Project ŗ And Loads More CONTENTS W elcome to SFX’s latest foray into the fantastic world of horror! Over the next 164 pages we’re bringing you the ultimate coverage of your favourite genre in all its icky shapes and sizes. We’ve dipped into the SFX vaults for classic features of yesteryear, and there’s also oodles of brand new content, including capsule reviews of every Christopher Lee horror movie, a look forward to FrightFest, and a rundown of the 40 most memorable TV shows that have dabbled in the grim and gruesome. There’s also your definite guide to the long-running Alien franchise. So jump in and join us! The water’s lovely. Except for those floating corpses… 20 56 136 158 06 TOP 40 TV HORROR 44 PROMETHEUS Your countdown of the greatest Was the 2012 movie as small-screen shockers. disappointing as some say? 18 ALIEN 52 ALIEN: ISOLATION Analysing Ridley Scott’s original We take a look at 2014’s most sci-fi scarefest. terrifying videogame. 20 ALIENS 56 SUPERNATURAL GORE How James Cameron reinvented The yuckiest scenes from the the franchise. brotherly horror show. 26 ALIEN 3 The story of one of the 62 HANNIBAL We compare the four men to grimmest of all sequels. play the fearsome flesh-eater. 52 132 THE STRAIN What Guillermo del Torro’s new TV show has in store. 136 CHRISTOPHER LEE A rundown of every single fright film the venerable master of horror has appeared in! 132 148 LONDON HORROR COMIC Exclusive! A fabulous extract from the anthology comic. 30 ALIEN: RESURRECTION 124 FRIGHTFEST Sigourney Weaver’s swansong Previewing Britain’s premier as tough-as-boots Ripley. horror film festival. 158 THE WALKING DEAD Chatting with the man who arms the zombie killers. 36 ALIEN VS PREDATOR 128 ELI ROTH A special effects whizz on the The Hostel director on his new 162 HORROR BINGO franchise mash-up sequels. picture, The Green Inferno. Eyes down, horror hounds! 4 SFX PRESENTS HORROR Subscribe at www.sfx.co.uk/subscriptions FROM THE MAKERS OF MAGAZINE FUTURE PUBLISHING LTD 30 Monmouth Street, Bath, BA1 2BW Email: sfx@futurenet.co.uk Web: www.sfx.co.uk Twitter: @SFXmagazine EDITORIAL Editor: Dave Golder dave.golder@futurenet.com Art Editor: Rebecca Shaw rebecca.shaw@ futurenet.com Co-Editor: Russell Lewin russell.lewin@futurenet.com Additional design: Nicky Gotobed Production Editor: William Salmon SFX Editor-In-Chief: Dave Bradley david.bradley@futurenet.com SFX Art Editor: Jonathan Coates jonathan.coates@futurenet.com COVER IMAGE © Twentieth Century Fox EDITORIAL CONTRIBUTORS Tara Bennett, Luke Dormehl, Jordan Farley, Rosie Fletcher, Paul Gravett, Peter Hoskin, John-Paul Kamath, Stephen Kelly, Simon Kinnear, Joseph McCabe, Jonathan Melville, Jayne Nelson, Andrew Osmond, Rob Power, Alasdair Stuart, Calum Waddell, Simon Withers “No tears, please. It’s a waste of good suffering.” ADVERTISING Advertising Manager: Adrian Hill 01225 442244, ahill@futurenet.com Sales Director: Nick Weatherall, nick.weatherall@futurenet.com Digital Ad Manager: Andrew Church, andrew.church@futurenet.com 128 MARKETING AND SUBSCRIPTIONS Group Marketing Manager: Sam Wight 020 7042 4061, sam.wight@futurenet.com Senior Marketing Executive: Tilly Michell tilly.michell@futurenet.com Marketing Executive: Antonella Matia antonella.matia@futurenet.com Direct Marketing: Adam Jones, adam.jones@futurenet.com CIRCULATION AND LICENSING Trade Marketing Manager: Jonathan Beeson, jonathan.beeson@futurenet.com International Export Account Manager: Michael Peacock +44(0)1225 732316, michael.peacock@futurenet.com Trade Marketing Director: Rachael Cock +44(0)1225 822830, rachael.cock@futurenet.com International Licensing Director: Tim Hudson +44(0)1225 442244, tim.hudson@futurenet.com 94 PRINT AND PRODUCTION Production Co-ordinator: Keely Miller keely.miller@futurenet.com Paper Controller: Lorraine Rees lorraine.rees@futurenet.com THE SENIOR PARTNERS Creative Director: Bob Abbott Editorial Director: Jim Douglas Deputy MD, Film & Games: Clair Porteous SUBSCRIPTIONS Phone our UK hotline on: 0870 837 4722 Subscribe online at: www.myfavouritemagazines.co.uk/film/sfx-specialeditions-magazine-subscription/ 6 114 classic sfx horror features 66 VILLAGE OF THE DAMNED The chilling 1960 British film. Magazine printed in the UK by William Gibbons on behalf of Future 86 EVIL DEAD 2 It’s the madcap sequel. Distributed in the UK by Seymour Distribution Ltd, 2 East Poultry Avenue, London EC1A 9PT Tel: 020 7429 4000 Overseas distribution by Future Publishing Ltd, Bath Tel: +44 (0)1225 442244 106 SCANNERS It’ll make your head explode. 70 PHANTASM 90 POLTERGEIST 110 PIRANHA II 74 THE BLAIR WITCH PROJECT 94 THE THING 114 HELLRAISER 78 THE COMPANY OF WOLVES 98 TREMORS 118 THE BLOB 82 THE EVIL DEAD 102 THE SHINING 122 THE BIRDS Great balls of silver death! Going back into the woods. A unique fright fairytale. Sam Raimi’s video nasty. When Spielberg did a haunting. Carpenter’s classic remake. Giant worms can be fun. Kubrick’s flick dissected. The infamous fishy follow-up. Clive Barker brought to screen. Back to the ’50s. Chief executive Zillah Byng-Maddick Non-executive chairman Peter Allen *URXSÀQDQFLDOFRQWUROOHUMatthew Burton Tel +44 (0)20 7042 4000 (London) Tel +44 (0)1225 442 244 (Bath) © Future Publishing Limited 2014. All rights reserved. No part of this magazine may be used or reproduced without the written permission of the publisher. Future Publishing Limited (company number 2008885) is registered in England and Wales. The registered office of Future Publishing Limited is at Beauford Court, 30 Monmouth Street, Bath, BA1 2BW. All information contained in this magazine is for information only and is, as far as we are aware, correct at the time of going to press. Future cannot accept any responsibility for errors or inaccuracies in such information. Readers are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this magazine. If you submit unsolicited material to us, you automatically grant Future a licence to publish your submission in whole or in part in all editions of the magazine, including licensed editions worldwide and in any physical or digital format throughout the world. Any material you submit is sent at your risk and, although every care is taken, neither Future nor its employees, agents or subcontractors shall be liable for loss or damage. Hitchcock goes horror. www.sfx.co.uk We are committed to only using magazine paper which is derived from well-managed, certified forestry and chlorine-free manufacture. Future Publishing and its paper suppliers have been independently certified in accordance with the rules of the FSC (Forest Stewardship Council). THE TV TERROR TOP 40 The scariest, spookiest, goriest and most influential horror shows that television has ever produced U ntil recently, TV horror was rarely able to be as visceral and bloody as its bigscreen cousins. Those restrictions were disappointing for gorehounds, but in many ways they forced the shows to be more psychologically terrifying. Mood, atmosphere and tension – those things horror movie directors always talk about before dropping a bucket of pig intestines on their stars’ heads – became the language of TV terror. And now that TV can flay people alive and play billiards with testicles, those decades of restraint are making 6 SFX PRESENTS HORROR sure that shows like True Blood are more than mere bloodbaths. Well, most of the time... Here we list SFX’s top TV terrors, with as much respect given to a show’s influence and inroads into the zeitgeist as the gore quotient. Though an ability to simply make you jump or go “Eurgh!” still has a role to play. Your reviewers are: Rob Power (RP); Jayne Nelson (JN): Jordan Farley (JF); Russell Lewin (RL); Will Salmon (WS); Alasdair Stuart (AS); Stephen Kelly (SK); Joseph McCabe (JM); Dave Golder (DG); Calum Waddell (CW) THE TV TERROR TOP 40 That’s your mum, that is. 40 TALES FROM THE DARKSIDE (US) YEARS: 1983–1988 EPISODES: 90 “Man lives in the sunlit world of what he believes to be reality. But there is, unseen by most, an underworld, a place that is just as real, but not as brightly lit... a darkside.” Not the opening narration of a film about 1970s BBC TV personalities, but George Romero’s horror anthology series, a sort-of follow-up to his 1982 movie Creepshow. Over four seasons, Darkside served up often humorous, sometimes hammy tales, all shot in delightful* ’80s videoesque style – and included the writings of Stephen King, Harlan Ellison, Clive Barker and Robert Bloch. Low on budget and high on synthesised music it may have been, but Darkside did spur the late ’80s TV anthology revival, and led to a decent 1990 big-screen movie. The show is patchy – some episodes are dire – but it was often great fun and an easily-digestable 22 minutes of viewing. And there are no 1970s BBC TV personalities in it. STANDOUT SCARY MOMENT: The pilot, “Trick Or Treat”, set a good precedent, when miserable old Gideon Hackles (Barnard Hughes) gets his comeuppance in the episode finale. RL *may not be delightful 38 GARTH MARENGHI’S DARKPLACE (UK) YEAR: 2004 EPISODES: 6 The title was funny. The way it was deliberately atrociously shot and edited was funny. Even the names of the characters were funny (Dean Learner, Dr Lucien Sanchez, Dr Rick Dagless MD, Madeleine Wool – brilliant!). The actors were all great. So while Garth Marenghi’s Darkplace wasn’t scary, it was highly amusing – a perfectly made comedy riffing on horror tropes. A dig at both bad 1980s television shows and hack supernatural fiction, the show had self-important author Marenghi (Matthew Holness) introduce what was purported to be the show he’d written, produced, directed and starred in 20 years previously. The show took place in a hospital in Romford, Essex, which was regularly threatened by supernatural entities (zombies, apes, extraterrestrial vegetables...) due to being situated over the gates of hell. There was talk of a Darkplace movie. It never happened, although there was a spin-off, Man To Man With Dean Learner in 2006, which sadly wasn’t the same kind of thing at all. STANDOUT SCARY MOMENT: Nothing really scary of course, but moments like a doctor being chased by a possessed stapler and a woman turning into broccoli stay in the mind. RL We learn more of Freddy’s history in the TV show. 39 GRIMM (US) YEARS: 2011–PRESENT EPISODES: 66 37 FREDDY’S NIGHTMARES (US) YEARS: 1988–1990 EPISODES: 44 Grimm is a weird old mix. And we’re not talking the basic premise which is “buddy cop show meets Nightbreed”. More the fact that at times it can be very grisly and, well, grim (the show’s main hero becomes a zombie at one point), but at the same time it has monsters that look like they were designed for a 1970s Hannah-Barbera cartoon. The basic premise has cop Nick Burkhardt discovering that he is a Grimm, with the power to see monsters living among us in disguise, and the weapons to dispatch them. But he’s just as likely to make friends with them if they don’t try to kill him first. And in amongst the merrygo-round of silly-monster-that-looks-like-a-squirrel, silly-monster-that-lookslike-a-chinchilla and silly-monster-that-looks-like-a-procupine, we get some really quite scary moments. Unlike the concurrent Friday The 13th: The Series (which had nothing to do with Camp Crystal Lake or Jason), Freddy’s Nightmares was a revelation for fans of the Elm Street franchise. Star Robert Englund – as the gloved maniac himself – hosted each episode and, in some cases, starred in the actual stories. The superlative pilot episode “No More Mr Nice Guy” actually acted as a prequel to Wes Craven’s own 1984 film – and was directed by Texas Chain Saw Massacre man Tobe Hooper – while “Sister’s Keeper” finds a pair of twins attempting to curb Freddy’s deadly dreamscapes. Die-hard horrorhounds will also note the familiar slasher directors who made their mark on this terrestrial terror totem. Tom DeSimone, who helmed the Linda Blair slice and dicer Hell Night (1981), was roped in for numerous instalments whilst Halloween 4’s Dwight Little took on season one highlight “Do Dreams Bleed” – in which a rival serial slayer enters Freddy’s Springwood domain. STANDOUT SCARY MOMENT: The exploding stomachs in “A Dish Best Served Cold”. DG STANDOUT SCARY MOMENT: The gruelling dental nightmare of the pilot episode is far ickier than anything in the recent Elm Street remake. CW SFX PRESENTS HORROR 7 THE TV TERROR TOP 40 Island of terror! The creature strikes. 36 THE NIGHTMARE MAN (UK) YEAR: 1981 EPISODES: 4 “The Whatnow Who?” you might ask of this 1980s obscurity. But The Nightmare Man is fondly remembered by those who caught it on transmission or took a chance on the DVD a few years back. Set on a fog-bound Scottish island beset by a string of grizzly murders, it has an uneasy atmosphere from the start. We know that something is afoot, but it’s only towards the end of the second episode that it becomes clear we’re in science fiction and horror territory. Former Doctor Who script editor Robert Holmes adapted the serial from David Wiltshire’s novel, Child Of Vodyanoi. It shows – this often feels like a more adult Who story. There’s a monster, a mysterious stranger and it is, for all intents and purposes, a base-under-siege tale. It’s not particularly scary and it drags in places, but the brooding ambience and strong performances from Michael Gaffikin and Celia Imrie make for an engaging watch. STANDOUT SCARY MOMENT: A low key scene that’s creepy because of what you don’t see. Over dinner in their hotel, Michael and Fiona discuss the fact that the woman Mike has been perving on is absent that night. They slowly realise what that might mean... and her body is later found. WS 34 FROM DUSK TILL DAWN: THE SERIES (US) YEAR: 2014 EPISODES: 10 2014 is a good time to be a horror fan. Everyone from Hannibal to Norman Bates is enjoying a new lease of life in intelligent and provocative prime time stints. Moreover, movies that were considered to have “underperformed” back in the day – such as 1996’s From Dusk Till Dawn – are being given a second chance to splatter the screen blood red. Developed by Robert Rodriguez himself, who calls the shots on four of the episodes, From Dusk Till Dawn takes some time to get tasty. The pilot re-introduces us to the Gecko Brothers (now played by DJ Cotrona and Zane Hotlz) and plays out as a bloody, bullet-ridden hostage thriller. However, things heat up when the twosome, and their captives, flee to the Mexico border and the inevitable vampire mayhem takes precedence. Fans of Salma Hayek’s original snake dance also have reason to celebrate – actress Eiza González does the serpent shuffle with an even more alluring mix of seduction and sinister intent… STANDOUT SCARY MOMENT: Satanico (Eiza González) goes on a bloody, bloody bar brawl after revealing herself as a vampire in “Pandemonium”. CW They’re a good looking bunch, aren’t they? 35 THE VAMPIRE DIARIES (US) YEARS: 2009–PRESENT EPISODES: 111 There’s nothing scarier on The Vampire Diaries than Damon’s eyes. Seriously, look at them; they’ve practically got a life of their own. We can only imagine the demonic forces that must be pulling the strings behind those eyebrows. The rest may be more soap-opera teen romance than horror show, but The Vampire Diaries can still do gore with the best of them. Characters are staked, eviscerated and their necks broken with surprising regularity. Death is as big a part of the show as snogging, and the cornucopia of supernatural creatures (all of whom hate each other) means that a gruesome murder is never far away. It does traditional scares well too, with a variety of creepy locations in and around Mystic Falls serving as a perfect backdrop for the show’s more frightening moments, while the ghosts are effective at delivering shocks. STANDOUT SCARY MOMENT: In “The Turning Point” Elena hits a mysterious hooded figure with her car, only for the crumpled corpse to reanimate with a series of grisly cracks. JF 8 SFX PRESENTS HORROR 33 THE ORIGINALS (US) YEARS: 2013–PRESENT EPISODES: 23 This Vampire Diaries spin-off is set largely in New Orleans – a creepy and characterful city – and stars its parent show’s breakout characters – the Originals. This is a Good Thing for horror enthusiasts because the Originals, Klaus especially, have no qualms about killing, especially when it helps them get their way. The show’s vampires can walk round in daylight and are virtually unkillable, which means they lack all the traditional weaknesses that bloodsuckers suffer from. It’s a show largely about the power struggle between the old guard and the new in New Orleans, kind of like The Godfather with vampires, witches and werewolves. It’s not the scariest show in the world, but it does murder and mayhem with the best of them, and there’s usually a good bloodbath every six episodes or so. It’s also got some remarkably charismatic and engaging characters, along with a plot that likes to race along. STANDOUT SCARY MOMENT: Any time the creepy, white-suit-wearing ghost twins turn up. JF THE TV TERROR TOP 40 Tame terrors in Goosebumps. 32 GOOSEBUMPS (CANADA) YEARS: 1995–1998 EPISODES: 74 “Viewer beware, you’re in for a scare” declared the Goosebumps TV show, but watch it now and you’re more likely to laugh than cower behind a cushion in fear. Even young ’uns will see through the dodgy production values, terrible performances and absurd visual effects. But there’s still a nugget of primal terror that survives the transition from the page to the screen, because author RL Stine has a mind built for scaring kids. Episodes like “Stay Out Of The Basement” (where two young girls discover a plant mutant has been posing as their father) and “Night Of The Living Dummy” (a classic talking dummy tale) are unsettling to this day – no surprise the show ran into constant ratings and censorship issues in the UK. A perfect place to start for any young horror fan. STANDOUT SCARY MOMENT: “The Haunted Mask” – a young girl buys the creepiest Halloween mask you’ve ever seen, and can’t take it off… JF 31 30 THE OUTER LIMITS (US) YEARS: 1963–1965 EPISODES: 49 A spiritual cousin to The Twilight Zone, this anthology series focused more on science fiction than horror. Its most famous episodes are pure SF instalments like “Soldier” and “Demon With A Glass Hand” – both by Harlan Ellison. But those eerie opening titles – “There is nothing wrong with your television set... we are controlling transmission” – hint at an intent to spook the viewer. “Nightmare” focusses on a group of space marines who are captured and tortured, physically and psychologically. “The Zanti Misfits” finds Earth facing some creepy insectoid aliens. And some episodes – like “ZZZZZ”, which is about a bee that can take on human form, were just plain weird. The show was revived in the ’90s and featured more overt horror tropes (no doubt influenced by The X-Files’ wild success), but is less fondly regarded than the mad and daring original run. STANDOUT SCARY MOMENT: “Nightmare” is a staggeringly bleak and unsettling look at the human condition for a mainstream ’60s sci-fi show. Trapped and tortured by aliens (or so it seems...), a group of soldiers fail to band together, instead turning on each other. WS Aeroplane food will do this to you. THE HUNGER (UK/CANADA) YEARS: 1997–2000 EPISODES: 44 Despite sharing a name with Tony Scott’s 1983 vampire flick, this Hunger is an anthology show. There are no concrete links to the movie, but it shares a similar soft-core erotic tone and themes of desire and obsession. It certainly wasn’t lacking in talent. Scott himself directed two episodes and scripts were written by horror notables like Poppy Z Brite and Graham Masterton. Terence Stamp was the show’s “host”, but was replaced by David Bowie (who starred in the movie) for the second season. Unfortunately, it aired on network TV in an age that hadn’t yet embraced outrageous boobs-and-blood cable shows like Game Of Thrones. Despite the adult subject matter and some risqué scenes, it was restricted in just what it could show. If The Hunger was made again today, no doubt by HBO, it likely would have better lived up to its queasy, sleazy potential. STANDOUT SCARY MOMENT: This one is just a bit weird. In the episode “Bridal Suite”, a newly-married couple book themselves into a hotel, only to discover that their bed has been cursed. The upshot of this is that the woman’s adulterous husband is absorbed into the bed for all eternity. Well, we suppose it’s plausible... WS 29 FRINGE (US) YEARS: 2008–2013 EPISODES: 100 Rather like The X-Files, Fringe excelled itself in coming up with crazy, unexplained scenarios that pushed the limits of horror while also maintaining its police procedural format. However, unlike The X-Files, which remained (mostly) tethered to real life, Fringe could afford to really let loose when it wanted to, given that it became a show about parallel worlds interfering with our own to cause all sorts of weird-ass crap. Consequently, you have people falling to their deaths when the floors of buildings suddenly disappear from under their feet. Others get stuck half in, half out of walls during a bank robbery. Others die thanks to horrendous, gory diseases, viruses or parasites. The list goes on: if there’s an inventive, utterly insane way for someone to die, they'll find it. Quite how the Fringe Division didn’t spend half their working life barfing up their lunch, we don't know. STANDOUT SCARY MOMENT: In the episode “Ability”, a mysterious chemical substance causes innocent victims’ orifices to seal up – leaving them mouthless, nostril-less and eye-less… JN SFX PRESENTS HORROR 9 THE TV TERROR TOP 40 Martin Shaw took the lead as Father Jacob. 28 BUFFY THE VAMPIRE SLAYER (US) YEARS: 1997–2003 EPISODES: 144 26 APPARITIONS (UK) YEAR: 2008 EPISODES: 6 For much of its run, Buffy was all about the comedy. Even in situations that would frighten the willies out of most people, our sassy Buffy Summers would crack wise and break the tension to such an extent that you forget there’s anything terrifying about fighting monsters. But occasionally – just occasionally – Buffy could genuinely scare us out of our wits. Xander losing his eye in “Dirty Girls”, for instance. The murder of Warren, flayed alive by our little, innocent Willow. And the death of Buffy’s mother Joyce, of course, in an episode that was terrifying simply because it was so awfully real and mundane. And then there’s “Hush”. Almost universally accepted as being the best Buffy episode out there – it’s most definitely the cleverest – it uses the gimmick of having the population of Sunnydale lose the ability to speak while they’re hunted by a pack of besuited Gentlemen who don’t walk but glide. Nightmares were most definitely had. Father Jacob, a miracle investigator for the Catholic Church, finds himself drawn into the war between Heaven and Hell. Apparitions only ran for one season but it made those episodes count. An unflinchingly nasty series, both physically and psychologically, it’s anchored by three immensely strong central performances. Shaw’s Catholic priest is a quietly troubled, good man who it’s easy to like. Siobhan Finneran is splendidly vinegary as his reluctant sidekick and Rick Warden is astounding as the tormented pawn that Jacob is trying to save. Very much a forerunner to Being Human in how it combined the mundanity of normal life with horror, Apparitions pulled no punches and the gore is often a little excessive. Get past that, though, and you have a surprisingly coherent and moving series. An honest look at Catholicism in particular and faith in general, Apparitions is eccentric, difficult but absolutely worth your time. STANDOUT SCARY MOMENT: The Gentlemen smiling so beatifically as they tear out a poor guy’s heart – and he can't scream because they’ve stolen his voice. JN STANDOUT SCARY MOMENT: The demon uses some extraordinarily vicious foul language; the F-word’s shock value may have diminished on TV these days, but in Apparitions it becomes a reenergised force for evil. AS Black Mirror is named after an Arcade Fire song. 27 BLACK MIRROR (UK) YEARS: 2011–PRESENT EPISODES: 6 It turns out that aside from his day job as the angriest man in the media, Charlie Brooker also knows a thing or two about writing terrifying TV. Black Mirror, two short series of unconnected episodes, smashed the Twilight Zone into 2000 AD’s Future Shocks, fused it with Brooker’s grim view of modern life, and created something quite, quite brilliant. The first episode pondered what would happen if the Prime Minister was blackmailed into shagging a pig on live TV, and the premise of each subsequent instalment got progressively darker. Computer game prison dystopias and evil talent shows, paranoid visions of a world where everything you see can be recorded and played back, horrific prisoner-baiting theme parks – Brooker’s worlds are not places you’d ever want to visit. But what resonated the most was a profound fear that we are all completely buggered, and it’s our own fault. A show that causes deep psychological distress, basically. Thanks for that, Charlie. STANDOUT SCARY MOMENT: The end of “15 Million Merits”, when Bing is revealed to have been incorporated into the system he once hated. Bleak. RP 10 SFX PRESENTS HORROR 25 IN THE FLESH (UK) YEARS: 2013–PRESENT EPISODES: 9 BBC Three’s In The Flesh is a rare thing: a show about zombies in which the zombies are not actually the scariest thing in it. Set a few years after an undead apocalypse, it sees “partially deceased syndrome sufferer” Kieren Walker reintegrated back into the fictional small village of Roarton after being medically treated for his desire to feast on the flesh of the living. Sure, there is the odd scene of conventional terror – series two’s opener of a zombie terrorist attack on a city tram, for example, is particularly traumatic – but the real terror is in the allegory: the uneasiness of Roarton’s prejudice and xenophobia, and how it mirrors not only the very real horror that people go through every day, but in how it also forces you to examine your very own sense of morality. After all, would you really want a zombie for a neighbour? STANDOUT SCARY MOMENT: Among the many jump scares, it’s series two’s opener which presents the most horrific of scenarios: people are stuck in a tram, with no way out, in the midst of a zombie terrorist attack. SK